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  A Shropshire Lad

  A.E. Housman

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  In A Shropshire Lad, A.E. Housman recreates a nostalgic world of lost love, lost youth, thwarted friendships, unfaithful girls, male bonding, untimely death and the uncertain glories of being a soldier. The poems deal with the exuberance of youth – its aspirations and disappointments, its naïve certainties and tragic mistakes. Though written in 1895, it struck a chord with the generation of young men who fought in World War I. It was said that every ‘Tommy’ had a copy in his knapsack. It has never been out of print.

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  Six Characters in Search of an...

  Luigi Pirandello

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  Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is the most famous and celebrated play by the Italian writer Luigi Pirandello.Pirandello, in the preface to the play, says that whenever a reader opens Dante’s Inferno, Francesca will drift down from the dark wind in her circle of Hell and tell the Pilgrim her story; and it will always be for the first time – just as the Mother in Pirandello’s play at one point makes an agonizing cry, always for the first time.Each character sees events and the other characters differently. Their readings of reality do not match up. No one character is more correct than the other. There are as many versions of the story as there are characters in the play. Each character is in fact many characters; each has a sense of who he or she is, but each also is what the others believe he or she is.The play suggests that we are more victims of forces we cannot control than captains of our own fate and demonstrates Pirandello's conception that in place of a continuous ego, self or "I" are states of mind, masks or personae; the temporary result of forces brought to bear on us at that moment. The self becomes an anthology of such roles or masks. Theatricalists thought life was more like theater than vice versa. As in theater, we put on and take off masks, try out various roles, and make up our lives as we go along. (Summary by Wikipedia)CAST:The Narrator: Elizabeth KlettThe Father: Peter YearsleyThe Mother: Ruth GoldingThe Step-Daughter: Miss AvariceThe Son: mbMadame Pace: Diana MajlingerThe Manager: Denny SayersThe Property Man: David LawrenceThe Prompter: om123The Door-Keeper: gobblegobbleThe Machinist: EzwaThe Leading Lady: Piper HaleThe Leading Man: bishL’Ingénue: Bridget TallonJuvenile Lead: LizMourantActors: Miriam Esther Goldman, Availle, Lucy Perry, Sweetlilbirdy, KalyndaAudio edited by Elizabeth Klett

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  Maps You Can't Make

  Mariella Saavedra Carquin

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  Trauma takes up real space within us, and it can be so difficult to hold. How do we access that place of longing and loss, of fragmented memory and grief? How do we carry it as we walk in the world? There’s no map for this, no clear path through the internal landscape it reshapes, no easy way to make meaning of our lives in that disoriented state. Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.

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  This Is How It Goes - A Play

  Neil LaBute

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  Belinda and Cody Phipps appear a typical Midwestern couple: teenage sweethearts, children, luxurious home. Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, This Is How It Goes unblinkingly explores the myriad ways in which the wild card of race is played by both black and white in America.

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  I'm Rising -...

  Michelle G. Stradford

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  Take back your Power, your Glorious and Rise! 
  “I'm Rising: Determined. Confident. Powerful.” takes the reader on an emotive journey of empowerment through life’s countless triumphs and tribulations. 
  Above all else, it inspires one to tap into their infinite potential so they can overcome any obstacle that appears on their unique path. Through heartfelt storytelling, alliterative diction, and soul-awakening themes, this empathic poetess instills each reader with an unwavering sense of perseverance, courage, and compassion. 
  This uplifting book is more than a mere collection of poetic musings, it serves as a powerful tool of self-love and personal transformation that belongs on every fierce soul’s bookshelf—or better yet, on their nightstand for their daily dose of inspiration each time they rise.

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  Afterlife as Trash

  Rushika Wick

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  Rushika Wick's poems are works of great imaginative power, both formally and in terms of their contents. In the exuberant opening poem of this collection, 'Diaries Of An Artist In Hiding', she is by turns the president, Matisse, a love letter, the weather, a badger; 'the experiment is boundless / like the imagination of a new subspecies /of giant squid / immeasurable and brilliant, / its owner perceived as a delicacy.' It is a poem that seems to stand as a sort of manifesto for the whole book, which feels like poetry that contains such energy it has started to wriggle free from the usual constraints of subject and form. But unlike so much experimental poetry, the reader is brought along for the ride and encouraged to feel the wind in their hair. Characters appear - Camille Claudel, Michael Knight, Lady Chatterley - only to vanish again in a single line once their work is done. Poetic forms are introduced only to be blown apart, words scattering across the page like paint-spatter, letters vanishing to reveal deeper truths. These poems are so full of life even as they acknowledge the stark realities that are a risk to life - also the very real presence of death. And everything is here. And trash is everywhere. And the wind is blowing it and us. It is exhilarating!
  'The poems in Rushika Wick's debut collection are like little time bombs, packed with shocking and beautiful truths about how we live, what and who we love, how we die. They often feel as if they've been translated from a mysterious language or passed on in whispers – their imagery is so rich and strange and compressed – but always in the moment and pushing against conventional lyric and form. She approaches her subjects with a forensic eye and a deft scalpel, getting to the heart of what's vital.'
  – Tamar Yoseloff

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