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  The Poetry of William Morris -...

  William Morris

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  William Morris was born in Walthamstow, London on 24th March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian.   
  Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke warm reception he was discouraged from poetry writing for a number of years. 
  However, his return to the form was met with great success in the poem The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing and he was the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite. 
   In 1884 he founded the Socialist League but with the rise of the Anarachists in the party he left it in 1890 and the following year he founded the Kelmscott Press, publishing limited edition illuminated style books.  His design for The Works of Geoffrey Chaucer is a masterpiece. Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined. 
  William Morris died at age 62 on 3rd October 1896 in London. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

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  Poetry Book Society Spring 2025...

  Alice Kate Mullen

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  The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter.
  Our Spring 2025 Selections are:
  CHOICE: Richard Scott, That Broke into Shining Crystals (Faber)
  RECOMMENDATIONS: Charles Lang, The Oasis (Skein Press)
  
  , Diane Seuss, Modern Poetry (Fitzcarraldo Editions), Dane Holt, Father's Father's Father (Carcanet Press), Desree, Altar (Bad Betty Press)
  SPECIAL COMMENDATION: Oluwaseun Olayiwola, Strange Beach (Fitzcarraldo Editions)
  TRANSLATION CHOICE: Anna Akhmatova, trans. Stephen Capus, In Love and Revolution (Shearsman Books)
  PAMPHLET CHOICE: Troy Cabida, Symmetric of Bone (fourteen poems)
  You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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  Poets & Their Inner Demons –...

  Samuel Taylor Coleridge, Charles...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together the poems and verse of those wordsmiths whose lives were blighted by drink and the seemingly unending consumption of it.   
  The long roll call and the truncated legacies that were left behind is filled with the names of these lost talents.

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  Wherever We Mean to Be -...

  Robyn Sarah

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  Spanning forty years and ten previously published collections, Wherever We Mean to Be is the first substantial selection of Robyn Sarah’s poems since 1992. Chosen by the author, the 97 poems in this new volume highlight the versatility of a poet who moves easily between free verse, traditional forms, and prose poems. Familiar favorites are here, along with lesser-known poems that collectively round out a retrospective of the themes and concerns that have characterized this poet's work from the start. 
  Warm, direct, and intimate, accessible even at their most enigmatic, seemingly effortless in their musicality, the poems are a meditation on the passage of time, transience, and mortality. Natural and seasonal cycles are a backdrop to human hopes and longings, to the mystery and grace to be found in ordinary moments, and the pleasures, sorrows, and puzzlements of being human in the world.

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  The Stuttering Magician

  Jay MacNamee

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  Tired of life in a noisy city, a group of magicians gathers together and POOF! -- they create their very own town. Being rather self-centered, they elect themselves to various positions in the town. When the voting is over, every magician has been elected to office; everyone, that is, except young Abracadabra Bartholomew Brown. Why not Bartholomew? Because he stutters, which causes some people to tease him and think less of him. As a result, Bartholomew is terribly shy and afraid to speak up. When the town's first birthday arrives, people realize that the town was never named when it was made. And since everyone else in town already holds office, the role of Namer of Towns falls to young Mr. Brown, despite the objections of one mean old magician. Now Bartholomew must think up a name and say it out loud to the assembled crowd, a task that fills him with dread. Will he come up with a name that pleases his fellow magicians? Will he be able to say it out loud? How will folks respond? Using cleverly rhymed couplets, The Stuttering Magician tells a humorous, heartfelt, and ultimately uplifting story that not only helps build self-esteem in young people people who stutter, but encourages greater empathy towards and understanding of the affliction among their peers and adults alike. Proceeds from the sale of this audiobook benefit the National Stuttering Association.

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