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  Redefining Racism - How Racism...

  Joseph (Jake) Klein

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  Have you heard that racism requires more than just prejudice, but also “power”? 
  Have you been told the dictionary definition of racism isn’t correct? 
  Where did this all come from? And why is it being taught at your school or workplace? 
  The rabbit hole goes deeper than you might have imagined. Joseph (Jake) Klein’s Redefining Racism tells the story of the group of radical white “anti-racist” corporate and high-school educators who in the late 1960s and early 70s, taking inspiration from the anti-integrationist Marxist-Leninist Stokely Carmichael, funded by an organization seeking to pay off rioters to stop, and using manipulative techniques developed in part by U.S. intelligence’s director of the “psychological warfare center for the Far East,” created and spread the “Power + Prejudice” redefinition. And the late famed crack-addicted serial bank robber “Zombie Bandit” played a role too. 
  In tracing the history of this redefinition, Redefining Racism also tells the story of the origins of “Racism Awareness Training,” today frequently called “diversity training,” in the tradition of Robin DiAngelo and White Fragility that have taken American corporations, schools, and universities by storm. 
  Redefining Racism is the definitive rebuttal for why racism is not best defined as “Power + Prejudice” and a damning origin story for much of the modern so-called “anti-racist” movement, reminding us why the best way to be an anti-racist is to look at the content of one’s character and not the color of their skin. 
  “For anyone genuinely committed to realizing an American future where race, racism, and ‘anti-racism,’ cease to be the tools used to divide us, this is an indispensable text. With Redefining Racism, Jake Klein has provided a national service.” — Thomas Chatterton Williams, author of Self-Portrait in Black and White and Losing My Cool

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  Jesus in your Skin

  Scott C. Lovett

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  The ability of the world system to conquer and divide has always been based on its efforts to try to divide groups through skewed narratives and warped beliefs. The ultimate agenda of wicked men in power is to separate people because of social class, race, and status. While groups devour one another, those in power gain control by subjecting the people through programs and ideologies that are specifically designed to cause people to bow to the very men creating the narrative. These beliefs and narratives indoctrinate the people to operate in beliefs that place them in further bondage. 
  While the world system works to turn people into subjects, God searches for people who long to be set free from these bondages. His work starts inside those who seek a way of life that leads to greater freedom.  In this book, you will discover that all bondage is instigated from within. It exists within all humanity. It is beyond race, class, and society and it is the source and foundation of all evil that exists in the world. While today’s so-called relevant scientists, world governments, and global capitalists use biology and race as the key to world domination, the principles that produce the most freedom are found operating in those who acknowledge the will and purposes of the Creator. As you read this book take a journey that will illuminate your understanding and take you back to mankind’s true source of justice and liberty.

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  Letters from Wales - Memories...

  Sam Adams

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  'Letters from Wales stands alone as an invaluable guide to Welsh writing.' – Sam Young, Wales Arts Review
  'In these columns, as impressive for their depth as they are for their intellectual breadth, Adams analyses the work of acclaimed Welsh writers ... with scholarly panache' – Joshua Rees, Buzz Magazine
  'illuminating and entertaining' – Jon Gower, Nation.Cymru
  Since 1996, Sam Adams's 'Letter from Wales' column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, independent and passionate critical voices on the writing and cultural output of Wales during this period.
  Here you will find erudite appreciations of the work of a wide range of recent and contemporary Welsh writers from Gillian Clarke to Roland Mathias, RS Thomas to Rhian Edwards. Alongside this, Adams offers us lyric essays to Welsh history, and clear-eyed examinations of the institutions of Welsh culture. Collected for the first time in this volume, the 'letters' are among the most significant and sustained attempts during this period to present Welsh writing to an audience throughout the UK and beyond.

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  Swifterature - A Love Story:...

  Elly McCausland

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  A daring literary fusion of pop culture and feminism, Swifterature captures the special connection between English literature and the worldwide phenomenon of Taylor Swift. 
  Swifterature captures a unique fusion of different elements: fandom, feminism, and a defense of both literature and popular culture. 
  The narrative is split into thirteen chapters that use Swift's lyrics as departure points. The listener experiences the inspiring influence of English literature as Swift’s lens breathes new vitality and urgency into older texts. McCausland also writes about her own experiences as she copes with intense media scrutiny and is forced to defend her academic integrity. 
  She argues that Swift, through her self-conscious engagement with classic works of literature and her extraordinary popularity, invites us to reflect not only on the culture of our past but also of our present. Swifterature shows how Swift’s place on the world’s stage can teach us about many things, from feminism to politics, nature to childhood. In the process the book makes a compelling case that studying Taylor Swift also turns us into better readers, not only of literature but of ourselves and each other.

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  Not Exactly Lying - Fake News...

  Andie Tucher

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  Long before the current preoccupation with "fake news," American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. From fibs in America's first newspaper about royal incest to social media-driven conspiracy theories about Barack Obama's birthplace, Andie Tucher explores how American audiences have argued over what's real and what's not and why that matters for democracy. 
   
   
   
  Around the start of the twentieth century, journalists who were determined to improve the reputation of their craft established professional norms and the goal of objectivity. However, Tucher argues, the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn't have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. This "fake journalism" became inextricably bound up with right-wing politics, to the point where it has become an essential driver of political polarization. This book is a timely consideration of what happens to public life when news is not exactly true.

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  DON'T BECOME A WRITER - Excerpt...

  Anonyme

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  A calling, an eruption, a phenomenon, an occurrence, a state of flow, an outlet for outburst, an involuntary muscle contortion, a summoning, an awakening, a release, an instinctual truth, a fleeting rarity, an escape from the commotion, a coming and going concussion... Call it what you will; Just don't call yourself a writer when you’re not writing. © 
  Fundamentally, this book isn't "about" anything but submission of a poetry and prose collection that had to be a world level thank you letter to American artist Charles Bukowski whom I had found later in life as a reminder that there was no doing this right. "This" refers to the notion of what it means to be a writer, as the pieces encompassing this collection stem from realization of a rooted "no effort" and invasive take over in the course of my life. 
  Simultaneously, I brutally address what it took to learn that this was ok. 
  Young adults of the art feel stigmatized into forcing creativity scholastically, whilst thinking their expression is restricted, not being trained to listen to their gut or feel strongly by standing on their own experiences. Even if it’s just by momentarily putting the mathematical thinking aside. I'd come across this the hard way from tutoring the subject of English first hand and sympathizing with people putting pressure on themselves in torment when they have "writer's block", so this could very well relate to aspiring writers in exercising patience. The purpose is to console by unpacking the nitty gritty, hard-hitting truths relating to existentialism, internal crises and sporadic nature that artists experience which the world doesn't often get insight into. 
  But ultimately, this is an "I love you" to the grace we can pay as humans with the capability to simply let go when we know it's time.

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