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  The 415 Express - Murder mystery...

  Amelia Edwards

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  Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London.  She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12.  Thereafter several popular periodicals published her poetry, stories and articles. 
   
  In addition she also illustrated some of her own writings and painted scenes from books she had read.  This talent was not supported by her parents, who saw an artist’s life as scandalous.  Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage.  Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing.  Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established.  
   
  Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. 
   
  In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off.  In reality her emotional attachments were almost exclusively with women.  From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892.  During this relationship other women also entered and left her life.  Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology.  Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation.  
   
  To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. 
   
  After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare.  She was 60.

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  Exquisite Corpse

  Cassandra Khaw, Paul Cornell,...

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  A dying film maker determined to turn his own death into his most celebrated work of art enlists one of his former actresses, Annie, to assist. But when he relinquishes the directors chair he also relinquishes his power, and Annie has her own plans for this most final of performances. A haunting tale of sci-fi horror in which the women abused by the ultimate bad media man take exquisite revenge.

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  To Dye For

  Greta Boris

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  Imogene's client has a special request. The only hitch is, the client is dead. 
   
   
   
  It's an ordinary day at Harry's Hair Stop until Imogene hears her favorite client's dying wish. Two days later, she finds herself in the embalming room at Greener Pastures Mortuary, bottle of hair dye and scissors in hand. 
   
   
   
  Styling her client's hair for the funeral is creepy. She'd expected that. But she hadn't expected the body to buzz like it was loaded with corpse caffeine. Was it her imagination, or was something more sinister at play? Determined to prove her sanity, she teams up with the mortuary's handsome night watchman to investigate. 
   
   
   
  Through a series of hair-raising twists, they discover the client's death, just like her hair color, wasn't as natural as everyone thought. In fact, this was only one in a string of murders. Someone is killing off the residents of Liberty Grove. It's up to Imogene to find the murderer before the murderer finds her. 
   
   
   
  If you can imagine Agatha Raisin as a twenty-something, rockabilly, hairstylist with a weird connection to the dead, this book is for you.

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  Spider to the Fly - A Novel

  J.H. Markert

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  A true crime author helps in a desperate hunt for a killer in this dark and twisted thriller from the deviously inventive horror author that Peter Farris calls the “clear heir to Stephen King.”Perfect for fans of cat and mouse serial killer thrillers like The Butcher and the Wren and The Jigsaw Man.Ellie Isles first became obsessed with the I-64 Strangler when she saw her own face on one of his victims. Identical to every detail, the woman wasn’t her, but she could have been. Unable to stop herself from obsessing over her doppelganger’s death, Ellie wrote a true crime book about the Strangler and became a bestselling author.     Four years and a dozen more victims later, the Strangler still hasn’t been caught, and many of his victims remain unidentified. Ellie has created an online true crime network with millions of followers and a massive database of people at risk of becoming Jane and John Does: the homeless, the drug-addicted and downtrodden, the unwanted and uncared-for, with the hopes that if they become victims, they might at least be identified.      Some people think Ellie is crazy. She’s convinced that the victim with her face was her own unknown long-lost twin, and her determination to build the Doe database borders on manic. But with multiple victims successfully identified from her database, the task force trying to catch the Strangler can’t deny her utility–and Ellie is more determined than ever to help catch the Strangler.     With striking prose and a horror flair, Spider to the Fly is an engrossing serial killer thriller perfect for fans of The Whisper Man.

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  The Long Walk Home

  A. M. Keen

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  In one single day the entire UK changed, and could never revert back to normality. Bombs detonated in every major city across England, releasing the little known ‘Non Compos Mentis Virus,’ and with it destroying seventy-five percent of the population. However, the virus didn’t kill those who contracted it, but instead infected their minds and senses, turning them in to violent psychopaths that can feel no pain and also gave them a new goal in life; to destroy anyone who does not carry the same virus. Bucky Jackson awakes from a minibus crash that killed most of his school cricket team. Rescued by his friend Johnny, the remaining kids and teachers seek sanctuary inside a hardware shop in a small, Northamptonshire town.As the days pass, they decide to try for a safe zone at a football stadium a few towns away. With every step danger lurks, not only from the zombies that swarm the area in their thousands, but more so from the handful of people who survived the virus outbreak. As their journey continues, Bucky is looked to as a leader to help them reach their destination. They encounter killer clowns, hordes of the undead and an organised crime outfit as well as dealing with treachery within their own group. Bucky must learn to unite his team and teach them to rely on each other, as their journey may be longer than anticipated….

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  The Prose Of Clark Ashton Smith

  Clark Ashton Smith

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  Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz 
  Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". 
  Smith was one of "the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft", though some readers objected to his morbidness and violation of pulp traditions. The fantasy writer and critic L. Sprague de Camp said of him that "nobody since Poe has so loved a well-rotted corpse".[3] Smith was a member of the Lovecraft circle, and his literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked by an extraordinarily rich and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humor. 
  Of his writing style, Smith stated: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."

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