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  Sparks of the Everyday - Poetry...

  Anthony Anaxagorou

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  Sparks of the Everyday: Poetry Ireland Introductions 2022 is an anthology of poetry from Poetry Ireland, the national poetry organisation. This anthology features the very best of Ireland's emerging poets for 2022, as chosen by Anthony Anaxagorou, award-winning poet, essayist, publisher, and poetry educator, along with renowned Irish-language poet Aifric Mac Aodha. In addition to a pair of superb poems, each poet provides an insightful prose piece on poetry, or on life, or on the overlap between poetry and life. Featuring Róisín Leggett Bohan, Meg Mulcahy, Pádraig Ó Cuinneagáin, Helen Fallon, Karson Lafferty, Caitríona Lane, K.S. Moore, Charles Lang, Art Ó Súilleabháin, Patrick Hopkins, Amy Abdullah Barry, Brian Ó Tiomáin, Phil Kingston, Jess McKinney, and HK Ní Shioradáin, along with author photos plus a superb cover image from artist Geraldine O'Neill. Quality poems and prose from Poetry Ireland: connecting poetry and people.

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  Between the Night and Its Music...

  A. B. Spellman

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  A. B. Spellman is an acclaimed American poet, music critic, and arts administrator. He is widely recognized as a leading figure in the Black Arts Movement of the 1960s and 1970s, a cultural and literary movement that emphasized Black identity, pride, and artistic expression. Between the Night and Its Music brings together A. B. Spellman's early work with a collection of powerful new poems. Spellman's literary career took flight in 1965 with his debut poetry collection, The Beautiful Days, which introduced his distinctive voice blending elements of jazz, blues, and African oral traditions. In 1966, Four Lives in the Bebop Business established Spellman as a respected music critic and scholar. It was a groundbreaking work that chronicled the lives and struggles of four influential jazz musicians. Spellman held senior positions at the National Endowment for the Arts for thirty years with lasting impact on arts funding for inner cities and rural and tribal communities. In addition to poems from The Beautiful Days (1965) and Things I Must Have Known (2008), this book contains a trove of new and uncollected poems, confirming Spellman's continued centrality to contemporary American literature. This is an essential volume for readers already familiar with Spellman, and an excellent introduction for new readers. Lauri Scheyer's introduction situates Spellman's work within jazz writing, Black Arts, and American poetry broadly.[sample text]THE TWISTa dancer's worldis walls, movementconfined: musicgod's last breath.rhythm: the last beating of his heart. a dancerfollows that sound, blindto its source, toward wallswith others. she cannot dance aloneshe thinks of thoughtas windows, as ice around the dancecan you break it? move

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  Trace Evidence

  Charif Shanahan

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  A Chicago Review of Books Most Anticipated Chicago Book of 2023 
   
   
   
  "A truly magical achievement." —Ocean Vuong 
   
   
   
  In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection's center sits "On the Overnight from Agadir," a poem that chronicles Shanahan's survival of a devastating bus accident in Morocco, his mother's birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  Immigrant Child - poetry...

  SallyV Truss

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  A joyful and sometimes searing blend of poetry, song, and rant from SallyV Truss, who takes us on her epic journey as an Immigrant Child to western Canada 
  "SallyV doesn't merely read her poetry, she embodies it, captivating the audience, and breathing life into the page." ~ Sarah L. Pratt, Literary Events Manager, Owl's Nest Books 
  "Sally's captivating stories have an aesthetic appeal that makes you linger on the page enjoying each poem with unexpected leisure." ~ Jade O'Riley, poet, literary advocate 
  "Sally V Truss, poet/lyricist, has come home to herself. Feel the music in her finely crafted rhythmic words where emotional and physical landscapes point to the sacred. Clever humour is tightly woven with wisdom as this immigrant girl finds her way. What a gift!" ~ Lana Skauge, author, master storyteller, educator

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  warm blooded things

  Shaun Hill

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  Shaun Hill's debut poetry collection,warm blooded things is a radical and intimate encounter with boyhood, sexuality, and violence, love, desire and solitude. Wandering the nocturnal city streets, through random encounters, co-opting space and capturing conversations in a multitude of voices, this collection evokes alienation whilst longing for tenderness.
  Hill's agile poems are alive to fear, loss and danger. The poems also explore a uniquely queer archive of time and place, the legacy of AIDS, and draw strength from giving voice to unheard histories. Seeking sanctuary and alternatives to a capitalist reality, these precise poems gesture towards hope, survival and the necessity to be responsible for one another.
  "Shaun Hill is one of my favourite performers, his poems charged with vulnerability and raw intimacy. Now warm blooded things offers us this same tender gift."– Liz Berry

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