Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
Epistle to Dr Arbuthnot - cover

Nous sommes désolés! L'éditeur ou l'auteur a retiré ce livre de notre catalogue. Mais ne vous inquiétez pas, vous pouvez toujours choisir les livres que vous souhaitez parmi plus de 500 000 titres!

Epistle to Dr Arbuthnot

Alexander Pope

Maison d'édition: Lighthouse Books for Translation and Publishing

  • 0
  • 0
  • 0

Synopsis

The Epistle to Dr. Arbuthnot is a satire in poetic form written by Alexander Pope and addressed to his friend John Arbuthnot, a physician. It was first published in 1735 and composed in 1734, when Pope learned that Arbuthnot was dying. Pope described it as a memorial of their friendship. 
Alexander Pope, (born May 21, 1688, London, England—died May 30, 1744, Twickenham, near London), poet and satirist of the English Augustan period, best known for his poems An Essay on Criticism (1711), The Rape of the Lock (1712–14), The Dunciad (1728), and An Essay on Man (1733–34). He is one of the most epigrammatic of all English authors.
Pope’s father, a wholesale linen merchant, retired from business in the year of his son’s birth and in 1700 went to live at Binfield in Windsor Forest. The Popes were Roman Catholics, and at Binfield they came to know several neighbouring Catholic families who were to play an important part in the poet’s life. Pope’s religion procured him some lifelong friends, notably the wealthy squire John Caryll (who persuaded him to write The Rape of the Lock, on an incident involving Caryll’s relatives) and Martha Blount, to whom Pope addressed some of the most memorable of his poems and to whom he bequeathed most of his property. But his religion also precluded him from a formal course of education, since Catholics were not admitted to the universities. He was trained at home by Catholic priests for a short time and attended Catholic schools at Twyford, near Winchester, and at Hyde Park Corner, London, but he was mainly self-educated. He was a precocious boy, eagerly reading Latin, Greek, French, and Italian, which he managed to teach himself, and an incessant scribbler, turning out verse upon verse in imitation of the poets he read. The best of these early writings are the “Ode on Solitude” and a paraphrase of St. Thomas à Kempis, both of which he claimed to have written at age 12.
Windsor Forest was near enough to London to permit Pope’s frequent visits there. He early grew acquainted with former members of John Dryden’s circle, notably William Wycherley, William Walsh, and Henry Cromwell. By 1705 his “Pastorals” were in draft and were circulating among the best literary judges of the day. In 1706 Jacob Tonson, the leading publisher of poetry, had solicited their publication, and they took the place of honour in his Poetical Miscellanies in 1709.
This early emergence of a man of letters may have been assisted by Pope’s poor physique. As a result of too much study, so he thought, he acquired a curvature of the spine and some tubercular infection, probably Pott’s disease, that limited his growth and seriously impaired his health. His full-grown height was 4 feet 6 inches (1.4 metres), but the grace of his profile and fullness of his eye gave him an attractive appearance. He was a lifelong sufferer from headaches, and his deformity made him abnormally sensitive to physical and mental pain. Though he was able to ride a horse and delighted in travel, he was inevitably precluded from much normal physical activity, and his energetic, fastidious mind was largely directed to reading and writing. 
 
Disponible depuis: 05/06/2019.

D'autres livres qui pourraient vous intéresser

  • Damon Runyon Theater - The Bloodhounds of Broadway & The Lily of St Pierre - Episode 15 - cover

    Damon Runyon Theater - The...

    Damon Runyon

    • 0
    • 0
    • 0
    The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.
    Voir livre
  • Rhyme A Dozen A - England - 12 Poets 12 Poems 1 Topic - cover

    Rhyme A Dozen A - England - 12...

    William Blake, Robert Browning,...

    • 0
    • 0
    • 0
    ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
     
    1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - England - An Introduction 
    2 - Jerusalem by William Blake 
    3 - Home Thoughts From Abroad by Robert Browning 
    4 - The Lambs of Grassmere by Christina Georgina Rossetti 
    5 - Happy Is England by John Keats 
    6 - This England (from Richard II) by William Shakespeare 
    7 - Daffodils by William Wordsworth 
    8 - Lines Written Beneath An Elm in the Churchyard of Harrow On The Hill Sept 2nd 1807 by George Gordon Byron 
    9 - Beachey Head by Charlotte Smith 
    10 - A Shropshire Lad XXXI - On Wenlock Edge the Wood's in Trouble by A E  Housman 
    11 - London After The Great Fire 1666 by John Dryden 
    12 - The Lament of Swordy Well by John Clare 
    13 - A Song - Men of England by Percy Bysshe Shelley
    Voir livre
  • Sonnets - cover

    Sonnets

    Drew Bowen

    • 0
    • 0
    • 0
    A collection of poems for self-love, healing, and restoring the soul.
    Voir livre
  • Poetry Of The Geek - cover

    Poetry Of The Geek

    Dean Rankine

    • 0
    • 0
    • 0
    Comic Book Artist and Pop Culture Geek, Dean Rankine doesn't know anything about writing poetry. But a little thing like that isn't going to stop him from writing a poem once a week for a year, putting those poems into a book and sending them out into the universe. 
    "Dean's poetry is like watching someone dragged upside down by a bolting robot horse through a cacti patch. It's exhilarating, you chortle, but then you're flooded with existential dread that we're all gonna die in stupid ways." - Ryan K. Lindsay (Beautiful Canvas, Deer Editor) 
    Narrated by Ben Sorensen 
    Recorded at the studios of BSE Australia for Shooting Star Press.
    Voir livre
  • Robert Browning 200th Anniversary Collection - cover

    Robert Browning 200th...

    Robert Browning

    • 0
    • 0
    • 0
    For this collection, LibriVox volunteers made their own selections from Robert Browning's poetry and prose to celebrate the 200th anniversary of his birth on 7th May 1812.
    Voir livre
  • A Rubaiyat Miscellany - cover

    A Rubaiyat Miscellany

    Omar Khayyám

    • 0
    • 0
    • 0
    The translation of the Rubaiyat of Omar Khayyam by Edward Fitzgerald has remained the most celebrated rendering in English of the Persian poet's work.  While several other scholars produced their own translations of the Rubaiyat, yet others contented themselves by just paraphrasing the work of Fitzgerald.  This recording features three reworkings of previously published translations.  Arthur Guiterman and Ruel William Whitney based their renderings on the Fifth Edition of Fitzgerald's translation and Richard Le Gallienne, a distinguished poet in his own right, compiled his version from a variety of sources, in particular the prose translation by Justin Huntly McCarthy.  The edition of the Le Galliene version used in this recording is a special selection made for an American friend by the poet from his larger collection of 261 quatrains, which has previously been recorded for Librivox.  (Summary by Algy Pug)
    Voir livre