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  As You Like It - A Dramatic...

  William Shakespeare

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  Long theorized to be one of Shakespeare's mid-career works, As You Like It remains an evergreen favorite for audiences and scholars alike for its sparkling characters, pastoral setting, gorgeous prose and entertaining storylines that converge in fun and surprising ways. When several characters, including an elderly French duke, his headstrong daughter Rosalind, and Rosalind's handsome love interest Orlando, are forced to flee the kingdom and take refuge in the neighboring Forest of Arden, their adventures therein lead to a series of amusing encounters and mix-ups. Genders are reversed, courtships are developed, attractions are left unrequited, and the action reflected upon by the likes of witty fools and discontented courtiers. Who will end up with whom? Who will be left in the lurch? And will the pastoral chaos in Arden reach a satisfying resolution? You'll have to listen to find out!

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  I'm Sorry Here's a Plasma Rifle...

  Aaron N. Hall

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  SENT BACK FROM THE YEAR 2124, I’m Sorry, Here’s a Plasma Rifle is the last known work of author Aaron N. Hall before his tragic jet ski accident with a shipping container of rubber ducks. 
  It contains seven short stories, eighteen poems, and four pastry recipes that highlight his affection for fantasy, science fiction, and the endearingly odd. 
  The current edition has been republished including the notes of Dr. Arthur B. Salazar, who sent the book from the future before being cryogenically frozen and launched into space prior to Earth’s decay. 
  Listen, enjoy, then say hello to the void.

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  Born in England – Exploring...

  John Dryden, Alfred Lord...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume our poems come from the East Midlands in the centre of England. Once a vast manufacturing hub whose industries invented, created and exported the future to the entire world.  From its industry and grime came poets of the first rank including Alfred Lord Tennyson, D H Lawrence, Anne Bradstreet, John Dryden, John Clare and many others.

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  A Mirror

  Sam Holcroft

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  'With great pleasure Leyla & Joel Invite you to celebrate their marriage.
  Dress code is smart casual. Doors at 7.30 p.m., followed by the exchange of vows. And at the signal, the entertainment will begin.
  (This performance is being staged without a licence from the Ministry. We recognise the risk that each and every one of you is taking by attending and we salute your courage.)'
  A Mirror is an elusive, explosive play by Sam Holcroft, interrogating censorship, authorship and free speech. It premiered at the Almeida Theatre, London, in 2023, directed by Jeremy Herrin, and with a cast including Jonny Lee Miller, Tanya Reynolds and Micheal Ward.
  It transferred to the Trafalgar Theatre in the West End in 2024.

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  The Raven - A Terrifying Poem of...

  Edgar Allan Poe

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  DARKNESS HAS A VOICE—AND IT’S CALLING YOUR NAME! Welcome to the haunting world of The Raven—a soul-shattering journey into madness, obsession, and the chilling GRIP OF FATE. Step into the mind of a man whose heartache will echo in your bones. FEEL the crushing weight of loss as a simple visitor turns into an INESCAPABLE SYMBOL OF DESPAIR. HEAR the relentless tapping at the door, the endless echo of that one word—NEVERMORE—driving you to the brink of INSANITY. With every line, Poe’s genius pulls you deeper into the abyss of grief, where the DARKNESS feels alive. The vivid narration brings every shadow to life, amplifying the dread that builds with every breath. SEE the raven’s unblinking gaze as it casts a spell of torment binding you to the SORROW of a life forever changed. This isn’t just a poem—it’s a chilling descent into the mind of a man HANUTED by memories and tormented by fate. LISTEN NOW and let The Raven claw its way into your soul. FEEL THE COLD HANDS OF FATE CLOSE IN ON YOU!

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  Good Want

  Domenica Martinello

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  What if poetry and prayer are the same: intimate and inconclusive, hopeful and useless, a private communion that hooks you to the thrashing, imperfect world? 
  Good Want entertains the notion that perhaps virtue is a myth that’s outgrown its uses. Exploring the value and shame ascribed to our desires both silly and serious – artistic, superficial, spiritual, relational – these poems grapple with deeply rooted questions: How can there be a relationship between goodness and godliness, if god is a character with shifting allegiances and priorities? Is clarity worth the pain of redefining your experience of the world? Is privacy the same as secrecy the same as deceit? Each caveat becomes a prayer, ritual, invocation, dream, or confession, requiring a blind faith that feels increasingly more impossible to sustain. Good Want looks inward, at once both sincere and tongue-in-cheek, to confront the hum of class and intergenerational trauma. Playing with and deconstructing received notions of ‘good,’ ‘bad,’ and ‘god,’ these poems open up a series of further possibilities: empathy for difficult people, acceptance of our difficult selves, and joy in every difficult thing. 
  "These are lush, provocative poems that luxuriate in unexpected detail while examining how economic precarity shapes both shame and desire. Firmly rooted in the working class, Martinello explores the hunger we inherit from our ancestors, what it means to indulge from a position of bottomless want, and to 'Waste not your wanting.' With impressive range, a sense of humor, and entrancing musicality, Good Want is a celebration of the gluttony of girlhood, the paradoxes of faith, and everyday pleasures of a “small, specific life.”
    – Cassidy McFadzean, author of Crying Dress 
  "Good Want is a baroque painting of Dutch aristocracy, but all the subjects’ garments are secretly from Walmart. I mean this in the best way. Each poem cracks me open and out shines a never-before-seen shade of light." – Shy Watson, author of Cheap Yellow 
  "Sometimes the confessor reckons with the confessional. In Good Want, it's a wracking and lucky sometimes, full of piss and vinegar, and one that finds Domenica Martinello performing the wonderment, the depth and push and pull, between what there is to reveal and what each revelation ruptures or binds. Happily, sadly, the poet scours a life lived and unearths inheritances, burdens, and selves destined for and not for the telling. And tells them brilliantly as she pleases."  – D.M. Bradford, author of Bottom Rail on Top

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