D'autres livres qui pourraient vous intéresser

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  Gateway for Kids: Say Hello!...

  Ken Lou

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  Say 'hello" and meet your international friends from 21 cultures across Africa and Europe! 
   
  Know how your friends greet and dress, and learn about their favorite festivals, costumes, food, music, dance, arts, folktales and traditional houses. As you take steps to appreciate and respect one another's way of life, you will become a well-loved friend. and grow as an ambassador of peace. 
   
  Don't put this book away until you know how to say thank you and 'I love you' in their languages. Then count the smiles that greet you when you say those nice words.  
   
  After all, friendship begins when you say 'hello'!

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  A Brief Summary of John Keat’s...

  VENKATARAMAN M

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  The "Ode to a Nightingale" is one of the beautiful poems of John Keats. One day in a forest area the poet hears a beautiful song of the nightingale bird. This provokes him to ponder over the matters relating to human mortality, the nature of the world, human sufferings etc. 
  The poem explores the relationship between two different types of life. On the one hand, there is the human life. It is filled with sorrow. On the other hand, there is nature represented by the nightingale. The opposition between two different types of life is outlined from the very beginning of the poem. The poet perceives the song of the bird as a kind of eternal perfection, a beauty created by nature that humankind, for all its efforts and strife, struggles to match. 
  It appears as though the poem seeks to question whether nature—represented by the nightingale and its song—represents a kind of beauty greater than anything that humans can make, a beauty that is more pure and eternal. The poet weighs up the possible beauty of poetry against the overwhelming natural beauty of the nightingale’s song but could not find a satisfactory answer. 
  Hear this beautiful poem ‘ode to a nightingale’ by John Keats.

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  The Status and Recognition of...

  Richard Colbey

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  The only book in English on the subject. Of topical relevance in the context of the current conflict in Ukraine.

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  Commando Medics in the Falkland War

  Malcolm Hazell

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  This is a unique account of the Falkland War, told by former Commando Medic, Malcolm Hazell, who led a team of 39 men, initially at Ajax Bay, and subsequently at Teal Inlet where they were alongside members of the Special Boat Service (SBS) and the Commandos specialist Mountain and Arctic Warfare Cadre (M&AW Cadre). 
  Detailed accounts are given of the facilities the medical team provided at both locations, and the largely untold military role Teal Inlet played in defeating the Argentine Forces. Above all this is a graphic account of the war, and its many battles, including Naval gunfire support provided by destroyers and frigates, and the damage and losses resulting both ashore and afloat. Having written the account, shocking anomalies regarding fatalities from both sides of the conflict are uncovered and remain unresolved. 
  Malcolm Hazell's medical team played a full part in the reception and treatment of around two-thirds of all the casualties treated ashore, ably supported at Ajax Bay by both Royal Navy and Parachute surgical teams; but at Teal Inlet they depended on just one surgeon and a handful of other medics to manage an operating table. When weather conditions deteriorated as the war reached its climax, the team at Teal Inlet were the sole receiving medical facility, placing an unimaginable strain on the facility, much of which was under canvas. Argentine and British fatalities were also being flown back to the facility - something that has proven highly controversial and contentious as the author has sought to clarify anomalies he identified in 2020, only to be met with denials and silence. 
  This is not just a medics story however, and the reader is given a full understanding of the tactical situation throughout the account, on a day-by-day, blow-by-blow basis. 'Commando Medics in the Falkland War' provides a complete insight into almost every aspect of this brutal war.

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  Chronicling Stankonia - The Rise...

  Regina Bradley

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  This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Regina N. Bradley, Outkast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. 
   
  Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.

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  The New Gospel of Wealth - With...

  Andrew Carnegie, Frank Marcopolos

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  Andrew Carnegie's "The Gospel of Wealth," published in 1889, presents his philosophy on philanthropy and how wealth should be managed by the rich. It became a seminal text on philanthropy, influencing many wealthy individuals to consider how their money could benefit society rather than just accumulating for its own sake. However, Carnegie's views also received criticism for promoting a form of paternalism and for not addressing the root causes of poverty or the structural inequalities in society. 
  "The New Gospel of Wealth" includes thoughts on modernizing the text via a 2019 essay by Frank Marcopolos, written while occupied as an envoy of Carnegie Mellon University in Pittsburgh. 
  Frank Marcopolos now lives in Florida with his dog, Sparky.

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