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  The Rose - Poems

  Ariana Reines

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  In The Rose, award-winning poet Ariana Reines navigates the intersection of power and surrender. Drawing on the history of "romance" as the troubadours knew it and the titular flower's ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain: "I have always liked helpless / & terrible men because they break my mind." In these poems, inherited ideologies of gender performance are replaced with bold vulnerability: paradoxes of power and surrender transmute the speaker's understanding of suffering, desire, and the soul. 
   
   
   
  The voice in The Rose is wry and bare, approaching the connection between erotic love and spirituality with humor. Investigating war, maternity, violent sensuality, and the role of language in magical acts, Reines is unafraid to uncover the "secret / & terrible shovelings / Of love," and the result is a bloody and pulsing, sexy and unabashed bloom.

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  Wherever We Mean to Be -...

  Robyn Sarah

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  Spanning forty years and ten previously published collections, Wherever We Mean to Be is the first substantial selection of Robyn Sarah’s poems since 1992. Chosen by the author, the 97 poems in this new volume highlight the versatility of a poet who moves easily between free verse, traditional forms, and prose poems. Familiar favorites are here, along with lesser-known poems that collectively round out a retrospective of the themes and concerns that have characterized this poet's work from the start. 
  Warm, direct, and intimate, accessible even at their most enigmatic, seemingly effortless in their musicality, the poems are a meditation on the passage of time, transience, and mortality. Natural and seasonal cycles are a backdrop to human hopes and longings, to the mystery and grace to be found in ordinary moments, and the pleasures, sorrows, and puzzlements of being human in the world.

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  The Rime of the Ancient Mariner...

  Samuel Taylor Coleridge

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  "The Rime of the Ancient Mariner" by Samuel Taylor Coleridge is a classic narrative poem that follows the harrowing journey of a mariner who faces supernatural occurrences and the consequences of his actions.
  Each poem in this collection showcases Coleridge's mastery of language, imagery, and symbolism, inviting readers on a journey through landscapes both real and imagined. 
  From the eerie enchantment of "Kubla Khan" to the gothic suspense of "Christabel" and the tranquil introspection of "Frost at Midnight," this collection offers a diverse range of poetic experiences. Through themes of nature, imagination, and the human condition, Coleridge's poetry continues to resonate with readers across generations.
  "The Rime of the Ancient Mariner" is a captivating compilation that showcases the timeless beauty and enduring appeal of Coleridge's poetry.

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  GAZA Today - Would You Turn Your...

  Mike Blake

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  GAZA Today: Would You Turn Your Back. 
  (Harmony-Join Book 4) 
  Everyone knows what Gaza is. A strip of land in the Middle East, being vociferously fought over. 
  I don't want to get into the Politics of it, but at least a brush with it is unavoidable if you attempt 
  any kind of dialogue or description of the occurrences that are happening there - truly awful. 
  This poem is a short one, and keeps to the suffering of its people, and not delving too much into sides 
  of the Political spectrum. 
  I think the suffering in a modern day scenario with instant and graphic footage of this one-sided war 
  is horrific. 
  Regardless of who did what to who, and who did it first etc, it should be focused on the humanitarian side 
  in any conflict lest we lose sight of what we maybe fighting for - I think the focus on humanity has been totally 
  lost. 
  Are we to Turn Our Back on these people. The West should push for extreme Sanctions to reign in the seemingly 
  unstoppable gungho aggression of the combatants - There is a Geneva convention you know. 
  It can only mean something if it is enforced... 
  Footnote: This Poem is all about the kids in this conflict. Whose right and whose wrong, shouldn't come into it 
  on the humanitarian field of view.

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  The Beautiful Future is Coming

  Flora Wilson Brown

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  'Can you feel it? Something is hanging in the balance – ready to fall.'
  1856. New York. Eunice sits in what will become Central Park, and wonders if her research into CO2 is telling her something is going horribly wrong.
  
  2027. London. Claire falls in love as the heatwave breaks, and the streets begin to flood.
  
  2100. Svalbard. While an 86-day storm rages outside, Ana hears a baby crying in the seed vault.
  The world is ending, sure. But what happens in between?
  A fast-paced, funny and wildly inventive play, Flora Wilson Brown's The Beautiful Future is Coming looks at two hundred and fifty years of real and imagined history through the eyes of three couples. First performed at Jermyn Street Theatre, London, in 2024, this edition was published alongside a new production at Bristol Old Vic in 2025, directed by the theatre's Artistic Director Nancy Medina.

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  Human Resources

  Syd Zolf

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  Winner of the 2008 Trillium Book Award for Poetry
     
  Write for buyers. Write for bosses. Think hyper. Think branding. Tell your visitor where to go. Poetry and ‘plain language’ collide in the writing machine that is Human Resources. Here at the intersection of creation and repackaging, we experience the visceral and psychic cost of selling things with depleted words. Pilfered rhetorics fed into themachine are spit out as bungled associations among money, shit, culture, work and communication. With the help of online engines that numericize language, Human Resources explores writing as a process of encryption.
     
  Deeply inflected by the polyvocality and encoded rhetorics of the screen, Human Resources is perched at the limits of language, irreverently making and breaking meaning. Navigating the crumbling boundaries among page, screen,reader, engine, writer and database, Human Resources investigates wasting words and words as waste – and the creative potential of salvage.
     
  ‘In this bad-mouthing and incandescent burlesque, Rachel Zolf transforms a necessary social anger into the pure fuel that takes us to “the beautiful excess of the unshackled referent.�* We learn something new about guts, and about how dictions slip across one another, entwining, shimmering, wisecracking. For Zolf,political invention takes precedent, works the search engine.’ – Lisa Robertson

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