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  The Flowering of the Strange...

  HG Wells

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  Herbert George Wells was born on September 21st, 1866 at Atlas House, 46 High Street, Bromley, Kent. He was the youngest of four siblings and his family affectionately knew him as ‘Bertie’.  
  The first few years of his childhood were spent fairly quietly, and Wells didn’t display much literary interest until, in 1874, he accidentally broke his leg and was left to recover in bed, largely entertained by the library books his father regularly brought him. Through these Wells found he could escape the boredom and misery of his bed and convalescence by exploring the new worlds he encountered in these books.  
  From these humble beginnings began a career that was, after several delays, to be seen as one of the most brilliant of modern English writers.    
  Able to write comfortably in a number of genres he was especially applauded for his science fiction works such as The Time Machine and War of the Worlds but his forays into the social conditions of the times, with classics such as Kipps, were almost as commercially successful.  His short stories are miniature masterpieces many of which bring new and incredible ideas of science fiction to the edge of present day science fact.  Wells also received four nominations for the Nobel Prize in Literature 
  Despite a strong and lasting second marriage his affairs with other women also brought the complications of fathering other children.  His writings and work against fascism, as well as the promotion of socialism, brought him into increasing doubts with and opposition to religion.  His writings on what the world could be in works, such as A Modern Utopia, are thought provoking as well as being plausible, especially when viewed from the distressing times they were written in. 
  His diabetic condition pushed him to create what is now the largest Diabetes charity in the United Kingdom.  Wells even found the time to run twice for Parliament. 
  It was a long, distinguished and powerfully successful career by the time he died, aged 79, on August 13th, 1946.

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  The Empire of the Necromancers

  Clark Ashton Smith

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  This audiobook is narrated by an AI Voice.  
  In a world where the sun dims over the last continent, Zothique, two exiled necromancers—Mmatmuor and Sodosma—seek to create their empire in a kingdom of the dead. Driven from Tinarath, they journey to the deserted land of Cincor, where plague has left only bones and mummies behind. Using forbidden spells, they raise the dead to serve their dark will, constructing an undead empire of forced labor and eerie splendor. Yet, deep in this kingdom, a spark of rebellion stirs among the dead. As the necromancers’ control falters, the fate of Cincor’s restless souls teeters between freedom and perpetual torment. Will the dead reclaim peace, or will Mmatmuor and Sodosma’s vile empire endure?

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  The White Ship

  H. P. Lovecraft

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  More classic horror narrations on Jonathan's YouTube channel: https://www.youtube.com/@JonathanDunneHorrorAudiobooks 
  Title: The White Ship 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1919 
  Public Domain: Yes 
  Series: Timeless Terrors 
  Number: 102 
  Description: 
  The White Ship is a haunting and dream-laden voyage into realms beyond mortal reckoning, where longing becomes both compass and curse. Set upon a lonely headland overlooking an ancient sea, the tale follows Basil Elton, a solitary lighthouse keeper who is summoned by a mysterious white vessel to sail toward lands of impossible beauty and perilous promise. Each shore he visits offers visions of wonder, knowledge, and transcendence—yet beneath their splendor lies a growing sense of cosmic inevitability and loss. 
  In this early masterwork, H. P. Lovecraft crafts a lyrical meditation on aspiration, illusion, and the fragile boundary between dream and waking ruin. The prose drifts with hypnotic elegance, yet carries an undercurrent of dread, as each paradise reveals itself to be but another veil before ultimate disillusionment. Themes of yearning, forbidden wisdom, and the indifferent vastness of the cosmos echo throughout the voyage, culminating in a revelation as stark and unforgiving as the sea itself. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance captures the story’s ethereal beauty and creeping melancholy, drawing listeners into a reverie where hope and hubris sail hand in hand. The White Ship endures as a timeless exploration of the human hunger for transcendence—and the devastating cost of pursuing realms never meant for mortal souls.

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  The Water Ghost and Others

  John Kendrick Bangs

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  Eight ghost stories by a master story teller and humorist of the late nineteenth and early twentieth centuries. (Summary by David Wales)

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  Horror Stories At Sea - Scary...

  Joseph Conrad, Guy de...

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  Being on a ship is usually very safe.  The days of sinking after hitting an iceberg are almost unthinkable.  A ship goes from one port to another, seemingly without a care in the world.  Advanced technology has kept this means of transport as no more uncomfortable as maybe a bit of queasiness after going up and down in a storm.  But worse?  No, not really possible, is it? 
   
  In this volume our authors beg to differ.  They would like to bring us stories where being on a ship is simply the worse place to be.  Horror and terror, and worse, infest their narratives and threaten all and everything aboard.  
   
  1 - Horror Stories at Sea - An Introduction 
  2 - The Brute by Joseph Conrad 
  3 - The Horla by Guy De Maupassant  
  4 - A Fight with a Cannon by Victor Hugo 
  5 - The Shamraken Homeward-Bounder by William Hope Hodgson 
  6 - The Striped Chest by Arthur Conan Doyle 
  7 - The Upper Berth by F Marion Crawford 
  8 - The Voice in the Night by William Hope Hodgson

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  Every Tongue Got to Confess -...

  Zora Neale Hurston

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  African-American folklore was Zora Neale Hurston's first love. Collected in the late 1920's Every Tongue Got to Confess, from the celebrated author of Their Eyes Were Watching God, is published here for the first time, beautifully performed by Ruby Dee and Ossie Davis. 
  Hilarious, bittersweet, and often saucy, these folk-tales provide a verdant slice of African-American life in the rural South at the turn of the twentieth century. They capture the heart and soul of the vital, independent, and creative community that so inspired Zora Neale Hurston. 
  In Every Tongue Got to Confess, Hurston records, with uncanny precision, the voices of ordinary people -and no two actors better capture this world than Ruby Dee and Ossie Davis. They pay tribute to the richness of Black vernacular -- its crisp self-awareness, singular wit, and improvisational wordplay. These folk-tales reflect the joys and sorrows of the African-American experience, celebrate the redemptive power of storytelling, and showcase the continuous presence in America of an Afticanized language that flourishes to this day.Performed by Ruby Dee and Ossie Davis

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