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  Safe in their Alabaster Chambers

  Emily Dickinson

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  LibriVox volunteers bring you 18 recordings of Safe in their Alabaster Chambers by Emily Dickinson. This was the Weekly Poetry project for May 6, 2012.Although Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation.[3] Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. (Summary from Wikipedia)

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  The Lux Radio Theatre Collection 1

  Black Eye Entertainment

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  The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part. The productions were broadcast live, with a full orchestra, in front of a large studio audience. Sponsored by Lever Brothers, the makers of Lux Soap, The Lux Radio Theatre came to radio in 1934 and lasted until 1955 for a total of 926 hour-long broadcasts. It transitioned to TV in 30-minute weekly installments in 1950 with James Mason as host. 
  10/11/37 "Stella Dallas" w/ Barbara Stanwyck, John Boles and Anne Shirley 10/6/47 "Undercurrent" w/ Katharine Hepburn and Robert Taylor 11/22/48 "The Big Clock" w/ Ray Milland and Maureen O'Sullivan 4/18/49 "The Treasure of the Sierra Madre" w/ Humphrey Bogart and Walter Huston 9/10/51 "Fancy Pants" w/ Bob Hope and Lucille Ball 12/3/51 "Strangers on a Train" w/ Ray Milland, Frank Lovejoy and Ruth Roman

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  Joanne (NHB Modern Plays)

  Deborah Bruce

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  Five characters share a common thread: Joanne. But it's not about her. It's about Stella, whose tomorrow is as far away as winter from summer. It's the way Grace finds her song on the footpath between two cars. It's about Alice's MBA wasted on plugging holes, Kath's patients crawling alongside her after the night shift and it's Becky caught in the crosshairs of what's best and what's right for her students.
  But what about her? What about Joanne?
  In Joanne, five of the most exciting voices in theatre explore the pressures on our public services as one young woman buckles under pressures of her own.
  The play comprises five interconnected short plays for a solo performer, written by Deborah Bruce, Theresa Ikoko, Laura Lomas, Chino Odimba and Ursula Rani Sarma.
  Commissioned by Clean Break, Joanne premiered at Latitude Festival in 2015, before transferring to Soho Theatre, London.

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  Home (NHB Modern Plays)

  Nadia Fall

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  A powerful, inventive play that mixes real testimonials alongside existing and original music to explore one of the most important social concerns of today: homelessness amongst young people.
  Bullet doesn't want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe.
  In 2013, homelessness amongst young people in the UK is at a record high, so when the big society doesn't work ? where do you go? An inner city high rise hostel, Target East, offers a roof.
  Home brings to life the unheard voices of the young residents and staff who live and work behind the anonymous concrete walls. A bold verbatim play that asks what it really means to call somewhere home, it is offers ideal material for youth theatres and young performers.
  'raises timely political questions in a fresh and streetwise style' - Evening Standard
  'filled with a fierce eloquence... a boldly theatrical piece' - Guardian
  'extraordinary... leaves you not just moved, but awed and uplifted' - Metro
  'powerful... an honest and reflective piece of theatre' - The Stage

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  Satires

  Decimus Iunius Iuvenalis

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  Decimus Iunius Iuvenalis, known in English as Juvenal, was a Roman poet active in the late 1st and early 2nd century AD. The details of the author's life are unclear, although references within his text to known persons of the late 1st and early 2nd centuries AD fix his terminus post quem (earliest date of composition). The Satires are a collection of satirical poems by Juvenal written in the late 1st and early 2nd centuries AD. Juvenal is credited with sixteen known poems divided among five books; all are in the Roman genre of satire, which, at its most basic in the time of the author, comprised a wide-ranging discussion of society and social mores in dactylic hexameter. These five books were discrete works, and there is no reason to assume that they were published at the same time or that they are identical in theme or in approach. The poems are not individually titled, but translators have often added titles for the convenience of readers. (Summary by wikipedia)

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  The Importance of Being Earnest

  Oscar Wilde

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  The Importance of Being Earnest is a play by Oscar Wilde. First performed on February 14th 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.  
  The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Their feud came to a climax in court, where Wilde's homosexuality was revealed to the Victorian public and he was sentenced to imprisonment. Despite the play’s early success, Wilde’s notoriety caused the play to be closed after 86 performances. After his release from prison, he published the play from exile in Paris, but he wrote no further comic or dramatic work.

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