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  The Colonists

  Vivian Stuart

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  The eleventh book in the dramatic and intriguing story about the colonisation of Australia: a country made of blood, passion, and dreams.
   
  Against overwhelming odds they fought to tame a savage land, now they must fight to keep it.
   
  For three tumultuous generations they had struggled to harness an alien wilderness, to lay the bold foundation for their dreams. But now, just as a radiant future beckons, they are menaced by distant powers hungry to seize what they have so bitterly won.
  As the new generation comes into its own, some, like Lucy Van Buren, live drugged by lavish splendor. Others, like Michael Dean, carry on the invincible pioneer spirit. And still the newcomers arrive, burning with unbridled passions and dark desires. Men like Robert Willoughby, fleeing disgrace, headed for disaster … women like Alice Fairweather, willing to risk everything for a cause. Together, as lovers and enemies, they must battle to forge the glorious destiny that is rightfully theirs. Once outcasts, they are now The Colonists.

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  Bend Don't Break - A Novel

  Julie L. Brown

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  "An absorbing, thought-provoking, emotionally engaging, and deftly scripted multi-generational historical novel."–Midwest Book Review 
  "Bend, Don't Break is a powerful, evocative novel that honors the resilience of Black women throughout history...Brown has crafted a novel that does not just recount history—it breathes life into it, making it feel immediate, urgent, and deeply personal."—Seattle Book Review 
  Timely and unforgettable, Bend, Don't Break spans two centuries of American history and is a captivating testament to women's ambition and the unbreakable bond between Black mothers and their daughters. 
  Drawing strength from their ancestor, Aisha, a slave born free on the west coast of Africa, four Black women will do whatever is necessary to succeed—and will do even more to protect their daughters. Aisha's granddaughter, Dinah, a plantation slave, fends off the advances of the master's son and vows to prevent the same mistreatment of her daughter, Sarah. During the Harlem Renaissance, Augusta, an aspiring teacher, falls in love for the first time. Her mother, Julia, is determined to prevent her from getting hurt. Attorney Olivia and her news producer daughter, Nicole, both seek success and equality in the white man's world of 1980s corporate life. And in the present day, Sha, a tech company chief information officer, turns amateur detective after her daughter's assault. 
  Throughout the generations, these women encounter similar challenges but face them in different ways and survive and thrive through all of it, because they bend but do not break. They demonstrate that although generational trauma can be passed down like an inheritance, so, too, can healing and resilience.

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  The Voiceless Stories of Miss Ada

  Nicole A Jones

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  A foreseeing matriarch stirs her family's emotions by disclosing generations of dark family secrets in the form of a captivating slave tale.  
  The family is aware that the horrific accounts in her story are indeed factual moments throughout their family’s history. However, Miss Lucille shuffled the timeline of her genealogy to protect the identities and generations of those involved. 
  When Miss Lucille falls ill, the family gathers at the hospital to visit her. The discreet tale is reshared. The family begins attentively relistening to the mysterious narrative as it is retold. While awaiting Miss Lucille's miraculous recovery, the family discovers one other person in the room knows the family's generations of muzzled secrets. They become engrossed in trying to unveil the truth. But unveiling the truth could alter their past, present, future... and identity. 
  "The Voiceless Stories of Miss Ada" narrates the untold occurrences hidden in the generations of Miss Ada, desperately begging for a voice to be heard. It introduces the truth of Miss Ada's African American history to future generations without replanting seeds of hatred. 
  Through Miss Lucille's descendants, "The Voiceless Stories of Miss Ada" beautifully narrates the profound wisdom and judicious conversations of her African American ancestors in a manner they desperately desired to communicate themselves.

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  North and South

  Elizabeth Gaskell

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  "North and South" is a social novel by English writer Elizabeth Gaskell, published in 1855. The story is set in the fictional industrial town of Milton in the North of England and contrasts the way of life in the industrial North with that in the rural South. The novel follows Margaret Hale, a young woman from rural southern England, who moves to the northern industrial town and encounters the stark realities of industrialization, class conflict, and social upheaval. The novel explores themes of industrialization, class differences, gender roles, and societal change. Margaret’s evolving relationships, particularly with the mill owner John Thornton, form the crux of the narrative

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  Yul The Younger

  Jules Wright

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  The Roman Empire is coming apart at the seams, relying on German recruits and foederati to hold the empire together. The eastern and western empires are ruled by incompetent young men who allow their German warlords to rule for them, but imperial elites conspire against the generals. Yul the Younger is a Saxon boy negotiating life in the empire with strong ties to his family in Germania. His father, Yul the Elder, sends Yul to a monastery school to learn the ways of the empire, with the father serving the empire as a quaestor (treasurer) in the east of Britannia. Yul the elder’s job is to make certain that the mostly German troopers of the Saxon Shore are fed, equipped, and paid, but Romano-British landlords are withholding taxes while enslaving Germans and building lavish country houses. Life in the monastic school at Verulamium (Saint Albans) proves difficult for Yul the Younger with monks insisting he give up his Germanic gods for Christ. He is also harassed by the entitled sons of British elites. Yul dares to make his escape with his best friend, a Pict, named Keaffer. Both enlist in the Brave Companions stationed at Othona as self-declared Emperor Flavius Claudius Constantine opts to invade Gaul to capture the purple and stop the Germanic tribes from crossing the Rhine Frontier to settle in the dying empire. Tall, blond, and broad, Yul joins the invasion of Europa. He also finds love and seeks revenge for the wrongs committed by Britons against his family and companions.

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  The Letter and the Lie - Story...

  Arnold Bennett

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  Arnold Bennett was born in 1867 in Hanley one of the six towns that formed the Potteries that later joined together to become Stoke on Trent; the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. Moving to London at twenty-one he obtained work as a solicitor’s clerk and gradually moved into a career of journalism. At the turn of the century he turned full time to writing and shortly thereafter in 1903 he moved to Paris and in 1908 published to great acclaim The Old Wives Tale. With this his reputation was set. Clayhanger and The Old Wives Tale are perhaps his greatest and most lauded novels.

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