D'autres livres qui pourraient vous intéresser

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  Bruises

  Kurt Newton

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  A collection of 23 stories from Kurt Newton, including: 
  The Pit, Puppies For Sale, Bruises, Under the Bridge, Thumbin ', Something Profound, The Whittling, creak!, Angels of Mercy, Angels of Grief, Skins, The Banana Man, Dead Dogs, Trunk Story, Nature Walk, The Dog Park, B - Side, Lost Dog, Periphery, Post Mortem, The Stagnant Ponds, Thirty-Two Scenes from A Dead Hooker's Mouth, Lump and The Golden Door. 
  “For dark and cerebral writing, read Kurt Newton, a purveyor of tragedies of both the human condition and of the supernatural; to wit, his latest—a collection that is not just 23 short stories, but 23 sharp and shocking BRUISES to the psyche!”—Eric J. Guignard, multiple award-winning author and editor, including That Which Grows Wild and Doorways to the Deadeye

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  The Open Window

  Saki Saki

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  Title: The Open Window 
  Author: Saki (H. H. Munro) 
  Narrator: Jonathan Dunne 
  Original Publication: 1914 
  Public Domain: Yes 
  Series Placement: Number 30 in the Timeless Terrors series 
  Description: 
  The Open Window by Saki is a masterful blend of subtle wit and unsettling irony — a tale where polite conversation becomes a stage for deception and the supernatural lingers just out of sight. When the nervous Mr. Nuttel visits a country home for rest and recovery, his young hostess, Vera, entertains him with a chilling story of loss, ghosts, and an open window that never closes. 
  Deceptively light in tone, Saki’s story conceals a dark brilliance — a study in manipulation, imagination, and the thin line between truth and terror. The quiet domestic setting becomes the perfect trap for the reader’s expectations, as the tale turns from social comedy to ghostly suspense with unnerving precision. 
  Narrated by horror author Jonathan Dunne, this performance captures Saki’s sharp dialogue, dry tension, and sudden twist of fear. While the text itself is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series devoted to reviving the classic and uncanny, The Open Window stands as a timeless parable of storytelling itself — where every tale may open onto something far more chilling than it seems. 
  Prepare for a story that begins with civility and ends with a shiver — a moment when laughter and fear share the same breath.

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  The Unnameable

  H. P. Lovecraft

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  Title: The Unnameable 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1923 
  Public Domain: Yes 
  Series Placement: Number 49 in the Timeless Terrors series 
  Description: 
  The Unnameable is H. P. Lovecraft’s wry yet deeply unsettling meditation on the limits of language, the arrogance of rationalism, and the encroaching chaos of the ineffable. 
  Set amid the decaying graveyards of New England, the tale follows two friends — one a writer of strange tales, the other a skeptic — as they debate the very existence of the “unnameable.” Their intellectual banter turns to horror when they confront the impossible firsthand, discovering that some horrors defy not only reason but description itself. 
  Blending gothic atmosphere with cosmic dread, Lovecraft transforms a seemingly simple ghost story into a darkly humorous and deeply disquieting reflection on humanity’s need to name — and thereby contain — its fears. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance captures both the sardonic wit and the creeping terror of Lovecraft’s vision — a world where words fail and madness begins. While the text is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series devoted to resurrecting the masters of the macabre and uncanny, The Unnameable endures as one of Lovecraft’s most compact and haunting explorations of the indescribable — a tale that proves some things are better left unspoken.

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  Top 10 Poets The - The 18th...

  William Wordsworth, William...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of talents from the literary landscape of the 18th Century and its authors whose time has now come again.

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  The Red Room

  H. G. Wells

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  Step into the haunting world of The Red Room, one of H.G. Wells' most chilling short stories, now narrated by Jane Wing. In this gothic tale of suspense, a skeptical protagonist enters a seemingly haunted room in an ancient castle, determined to disprove the existence of the supernatural. As the night progresses, he encounters fear in a way he never anticipated. 
  Jane Wing’s gripping narration adds an extra layer of tension, making this eerie classic a truly immersive listening experience. Filled with Wells' signature mastery of atmosphere and psychological insight, The Red Room is a story of isolation, fear, and the unknown. 
  Perfect for fans of ghost stories, gothic literature, and psychological thrillers, this audiobook will leave listeners questioning what is real and what is imagined. Are the shadows in the room truly harmless, or is something far more sinister at play? Listen and find out... if you dare.

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  About Love - From their pens to...

  Anton Chekhov

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  Anton Pavlovich Chekhov was born on 29th January 1860 in Taganrog, on the south coast of Russia.  
  His family life was difficult; his father was strict and over-bearing but his mother was a passionate story-teller, a subject Chekhov warmed to. As he later said; ‘our talents we got from our father, but our soul from our mother’.  
  At school Chekhov was distinctly average. At 16 his father mis-managed his finances and was declared bankrupt. His family fled to Moscow. Chekhov remained and eked out a living by various means, including writing and selling short sketches to newspapers, to finish his schooling. That completed and with a scholarship to Moscow University obtained he rejoined his family. 
  He was able to help support them by selling satirical sketches and vignettes of Russian lifestyles and gradually obtained further commissions. In 1884, he qualified as a physician and, although it earned him little, he often treated the poor for free, he was fond of saying ‘Medicine is my lawful wife, and literature is my mistress.’ 
  His own health was now an issue as he began to cough up blood, a symptom of tuberculosis.  Despite this his writing success enabled him to move the family into more comfortable accommodation.  
  Chekhov wrote over 500 short stories which included many, many classics including ‘The Kiss’ and ‘The Lady with a Dog’.  His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26.  
  He was also a major playwright beginning with the huge success of ‘Ivanov’ in 1887.   
  In 1892 Chekhov bought a country estate north of Moscow. Here his medical skills and money helped the peasants tackle outbreaks of cholera and bouts of famine. He also built three schools, a fire station and a clinic.  It left him with less time for writing but the interactions with real people gained him detailed knowledge about the peasantry and their living conditions for his stories.  
  His most famous work, ‘The Seagull’ was received disastrously at its premiere in St Petersburg. It was later restaged in Moscow to highlight its psychological aspects and was a huge success. It led to ‘Uncle Vanya’, ‘The Three Sisters’ and ‘The Cherry Orchard’.  
  Chekhov suffered a major lung hemorrhage in 1897 while visiting Moscow. A formal diagnosis confirmed tuberculosis and the doctors ordered changes to his lifestyle.  
  Despite a dread of weddings the elusive literary bachelor quietly married the actress Olga Knipper, whom he had met at rehearsals for ‘The Seagull’, on 25th May 1901. 
  By May 1904 with his tuberculosis worsening and death imminent he set off for the German town of Badenweiler writing cheerful, witty letters to his family and assuring them his health was improving.  
  On 15th July 1904 Anton Chekhov died at Badenweiler.  He was 44.

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