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  Silas Marner

  George Eliot

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  In the town of Reveloe, there lives a man called Silas Marner. A strange little man, a weaver by trade, and seen with suspicion by the other villagers. He's been beset by bad luck all his life. Cast out of his simple religious life in Lantern Yard, and then returns home to find his money stolen. But then, on new years day, his luck changes when he finds a small child sitting before his hearth...  
  Published in 1861, this was the third novel by George Elliot, and delves into the topics of religion, industrialisation and community, and was praised at the time for its realism.  
  Narrated by Michael Ward.

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  Dynamo

  Luke Samuel Yates

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  What is Dynamo? It is the first full-length collection by an extraordinarily entertaining and exhilarating poet. Over the course of this book, things break down, start again, light up, get stuck. Relationships stagnate, mountains and seas diminish, White nationalists fall over in Blackpool, and a wealthy couple's house disappears one day, leaving them surrounded by their appliances, tanned and eating an egg.
  I'm always listening out for a new poet who can take the deceptively effortless, witty yet ultimately serious chops of the New York School, make it work for this generation and bring the whole thing in to land just outside a British city, losing nothing in transit. And God it's been worth the wait. This is a poetry of exquisite timing, with some of the most satisfying last lines I've ever read. Yates can take an everyday domestic detail and make it sparkle with the mystery of a Raedecker painting. – Luke Kennard

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  Extra Ordinary experiences of an...

  Kiran Tandon

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  Would you dare to take a leap of faith to pursue your passions?  
  For the lively spirit not to die, would you transition to live it through other stories! 
  Everyone has a story to tell, and everyone's story is unique. 
  This book will take you on the journey of an ordinary girl with an extraordinary story,  
  which has transpired into this masterpiece.  
  With every page, an unleashing of emotion, or truth, of realization and appreciation is made.

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  A Rhyme A Dozen ― Christmas Eve...

  Thomas Hardy, William...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic. Christmas Eve - An Introduciton 
  2 - Christmas Eve by Christina Rossetti 
  3 - The Oxen by Thomas Hardy 
  4 - A Visit from St Nicholas ('Twas the Night Before Christmas) by Clement Moore 
  5 - Christmas Poem by Robert Herrick 
  6 - Christmas Fancies by Ella Wheeler Wilcox 
  7 - New Prince New Pomp by Robert Southwell 
  8 - Minstrels.  A Christmas Poem by William Wordsworth 
  9 - Old Christmastide (An Extract) by Sir Walter Scott 
  10 - Christmas Carol by Sara Teasdale 
  11 - The Nativity of Our Lord and Saviour Jesus Christ by Christopher Smart 
  12 - The Meeting by Henry Wadsworth Longfellow 
  13 - The Masque of Christmas by Ben Jonson

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  MINSTREL BOY: Picasso of Song...

  Chris Gregory

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  MINSTREL BOY: Picasso of Song Part 2 
  This book is about is one of the major cultural figures of the modern age, combining a reverence for the traditions of many forms of American music with a distinctly postmodern sensibility. It is no exaggeration to state that he has revolutionised the art of poetic songwriting. He is a recipient of the Nobel Prize for Literature, the Pulitzer Prize and numerous other awards, as well as being arguably the most influential single artist in the history of rock music.  
  This book is the second volume of Chris Gregory’s Picasso of Song, a highly comprehensive ‘trilogy in reverse’ which takes ‘deep dives’ into all of the songs, while exploring the many ways in which he has used live performance to expand and deepen the effects of his art. Following on from the acclaimed Determined to Stand which covered his later years, Minstrel Boy focuses on the many artistic and personal metamorphoses he went through between 1967 and 1990 - what might be called his ‘years of struggle’. Dylan could easily have rested on the laurels of his early fame but he refused to be categorised or ‘boxed in’ by the intense personal pressures that were placed on him. Instead, he continued his restless quest to find new ways to present his songs to fans and followers, knowing that they would hang onto every word he said or sang.

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  The Story of a Man Who Collapsed...

  Ivana Sajko

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  . . . I’ve forgotten how to travel, how to surrender to the favor and misfortune of the rails, how one says goodbye, how long one actually stands facing backward watching Point A swiftlydisappearing, and after that how long does he continue standing standing standing . . . I open my notebook, but I have no answer, I write: “traveling from Point A to Point B, from a littleseaside town to Berlin, I gaze out the window at the unfinished houses on the outskirts, warehouses in the industrial zone, stunted trees along the river with plastic bags hanging fromtheir branches like bats . . .”
   
  Sajko teases out the mental state and personal history of the protagonist, posing departure as a major theme that serves as a touchstone not only for our region [of Southeastern Europe] but also for the times we are living in. —Antonela Marušić, Novosti
   
  This is a stylistically superb novel, very readable. . . . And although this is a deeply personal text, it functions much more broadly, giving expression to the experiences, doubts, fears and all things encountered not only by this one, but a whole series of generations. —Matija Prica, booksa.hr
   
  The Story of a Man Who Collapsed Into His Notebook is about departures, childhood, the end of a relationship and the vanishing possibility in today’s world of fleeing to a better place. Written in the first person, each chapter a single sentence, the novel is an internal soliloquy of self-examination, an excavation of a life punctuated by upheaval and loss, hope and disillusionment, ambition and failure. The reader joins the narrator on his journey, both on the train and in his mind—from disjointed memories triggered by his departure from home, through attempts to put his relationships and experiences in some kind of order to find meaning in them and perhaps assign blame, to confronting his most painful memories—finally arriving with him at his destination with a sense of clarity and the possibility of a new beginning.

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