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  Trace Evidence

  Charif Shanahan

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  A Chicago Review of Books Most Anticipated Chicago Book of 2023 
   
   
   
  "A truly magical achievement." —Ocean Vuong 
   
   
   
  In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection's center sits "On the Overnight from Agadir," a poem that chronicles Shanahan's survival of a devastating bus accident in Morocco, his mother's birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.

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  Ash Wednesday

  T. S. Eliot

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  Ash Wednesday marks a decisive turning point in the work of T. S. Eliot. Written after his conversion to Anglicanism, the poem abandons the fragmentation and irony of earlier modernism in favor of restraint, repetition, and spiritual tension. The voice that emerges is hesitant, disciplined, and deliberately limited.
  
  Structured as a sequence of meditative movements, the poem traces an inward journey defined by renunciation rather than revelation. Desire is examined, resisted, and re-ordered, as language circles around prayer, silence, and the difficulty of belief. Meaning is not asserted but approached through pattern, rhythm, and omission.
  
  Severe, austere, and exacting, Ash Wednesday stands as one of the central religious poems of the twentieth century—a work concerned less with certainty than with endurance and spiritual discipline.

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  Riviera Tramp

  Thomas Kennedy

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  Annabel is an unmarried, childless, thirty-five year old self-made billionaire based in Monaco. Robert is a renowned heart surgeon based in Ireland, aged forty.LiChan is Vietnamese and she is Annabel's personal assistant. Simon Beauvoir is Annabel’s uncle and he runs her bank.Charlotte Rossi is Psychiatrist to both Annabel and LiChan.Barty is Robert’s friend, convalescing in Italy after a heart operation, with his wife Mona.Yolanda is a twenty year old, working in a boat yard where Robert stops to earn some cash cleaning boats.Howard is a Texan multi-millionaire whom Annabel is considering to become the father of her intended childrenGriggs is Annabel's Head of Security and also her butler. He and the chauffeur Taylor, are both gay and in a relationship.Robert is tramping across the south of France, aiming to meet his friend and patient, Barty, in Italy. As part of the challenge he has set himself, he is working and hitching his way across to Italy, not having brought any cash or cards to finance his journey.Annabel is on her way back via Nice, to Monaco, after a gruelling business trip. She drives a top of the range red jaguar car.Annabel, on route from Nice airport, feeling exhausted and worried she might fall asleep at the wheel, parks in the car park at the start of the Promenade des Anglais, to take fresh air before driving on to Monaco.Robert is sleeping as a tramp under the promenade.Prostitutes are using the car park as a base in order to serve the airport trade.When Annabel is mugged she screams for help and is rescued by Robert.  Robert thinks she is a prostitute and she thinks he is an alcoholic tramp.  Subsequently, they sit together and as they converse, they warm to each other, but they don't expect their meeting to be more than a passing of two ships in the night.  But later they make love in her Jaguar.  They part, but don’t realise they have fallen in love.  The story shows how they get back together

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  A Palace of Waning - A...

  Pamela Nocerino

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  Palace of Waning explores longing for a sense of home. Through themes of place, loss, and self, images wander into uneasy complexities of truth where the search for home distorts the view of its presence everywhere. Readers are invited as far as space and as near as the sound of moving fabric. 
  Review: 
  In A Palace of Waning, Pamela Nocerino’s luminous new chapbook, the poet traces the shifting landscapes of home, self, loss, and place. Here, “Red neon blinks / like it celebrates the danger” of icy roads, even as we are reminded that “The sun doesn’t rise / We rotate to see it.” Nocerino invites us into a world where beauty and peril intertwine, and where perception itself becomes a kind of illumination. 
  –Leah Huete de Maines, Poet-in-Residence Emerita at Northern Kentucky University

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  The Poetry of John Dryden -...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire and grew up in a nearby village.  In 1644 he was sent to Westminster School as a King's Scholar and then obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden found work with Cromwell's Secretary of State, John Thurloe.  At Cromwell's funeral on November 23rd 1658 he found company with the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. Later that year he published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric and with the re-opening of the theatres he began to also write plays. His first, The Wild Gallant, appeared in 1663 and whilst not successful, he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.    
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London.  This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670) as his talent encompassed many forms; from Poetry to Plays to translations. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Umbra Nosferatu Poem - Narrated...

  Ashlan Chidester

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  The sprites of bright lights ...

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