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  Die Mommie Die

  Charles Busch

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  Angela Arden wants to be free of her suffocating marriage to film producer Sol Sussman. What better way than poison! Distraught by her father’s death and convinced of her mother’s guilt, Edith Sussman plots to get the truth out of Angela using any means necessary. Charles Busch stars in the role he originated in this camp sendup where tongues aren’t the only thing dipped in acid.Recorded before a live audience at the UCLA James Bridges Theater in May 2019.Directed by Carl AndressWith original music and songs by Lewis FlinnProducing Director Susan Albert LoewenbergCharles Busch as Angela Arden SussmanMark Capri as Tony ParkerWillie Garson as Sol SussmanEllis Greer as Edith SussmanJeffery Self as Lance SussmanRuth Williamson as BootsieAssociate Artistic Director, Anna Lyse Erikson. Recording Engineer, Sound Designer and Mixer, Mark Holden for The Invisible Studios, West Hollywood. Senior Radio Producer, Ronn Lipkin. Foley Artist, Brian Wallace. Production Manager, Zack Myers. Editor, Julian Nicholson.  “The Missing Girl” performed by Mary Birdsong, music and lyrics by Lewis Flinn.“The Salt and Pepper Polka” performed by Mary Birdsong,music by Lewis Flinn, lyrics by Dick Gallagher and Charles Busch.

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  P Word (NHB Modern Plays) - The

  Waleed Akhtar

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  Zafar flees homophobic persecution in Pakistan to seek asylum in the UK. Londoner Bilal (or Billy as he prefers to be known) is ground down by years of Grindr and the complexity of being a brown gay man.
  In Soho, at 2 a.m., parallel worlds collide – and Zafar and Billy's lives are about to change forever.
  The P Word is Waleed Akhtar's sharp-witted and devastating play charting the parallel lives of two gay Pakistani men as they negotiate everything from casual hook-ups to the UK's hostile environment.
  A story of who wins in the luck of life's draw, it was premiered at the Bush Theatre, London, in 2022, directed by Anthony Simpson-Pike.

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  American Rendering - New and...

  Andrew Hudgins

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  American Rendering showcases twenty-four new poems as well as a generous selection from Andrew Hudgins’s six previous volumes, spanning a distinguished career of more than twenty-five years. Hudgins, who was born in Texas and spent most of his childhood in the South, is a lively and prolific poet who draws on his vivid Southern and,more specifically, Southern Baptist, childhood. Influenced by writers such as John Crowe Ransom,William Faulkner, Flannery O’Connor, and James Dickey, Hudgins has developed a distinctively descriptive form of the Southern Gothic imagination. His poems are rich with religious allusions, irreverent humor, and at times are inflected with a dark and violent eroticism.Of Hudgins’s most recent collection, Ecstatic in the Poison, Mark Strand wrote: “[It] is full of intelligence, vitality, and grace. And there is a beautiful oddness about it.Dark moments seem charged with an eerie luminosity and the most humdrum events assume a startling lyric intensity. A deep resonant humor is everywhere, and everywhere amazing.”

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  Second Person Narrative (NHB...

  Jemma Kennedy

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  You're born a girl. You grow up. You grow old. You die. But along the way can you really forge your own identity? Can you actually choose your own destiny? And would you do anything differently if you could do it all over again?
  Second Person Narrative by Jemma Kennedy is part of Platform, a new initiative from Tonic Theatre in partnership with Nick Hern Books.
  Aimed at addressing gender imbalance and inequality in theatre, Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by school, college and youth-theatre groups.
  'Drama is an important tool for building confidence and empowering young people. Platform will give girls opportunity to access these benefits as much as their male counterparts.' - Moira Buffini

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  Panicle

  Gillian Sze

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  “Succulent in its excellence, Sze’s poetry insists that cultural ‘difference’ is what can make a beautiful difference in our apprehension of the ‘beautiful.’” — George Elliott Clarke on Peeling Rambutan
   
  In Panicle, Gillian Sze makes her readers look and, more importantly, look again. It’s a collection that challenges our notion of seeing as a passive or automatic activity by asking us to question the process of looking. The book’s first section, “Underway,” deals with the moving image and includes both poetic responses to film theory and lyrical long poems while also reimagining fairy tales. The next section, “Stagings,” takes its inspiration from the still image and explores a wide range of periods, movements, and media. Sze’s focus on the process of looking anticipates “Guillemets,” a creative translation of Roland Giguère’s 1966 chapbook, Pouvoir du Noir, which contains a series of poems accompanied by his own paintings. Sze’s approach to Giguère is two-fold: she “translates” his text, and artist Jessica Hiemstra provides a visual response to her translation. The final section, “Panicle,” continues the meditative quality of “Guillemets” in a suite of poems that ruminate on nature, desire, and history.

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  I Love Lucy - A Funny Thing...

  Gregg Oppenheimer

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  The onscreen pairing of Lucille Ball and Desi Arnaz is at the heart of one of the most popular TV shows in history. Who would have thought that to get on the air, they had to battle both a network and a sponsor who thought the show couldn't possibly succeed? Playwright Gregg Oppenheimer – son of I Love Lucy’s creator Jess Oppenheimer – spins the hilarious true story behind America’s beloved TV comedy.Includes an interview with playwright Gregg Oppenheimer.

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