D'autres livres qui pourraient vous intéresser

• 

  Libre

  Skye Jackson

  • 0
  • 0
  • 0

  A soaring collection of poems that deftly explores the familial, personal, and societal relationships of a young Black woman trying to make her way in a fraught world. 
    
  Freedom reverberates in Skye Jackson’s breathtaking debut, Libre, with evocative poems that are heart-wrenching, haunting, sensual, and tender. This collection explores the experiences of a young Black woman in New Orleans as she navigates the pull of familial and romantic relationships, celebrating the joys of Blackness, art, and friendship. Libre also includes Jackson’s award-winning poem “can we touch your hair?” which was hand selected by former US Poet Laureate Billy Collins for inclusion in the Library of Congress Poetry 180 Project. 
    
  An acolyte of Sade and Stevie Nicks, Jackson muses on microaggressions, interracial relationships, and the endless intricacies of Black women’s hair as she rails against loss, random violence, and the dark expectations that society often places upon people of color. She roams each room of the heart, open and unafraid of what she might find behind every door. Through it all, this debut shines as the poetry refracts and reflects like a mirror leaving nothing unseen.

  Voir livre

• 

  Catastrophic Molting

  Amy Shimshon-Santo

  • 0
  • 0
  • 0

  CATASTROPHIC MOLTING (FlowerSong Press) Amy Shimshon-Santo uses the tools of language to remind readers there is power in repudiation, comfort in collective mourning, and possibility in reimagining. The book title is inspired by the molting ritual of sea elephants (Mirounga Angustirostris) along the California coast. The mirounga rest together on the shore as social protection from violence when they are the most vulnerable. Only through these periods of dramatic change can they grow sleek new coats. The book’s journey begins with “Contagion,” revealing a world split in half like a calabash by a virus. “Beating, trembling,” a woman pleads for mercy while the poems confront the liminality of profound change. “A new cycle had begun / I would never be the same again.” The second section, Sangue, gives voice to mourning and rage. “when you murder the future of music / you are conjuring extinction.” Dysfunction on planet Earth reverberates from the street into the expansive galaxy. Refusing to normalize violence, the poet gathers war inside her own body to detonate it, then blows “tsunami-wind / to rattle clear the desks.” With the verve of Oya, the goddess of ancestral and radical change, the book claims ground for empathy and inter-being. The collection asks readers to imagine: “what if we were a part of a whole / that loved us without ceasing?” Catastrophic Molting breaks from inertia and seeks new ground. Our “foremothers greet the unborn” and are “betrothed to a story that doesn’t wish us dead.” Shimshon-Santo suggests that “stepping off might actually be, stepping in / turning away might actually be, turning toward.”

  Voir livre

• 

  The Tent Generations -...

  Fadwa Tuqan, Salem Jubran,...

  • 0
  • 0
  • 0

  From the Introduction by Mohammed Sawaie:
  The Palestinian poets included in The Tent Generations, Palestinian Poems represent different age groups and backgrounds, yet they all express a strong sense of "Palestinian-ness". They include Israeli citizens, the offspring of those who remained in Palestine after 1948. They also include poets who lived or continue to live in the West Bank and Gaza, areas that are still occupied, or controlled by Israelis as of this writing. Finally, they include poets born in Palestine, but whose families were expelled, or migrated to neighboring Arab countries as a result of the Arab-Israeli wars of the Nakba in 1948, and then of 1967 and 1973.
  The educational backgrounds of the poets represented here vary. Salem Jubran, Samih al-Qasim, Tawfiq Zayyad, and Marwan Makhoul, for example, were products of the Israeli educational system. Others attended institutions of learning in various Arab countries. Fadwa Tuqan received little formal education in her city of Nablus; she, however, acquired instruction in language, support in writing poetry, and encouragement to publish her poems from her brother, the well-known poet Ibrahim Tuqan, mentioned previously.
  All these poems are written in fusha Arabic, Modern Standard Arabic, the codified literary, written language shared by educated speakers of Arabic in their various respective regions. Palestinian folkloric poetry, referred to as al-Shi'r al-Sha'bi or Shi'r al-'Ammiyya, is not included in this work. Folk poetry, richly expressed orally in the Palestinian dialect, 'Ammiyya, embraces a variety of themes (national pride, panegyric, love, generosity toward guests/strangers, and so on), including the political themes expressed in the poems in this work. There is a rising interest in collecting and preserving this folkloric poetry, and several anthologies of oral poetry as well as studies have recently appeared.
  The 1948 Nakba, the wars of 1967 and 1973, and their subsequent tragic impact find expression in the work of Palestinian poets. Some of the authors in this collection had firsthand experience of the loss of home, and the up-rootedness from and destruction of their villages and cities. Others acquired knowledge of such experiences, the tragedy that befell Palestinians, through stories told by grandparents or parents, stories of hardship and deprivation transmitted from one generation to another. Thus, poets express in vocabulary specific to the Palestinian experience of the dispossession of homeland, the forced expulsion, the pain of living in the miserable conditions of refugee camps in the diaspora.

  Voir livre

• 

  Hamlet

  William Shakespeare

  • 0
  • 0
  • 0

  The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness – from overwhelming grief to seething rage – and explores themes of treachery, revenge, incest, and moral corruption.

  Voir livre

• 

  Marquis de Sade's Midsummer...

  Ophelia T'Wat, Robert Dwight...

  • 0
  • 0
  • 0

  Full-Cast Audiobook! 
  Go Beyond Your Wettest Dreams... as If You Are Penniless and Yet Listening From Outside the Globe Theater! 
  In the last decade of the 16th century, William Shakespeare could not dare write A Midsummer Night's (Wet) Dream unabridged. By the happenchance of his birth-century, The Bard wrote in a poetic 'Shakespearean Code', hinting at sexualities and paraphilias he fully intended to compose and expose his Elizabethan audience to. His intended 'erotica for every fetish' morphed instead into a 'humane and wise drama' by happenchance.  
  But What If? there was a multiversal reality where the Marquis de Sade deciphered the Shakespearean Code during his long stay at the lunatic asylum at Charenton. But now Ophelia T'Wat, living in a much more sexually accepting century, can reach across realities to snatch these pages from the bloody quill of the Marquis and finally, fatefully publish the Wettest Midsummer Night'sDream conceivable! 

  Voir livre

• 

  Hello Hello

  Karen Hines

  • 0
  • 0
  • 0

  In the vast, unnamed metropolis of Hello … Hello, art and commerce have finally and completely conjoined; stylish cafés serve up zebra mussels and the air is thick with a gentle rain of sparrows plummeting down from the mirrored office towers. Everywhere, people are falling for an edgy new fashion accessory: a shiny ball filled with poison that hangs from a delicate chain.
     
  In this oddly peaceful world, Cassandra, a salesgirlat a clothing store called the Abyss, meets a charismatic ad man named Ben in the graveyard where she is mourning her lover, the last true artist on earth. They find themselves helplessly attracted to one another. Ben walks Cassandra home and invites her out to dinner, which leads to sex, marriage and a house in Semi-Residentia. Then comes baby. All one and a half inches of her.
     
  Hello … Hello, nominated for several Dora awards, including Best Play and Best Musical, is a tragic, comedic and curiously erotic attack on western society’s predilection for escapist consumerism and entertainment. If the boy-meets-girl musical is the shiny happy ball, then the content of the play, and its characters, are the poison held within.
     
  ‘[Hines is] one of the most original artists in the city.’
     
  – Toronto Life

  Voir livre