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  Frieze

  Olga Dermott-Bond

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  Frieze by Olga Dermott-Bond is an astonishing and spellbinding debut poetry collection. Goddesses, saints, dead girls, creatures, mothers, and muses all gather in this collection to confide their secret histories and desires. Voices are recovered from canvas, from behind museum glass, from the pages of literature and the tales of Irish folklore, to explore what can be recaptured and what remains still out of reach.
  'In these tender poems, Olga Dermott-Bond conjures a gallery in which we enter every painting, a museum where we slip inside glass cases and come out changed.' - Miriam Nash
  From a bold voice in women's poetry. Frieze is art obsessed and darkly magical, with a touch of gothic. Akin to poets like Victoria Kennefick, Helen Ivory and Pascale Petit.

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  The Native-Born

  Rudyard Kipling

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  The Native-Born is Rudyard Kipling in full, booming voice—an ode to homeland, heritage, and the fierce pride of those raised under blazing southern skies. 
  Through vivid imagery and pulsing rhythm, Kipling toasts the people of the far-flung British colonies: the “Sons of the Golden South,” the settlers and workers who carved their lives into vast prairies, tin-roofed towns, and coastlines battered by sun and sea. 
  With its rolling cadence and sweeping scope, the poem celebrates the land that shapes a person—the cradle that defines their loyalty, their labor, and their identity. From verandas glowing in moonlight to dusty plains alive with color and heat, The Native-Born blends nostalgia, rugged beauty, and unshakable pride. 
  Narrated with rich clarity by Phil Thames, this performance brings Kipling’s celebratory toast to life, honoring the people, places, and spirit that shaped a generation. 
  A stirring tribute. A timeless anthem. A salute to the land that calls you home.

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  Henrik Ibsen: A Dolls House

  Henrik Ibsen

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  Published in 1879, this play was a bombshell, exposing the tragic hypocrisy of Victorian middle class marriage. The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world. - A wife was almost literally a bird in a cage for display by the husband. Note that this is a solo reading of the entire play by one person. 

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  Resting Bitch Face - Poems

  Taylor Byas

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  The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story 
   
   
   
  Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of "watching" throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity. 
   
   
   
  From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris.

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  The Poetry of Gerard Manley...

  Gerard Manley Hopkins

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  Gerard Manley Hopkins was born in Stratford, then part of Essex on 28th July, 1844, to deeply religious parents?the first of nine children. 
  The family moved to Hampstead in 1852, near to where John Keats had lived thirty years before.  At age ten the young Gerard was sent to school in nearby Highgate and afterwards to Balliol College, Oxford. 
  Hopkins was unusually shy and reserved and prone to bizarre ideas. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed.  
  In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic and by May 1868 Hopkins firmly "resolved to be religious." Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.  
  In 1874 Hopkins returned to the Society of Jesus at Manresa House, Roehampton to teach classics. While he was studying in the Jesuit house of theological studies in North Wales, he was asked to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he was moved to take up poetry once more and write a lengthy poem, The Wreck of the Deutschland, inspired by the Deutschland maritime disaster in which 157 people died, including five nuns.  The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry. Most of his poetry remained unpublished until after his death. 
  Hopkins chose the austere and restrictive life of a Jesuit and was at times gloomy. The brilliant student who had left Oxford with a first-class honours degree failed his final theology exam and although ordained in 1877, Hopkins would not progress in the order. That same year he wrote God’s Grandeur, and sonnets including The Starlight Night and finished The Windhover. 
  In 1884 he became professor of Greek and Latin at University College Dublin. His English roots, his disagreement with current Irish politics, as well as his own small stature (5'2"), shy nature and personal foibles meant that he was not an effective teacher. This and his isolation in Ireland deepened his gloom.  
  The final years of his life continued to find him in a depressed state and to restrict his poetic inspiration. His extremely heavy work load coupled with the dislike of living in Dublin, away from England and friends meant his health further deteriorated, even his eyesight began to fail. As a devout Jesuit, he found himself in an artistic dilemma. To subdue any egotism which would violate the humility required by his religious position, he decided never to publish his poems.  
  After suffering several bouts of diarrhoea, Gerard Manley Hopkins died of typhoid fever on 8th June, 1889 at the early age of 44. On his death bed, his last words were, "I am so happy, I am so happy. I loved my life." 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Poets & Their Professions – The...

  Sir Philip Sidney, Sir Thomas...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we gather together those men who, with the touch of a Royal sword, are elevated from mere men to a distinction and elite class that nothing else can offer.  Their talents as poets too are also beyond the ability of almost all other men.

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