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  My Land of Freedom - A poem of...

  Ifeanyi Njoku

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  This poem is a powerful reflection on war, displacement, and the struggle for freedom. It tells the tragic story of a people who fought for liberation but were met with violence, loss, and eventual surrender. Likely referencing the Igbo experience during the Nigerian Civil War, it captures the pain of oppression and the resilience of those who endured it. 
  The poem begins with a contradiction: "In my land of freedom, I walked with fear." This highlights the irony of living in a place meant to be free but being consumed by anxiety. The people demand justice, yet their cries are silenced by violence. The line "Killing our brothers, and leaving us undone" conveys both physical loss and emotional devastation. 
  The imagery of "scorching soil" and "separated from families" paints a picture of suffering and displacement. War does not just take lives—it tears families apart and leaves hearts unable to thrive. The mention of "refugee camps" emphasizes how many were forced from their homes, left to question their identity: "Are we unlucky, to be Igbo?" This speaks to a deep sense of abandonment and injustice. 
  The poem also highlights betrayal, as leaders fail to protect their people. "Everyone was a soldier, in this war we couldn't win." This line captures the grim reality of a war where survival itself was a battle. Despite their bravery, they were up against overwhelming forces. 
  The final lines are heartbreaking: "We had to surrender, and say goodbye to our pride." This is not just a loss of battle but a loss of dignity. Yet, even in surrender, their story lives on. This poem is a tribute to resilience, a reminder of suffering, and a call to remember those who fought, even when the world turned away.

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  A Scandalous Match - The...

  Jane Dunn

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  Perfect for fans of Jane Austen, Janice Hadlow, Gill Hornby, and anyone with a Bridgerton-shaped hole in their lives. 
  ‘Angelica had always known her lack of high birth, fortune or influence debarred her from being presented as an eligible young woman worthy of marriage. To cap it all, being an actress assured she was utterly beyond the pale of respectability.' 
  Nightly at the Covent Garden Theatre in London, an enchanting actress is wowing the crowds with her affecting portrayal of Ophelia. Preyed on by rakes and opportunistic young bucks, feted by dukes and earls, even the Prince Regent himself, Angelica Leigh is a sensation. 
  But in Regency England, beauty and talent are not enough to be considered marriage material, so when the eminently eligible Lord Charles Latimer sets his heart on Angelica, his uncle is sent to intervene. 
  As a highly respected, hard-working and wealthy lawmaker, The Honourable Ivor Asprey, is himself seen as desirable husband material, but widowed with an eleven-year-old daughter Elinor, he has forsaken all thoughts of romance. Lord Latimer’s mother, the Duchess of Arlington, despairs of her son, despite being reassured by Ivor that his infatuation with the actress will pass. But there is something about Angelica Leigh that demands attention, and even the austere and upstanding Mr Asprey isn’t immune to her charms. 
  Sunday Times bestselling author Jane Dunn brings the Regency period irresistibly to life. 
  Praise for Jane Dunn: 
  'Brilliant, sparkling and very clever.' Elizabeth Buchan 
  'Jane Dunn’s THE MARRIAGE SEASON gives all the immersive pleasure of Georgette Heyer’s brilliantly confected Regency novels, in a sublime alternative world of joy. Bridgerton look out!' Melanie Reid, The Times 
  ‘Outstanding, perceptive and delightfully readable.’ Sunday Times Books of the Year ‘Jane Dunn has written a splendid piece of popular history with the ready-pen of a highly skilled writer, endowed with remarkable insight.’ Roy Strong, Daily Mail 
  ‘Jane Dunn is one of our best biographers.’ Miranda Seymour, Sunday Times 
  Readers love Jane Dunn: 
  ‘All the characters were so alive, I wasn’t ready for the book to end and longed to know more of what happens to them…** This is the Regency era come to vivid, believable, exciting life.** I can’t wait for the next book from this author.’ 
  ‘I can not rate this book high enough! As a lover as Georgette Heyer I've always looked for books that give as much historical detail as hers and I'm often disappointed, but not with this book! The characters are spirited and loveable and I can honestly say I didn't want to put it down.’ 
  ‘Without a shadow of doubt, this is the best novel I have read in ages. Regency addicts won't find many heaving bosoms or tumbling ringlets. What they will find is an ingeniously plotted story with the emphasis on the men, with all their wit and cynicisms. This is underpinned by strong women whose story it really is, who cleverly manage these men with perfection... I am recommending this book to everyone, and have bought two more as gifts.’ 
  ‘Jane has Dunn it again, reassuring us that this is how life really was – for the fortunate – when the boys came home from the Napoleonic wars, and making us feel at home then, nonetheless. Eat your heart out, Bridgerton!’ 
  ‘A beautifully written story full of twists and turns that transports you straight into Regency England.’

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  The Secret World of Connie Starr

  Robbi Neal

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  A stunning evocation of Australian life through the war to the 1950s, this novel is intimate and sweeping, immediate and dreamlike - a magical rendering of darkness and joy, and the beauty inherent in difference. For readers of Sarah Winman's Still Life, Trent Dalton's All Our Shimmering Skies and Rosalie Ham's The Dressmaker. 
    
  Connie Starr was always a difficult child. Her mother knew as soon as Connie entered the world that day in Ballarat in 1934 and opened her lungs to scream, there was more chaos in the world than before and it wouldn't leave until Connie did. From the safety of a branch high in her lemon tree where she speaks to angels, she sees the world for what it is - a swirling mass of beauty and darkness, of trauma and family, of love and war and truth and lies - lies that might just undo her and drive her to a desperate act. 
  This ambitious, complex and insightful novel intertwines numerous stories of lives from before World War II and beyond, recreating with intimacy and breadth a world that is now lost to us. This book is a brightly coloured patchwork quilt of everything from shoes to polio, lemon trees to rivers, death to life that melds into one beautiful, luminous work of art. 
  'The Secret World of Connie Starr will set the literary firmament ablaze. This brilliant, quintessentially Australian ode to difference, transcends time and place - it's an achingly lovely tale that shines long after the last page.' Karen Brooks, author of The Good Wife of Bath  
  HarperCollins Australia 2022

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  Big Red - A Novel Starring Rita...

  Jerome Charyn

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  Since he first appeared on the American literary scene, Jerome Charyn has dazzled readers with his "blunt, brilliantly crafted prose" (Washington Post). Yet Charyn, a beloved comedic novelist, also possesses an extraordinary knowledge of Golden Age Hollywood, having taught film history both in the United States and France. 
   
   
   
  With Big Red, Charyn reimagines the life of one of America's most enduring icons, "Gilda" herself, Rita Hayworth, whose fiery red tresses and hypnotic dancing graced the silver screen over sixty times in her nearly forty-year career. The quintessential movie star of the 1940s, Hayworth has long been objectified as a sex symbol, pin-up girl, and so-called Love Goddess. Here Charyn, channeling the ghosts of a buried past, finally lifts the veils that have long enshrouded Hayworth, evoking her emotional complexity—her passions, her pain, and her inner turmoil. 
   
   
   
  Reanimating such classic films as Gilda and The Lady from Shanghai, Big Red is a bittersweet paean to Hollywood's Golden Age, a tender yet honest portrait of a time before blockbusters and film franchises—one that promises to consume both Hollywood cinephiles and neophytes alike. Lauded for his "polymorphous imagination" (Jonathan Lethem), Charyn once again has created one of the most inventive novels in recent American literature.

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  Margot - A Novel

  Wendell Steavenson

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  A moving portrait of a young woman's struggle to break free of her upper-class upbringing amid the whirlwind years of the sexual revolution. 
   
   
   
  It's the mid-1950s and Margot Thornsen is growing up between a Park Avenue apartment in New York and her family's sumptuous Oyster Bay estate as the presumed heir to her late grandfather's steel fortune. Her domineering mother has charted a course for her—to forego education and marry well—but Margot is more interested in microscopes and beetles and books. When a devastating fire brings the family legacy crashing down and the sexual revolution dawns, a new path opens up—the expansive world of late-1960s Radcliffe College and the intellectual, cultural, and sexual freedom Margot has been reaching for. 
   
   
   
  Hailed for her "intelligent and heartfelt fiction" (Kirkus Reviews), Wendell Steavenson writes with grace, precision, and great psychological perception. With Margot, she has crafted a vivid portrayal of the quiet torment of young women of its era, a comically caustic mother-daughter story, and a memorable evocation of one woman's passion for the wonder of science.

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  The Ballad Of The White Horse -...

  Gilbert Keith Chesterton

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  "The Last Great Epic Poem in the English Language"- Dale Ahlquist"The ending is absurd. The brilliant smash and glitter of the words and phrases (when they come off, and are not mere loud colours) cannot disguise the fact that G. K. C. knew nothing whatever about the 'North', heathen or Christian."- JRR TolkienThe tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun. Chesterton says "This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. That is the use of tradition: it telescopes history."Named after the chalk horses carved into English hills (and partly set at Uffington), it begins with an exhortation to true Christianity in the face of despair and defeat, and ends with a prediction of more barbarian invasions. It focuses on the nature of faith in times of despair, and on the true strength of local kings in the face of empires."... you and all the kind of ChristAre ignorant and brave,And you have wars you hardly winAnd souls you hardly save...."In some far century, sad and slow,I have a vision, and I knowThe heathen shall return...."They shall come mild as monkish clerks,With many a scroll and pen;And backward shall ye turn and gaze,Desiring one of Alfred's days,When pagans still were men."

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