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  Poets & Their Inner Demons –...

  Samuel Taylor Coleridge, Charles...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together the poems and verse of those wordsmiths whose lives were blighted by drink and the seemingly unending consumption of it.   
  The long roll call and the truncated legacies that were left behind is filled with the names of these lost talents.

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  Dark Beds

  Diana Whitney

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  Diana Whitney’s seductive second collection juxtaposes the conflicted emotions of motherhood and domesticity with the intoxicating promises of transgression. Fantasies fulfilled or imagined play out against the haunted backdrop of Vermont’s woods and fields, a landscape both harsh and magical, conjuring longing and grief, dissolution and repair. Here we see how time is reflected in our bodies, our children, our choices, and the natural world. Dark Beds is an anthem for the “sandwich generation”—tired adults caught between the demands of growing children and aging parents, yearning to reclaim desire and a sense of self. Sensual, elegant, and deeply resonant, these poems lay bare the dark beds of a marriage, a garden, a human life: the intimate places where truths are buried, exposed, and sown again in hope of renewal.

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  The Poetry of John Gould...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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  Memorandum

  Quah Sy Ren, Hee Wai Siam

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  Featuring new translations of previously untranslated Chinese short stories, Memorandum maps out seven decades of Sinophone Singaporean Literature. From bargirls to student activists, from trishaw men to tea merchants, this collection provides a glimpse into a world that has been previously invisible to Anglophone readers. Paired with critical essays, these stories showcase the richness and diversity of Singapore’s Chinese community, but also its inherent interconnectedness with other cultures within Singapore. 
   
  “Memorandum is a pathbreaking anthology that refracts over half a century of Singapore’s history through its lens. The translated stories do much more than simply bridge Sinophone and Anglophone worlds: they actively cross geographical, cultural, linguistic and class boundaries, causing us to think more deeply about the nature of social power, and the transformative interventions literary texts can make.” 
  -Philip Holden, scholar of Singapore &Southeast Asian literatures

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  Between 2 worlds: The Life of An...

  Birol Bahadir

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  What's the life of an immigrant like? A nomad in the middle of nowhere with an unknown future and unfamiliar faces lurking everywhere. That's the life that the Author of Between 2 Worlds, Birol Bahadir, had to endure as he grew up in a foreign land full of uncertainties. Born in a Turkish family but raised in an unknown land in Germany, Birol succumbed to western influence that halted his growth and put a question mark on his identity.Between 2 Worlds takes you through the life of an immigrant living a life of despair entrenched with a feeling of alienation. It's a heart-touching story that provides the readers with a glimpse of an immigrant surviving in western countries.It's Bahadir's tale of survival, living through the dungeons of Islamophobia and hate. This book provides an in-depth view of the life of an immigrant juggling the dilemma of identity.This book is for everyone living away from their homeland to make a fortune in a foreign land. It's a biography/memoir that will urge you to find a connection with Birol's life. Drift into a journey with this heart touching story that takes you through moments Birol faced while living as a Turkish Muslim immigrant and trying to find his true identity.Feelings of alienation and pangs of isolation afflict every immigrant family living in a foreign land, persisting incessantly in the initial days. Facing discrimination and hatred because of being termed a 'refugee' often takes away the will to survive. But, there's a feeling that keeps you going, forcing you to push your limitations with every challenge that comes your way.Perhaps, that's what drove Birol forward. This book epitomizes immigrants' difficulties and problems like Birol, who eventually come out of it stronger than before. It is a beautiful memoir and a real life story penned by a once broken and battered Birol, who finally stood up to the occasion and overcame challenges bravely, excelling to his maximum potential.

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  Woman at the Crossing

  Susan Okie

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  In the poem that opens her debut collection, Susan Okie recounts an evening in the anatomy lab. Here we witness the depths of her curiosity toward her subject's inner workings. When I tugged on the flexor digitorum tendons, / her fingers partly closed and her thumb /crooked in. I seemed to see the two of us / as if from outside, and could no longer / name the tendons. I felt my fingers / from inside her hand." What to some might feel like harrowing proximity, Okie delivers, in astonishing verse, with wonder and even intimacy. To be sure, Woman at the Crossing is the work of a seasoned practitioner.

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