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  Sweet Dreams

  Rick Telander

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  "Sweet Dreams'' consists of 42 original poems with bedtime, sleep, and dreaming as their central themes.  The poems are traditional in form  and follow rhyme and meter, done in in the fashion of Robert Louis Stevenson’s century-old classic, A Child’s Garden of Verses.         Topics include moonlit nights, snowy days, dreams of dinosaurs in the bedroom, annoyance at a Key West rooster crowing all night, what it would be like to wake up as a worm, the oddness of a fever ailment, gazing at autumn leaves from a gently rocking hammock, the comforting protection of an unseen guardian angel, and fancies like "The Softest Bed'' in which a child envisions himself curling up, wrapping himself in his warm, bushy tail, and sleeping like a fox.         Started when Telander himself was sick in a bed many years ago and had begun writing the poems in his head, this  poetry collection spoken by the author is a work of caring for boys and girls who must make that ordinary yet complex and sometimes frightening transition from waking reality to the land of Nod.          Sweet Dreams will amuse, delight, intrigue, and above all soothe children of all ages before sleep.  It's soothing for adults, too, since all of us do, indeed, sleep.

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  Divide and Rule

  Walid Bitar

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  In Divide and Rule, Walid Bitar delivers a sequence of dramatic monologues, variations on the theme of power, each in rhymed quatrains. Though the pieces grow out of Bitar’s personal experiences over the last decade, both in North America and the Middle East, he is not primarily a confessional writer. His work might be called cubist, the perspectives constantly shifting, point followed by counterpoint, subtle phrase by savage outburst. Bitar’s enigmatic speakers are partially rational creatures, have some need to explain, and may succeed in partially explaining, but, in the end, communication and subterfuge are inseparable – must, so to speak, co-exist.

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  The 15th of Finality

  Valentyne DeBudge

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  She said she'd send someone to help him escape. 
  But escape what? 
  Since the day Sage's mother died, he was left with nothing more than the nagging feeling that there was something right in front of his eyes. Student Council President, perfect marks and attendance, Sage's picturesque life shatters the night he meets Drew. 
  An endearing young man, Drew lands in his life and claims it's all a lie. 
  Every moment scripted, every movement monitored, Sage finds himself at the heart of a conspiracy. Trusted allies become potential enemies and he starts to sense that everyone is keeping a bigger secret from him, even Drew. 
  He must use his wit to discern friend from foe and to read between the lines of his scripted world before the people in control realize he knows 
  in order to break free in  
  The 15th of Finality.

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  Get Well Soon - Poems

  Jamie Sharpe

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  In the spring of 2020, Jamie Sharpe was in New Brunswick, purportedly studying the famed Magnetic Hill outside Moncton. A dog-walker discovered Sharpe in a ditch, disrobed except for his backpack containing a manuscript …
  		 
  With his fifth collection, Get Well Soon, Sharpe reaffirms “he is utter master of his language. Whether [Sharpe’s] poems are the result of long lucubration or the inspiration of the moment, they bear no mark of effort, and it is not without admiration, nor even without astonishment, that one is carried along — by the noble, unswerving amble of those gorgeous stanzas, proud white hackneys harnessed in gold — into the glory of the evenings. Rich and subtle, [Jamie Sharpe]’s poetry is never merely lyrical; it always encloses an idea within the garland of its metaphors, and however vague or general that idea may be, it serves to strengthen the necklace; the pearls are secured by a thread that, though sometimes invisible, is ever sure.”

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  Dark Beds

  Diana Whitney

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  Diana Whitney’s seductive second collection juxtaposes the conflicted emotions of motherhood and domesticity with the intoxicating promises of transgression. Fantasies fulfilled or imagined play out against the haunted backdrop of Vermont’s woods and fields, a landscape both harsh and magical, conjuring longing and grief, dissolution and repair. Here we see how time is reflected in our bodies, our children, our choices, and the natural world. Dark Beds is an anthem for the “sandwich generation”—tired adults caught between the demands of growing children and aging parents, yearning to reclaim desire and a sense of self. Sensual, elegant, and deeply resonant, these poems lay bare the dark beds of a marriage, a garden, a human life: the intimate places where truths are buried, exposed, and sown again in hope of renewal.

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  Miss Myrtle's Garden

  Danny James King

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  'I don't visit the past. The past visits me.'
  The sharp-tongued Miss Myrtle is trying to manage her unkempt garden in a rapidly changing neighbourhood. Her grandson Rudy and his 'close friend' Jason need a place to stay, and local drunk Eddie keeps relieving himself against her garden wall.
  When Rudy starts delving into the past, Myrtle resists – all she wants is some peace and quiet. But as her brain begins to play up, far more complicated questions about grief, love and understanding demand her attention, and she's running out of time.
  Miss Myrtle's Garden is a wonderfully warm and witty exploration of how acknowledging the past helps us live life in the present. It was written by Danny James King and first performed at the Bush Theatre, London, in 2025, directed by Taio Lawson.

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