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  The Festival

  H. P. Lovecraft

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  Christmas with the family takes a dark turn in this chilling short story by the acclaimed author of “The Call of Cthulhu”.Beckoned by his family, a man travels to a snowy, seaside Massachusetts town to observe an ancient festival. His family has long celebrated it since the days when it was forbidden. But when he arrives, he notices something is off about this community . . . little details that just don’t add up. What the man witnesses at his family’s house does little to comfort him. Soon he is drawn into a world unlike any he has known, and its sights will haunt him for the rest of his life . . .

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  Ivy Day in the Committee Room...

  James Joyce

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  James Augustine Aloysius Joyce (2 February 1882 - 13 January 1941) was an Irish novelist, short story writer, poet and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century.
  IVY DAY IN THE COMMITTEE ROOM: Old Jack raked the cinders together with a piece of cardboard and spread them judiciously over the whitening dome of coals. When the dome was thinly covered his face lapsed into darkness but, as he set himself to fan the fire again, his crouching shadow ascended the opposite wall and his face slowly re-emerged into light.

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  Anticipations (Unabridged)

  H. G. Wells

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  Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought, generally known as Anticipations, was written by H.G. Wells at the age of 34. He later called the book, which became a bestseller, "the keystone to the main arch of my work." His most recent biographer, however, calls the volume "both the starting point and the lowest point in Wells's career as a social thinker." Taking the revolution in transport facilitated by the "mechanical revolution" as his point of departure, Wells told readers they were living through a reorganization of human society that would alter every dimension of life. An academic biographer has described the degree of accuracy of Wells's predictions as "certainly phenomenal.

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  A Tragic Actor

  Anton Chekhov

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  "A Tragic Actor" by Anton Chekhov follows the story of Masha, a young and impressionable woman who falls in love with the titular character Fenogenov, a struggling actor. Despite her father's disapproval, Masha decides to run away with Fenogenov and marry him. However, her idealized view of her husband quickly crumbles as she discovers his lack of stability and success. In a desperate moment, Masha must turn to her father for help, leading to a confrontation between father and daughter as well as a reflection on the consequences of following one's heart over practicality. The story highlights themes of love, sacrifice, and the complexities of family relationships.

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  The Murderess

  Alexandros Papadiamantis

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  The Murderess is a bone-chilling tale of crime and punishment with the dark beauty of a backwoods ballad. Set on the dirt-poor Aegean island of Skiathos, it is the story of Hadoula, an old woman living on the margins of society and at the outer limits of respectability. Hadoula knows about herbs and their hidden properties, and women come to her when they need help. She knows women’s secrets and she knows the misery of their lives, and as the book begins, she is trying to stop her new-born granddaughter from crying so that her daughter can at last get a little sleep. She rocks the baby and rocks her and then the terrible truth hits there’s nothing worse than being born a woman, and there’s something that she, Hadoula, can do about that.

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  Notes from Underground

  Fyodor Dostoyevsky

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  Notes from Underground also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession".The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession "there is literally not a single monologically firm, undissociated word". The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.

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