Other books that might interest you

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  Off-White - The Truth About...

  Rachel Shabi

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  Why can't we talk about antisemitism? 
   
   
   
  As claims of antisemitism continue to distort our politics at home and abroad, it has become almost impossible to talk about constructively, even in private. Instead, we find ourselves in a storm of misinformation, political mudslinging, and bad-faith accusations. 
   
   
   
  There is, however, a way to deliberate more honestly. Looking beyond our polarizing headlines and interrogating the reasons racism takes hold, Off-White offers urgent analysis of one of the most divisive issues of our time. Taking in the contingency of whiteness, Judeo-Christian mythmaking, pro-Israel antisemitism, and the Palestinian struggle against colonialism, Rachel Shabi lights a hopeful way forward.

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  Inner Revolution Poetry 3 -...

  Yashomatinandana Dasa

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  This is the third part of a compilation of poetry with purports written and composed by Yashomatinandana Das (Jan Wolter). 
  This Part encapsulates a journey around the world and within the heart to transform old into new. Its central theme is devotional service, called Bhakti-Yoga. In this process the author describes the up's and downs of this process. Eventually, the journey leads to self realisation, but on the way one discovers so many places and faces. There is poetry written in Paris, Berlin, Vienna and other major hubs in the western world. There is also poetry composed in India while traveling to the greatest festival in human history, the Maha Kumbha Mela. This makes 'Inner Revolution Poetry' unique. 
  For a better reading and hearing experience the author added his own purports to the poetry in order to give the background to the story and more information about how, when and why. 
  Enjoy the experience of Inner Revolution Poetry.

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  Shakespeare's White Others

  David Sterling Brown

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  Examining the racially white 'others' whom Shakespeare creates in characters like Richard III, Hamlet, and Tamora—figures who are never quite 'white enough'—this bold and compelling work emphasizes how such classification perpetuates anti-Blackness and reaffirms white supremacy. David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor. In exploring Shakespeare's determinative role and strategic investment in identity politics (while drawing powerfully on his own life experiences, including adolescence), the author argues that even as Shakespearean theatrical texts functioned as engines of white identity formation, they expose the illusion of white racial solidarity. This essential contribution to Shakespeare studies, critical whiteness studies, and critical race studies is an authoritative, urgent dismantling of dramatized racial profiling. 
   
   
   
  To access the virtual gallery accompanying this book, please visit https://hubs.mozilla.com/mEd5aWD/david-sterling-brown-gallery-vrv?utm_source=hootsuite&utm_medium=twitter&utm_campaign=MNE_campaign.

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  OCT 7 - The War Against Hamas...

  Capt. Elkana (Kuno) Cohen

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  On the morning of October 7, 2023, Israelis awoke to a harrowing reality. Not only were hundreds of rockets being launched from Gaza into Israeli population centers, but the security border had also been breached by several thousand Hamas terrorists. Carnage, not seen since the Second World War, ensued. Elkana Cohen, Captain of an Elite Commando Unit was called, along with thousands of other reservists, to prepare for war. One that will have to ensure nothing less than Israel's survival. 
   
   
   
  In notebooks he found on the ground in the streets of Gaza, Cohen began writing a diary. Every day, he candidly documented the sights of the war. From an honest, precise, and fluid first-person perspective, Cohen presents the feeling and story of the war from the eyes of the heroes who were there: the dust, the sweat, the brotherhood, the longing, and the awful smell of death and destruction. Cohen's writing poignantly describes his relationships with his fellow comrades, the mass arrests of terrorists, the homes of Hamas members, the story of the fallen soldiers, and the desperate hope to bring the hundreds of Israeli hostages home. OCT 7 is not only the story of one Israeli officer, but it is also the narrative of an entire nation. A nation that stepped up without a moment's hesitation to face an existential challenge with a sense of purpose and mission.

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  Stone Breaker - The Poet James...

  Kathleen L. Housley

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  Stone Breaker is an in-depth, accessible biography of a true American polymath, James Gates Percival. A poet, linguist, and unstable savant Percival was also a brilliant geologist who walked thousands of miles crisscrossing first Connecticut and then Wisconsin to lay the foundation for the work of generations of Earth scientists. Exploring the confluences of literature, art, and geology, Kathleen L. Housley reveals how one of most famous poets of the 1820's became a renowned geologist with his groundbreaking 1843 work Report on the Geology of the State of Connecticut. The book includes historic photographs and paintings of the Connecticut landscape.Publication of this book is funded by the Beatrice Fox Auerbach Foundation Fund at the Hartford Foundation for Public Giving.

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  Victimhood Memory and...

  David Goyes, Katja Franko

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  Inhabitants of Medellín, Colombia, suffered from the war-like violence perpetrated by drug cartels and other actors in the 1980s and 1990s. Thousands died, including innocent civilians, judges, and journalists, many more were injured and suffered psychological trauma. Three decades later, however, transnational media companies such as Netflix have transformed the traumatic memories into entertainment while the main perpetrator, Pablo Escobar, became a 
  recognizable brand name. 
   
   
   
  Victimhood, Memory, and Consumerism: Profiting from Pablo documents the story of violence inflicted on Medellín, and critically examines the status of its victims. Drawing on unique empirical material, the book addresses the impact of commercial exploitation of the city's violent past on the victims of mass drug violence and on the present nature of the city. 
   
    
   
  Victimhood, Memory, and Consumerism offers a poignant critique of the role of the global market economy in the unequal distribution of narrative power among those engaged in processes of collective memory construction. A thoroughly compelling listen, this volume will appeal internationally to academics in criminology and victimology, as well as those interested in critical perspectives on Netflix, commercialism, and Colombian history.

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