Verlag: Fractal Press
An exciting collection of stories from W.W. Jacobs, a London based novelist famous for his horror and travel stories. This volume includes some of his iconic work: The Monkey's Paw, The Lady of the Barge, Bill's Paper Chase, The Well, Cupboard Love, In the Library, Captain Rogers, A Tiger's Skin, A Mixed Proposal, An Adulteration Act, A Golden Venture, and Three at Table.
Richard Austin Freeman (1862-1943) was a British writer of detective stories, often starring the forensic investigator Dr. Thorndyke. He is often credited with having invented the inverted detective story (a crime fiction in which the commission of the crime is described at the beginning, with the story then describing the detective's attempt to solve the mystery.) Many of the Dr. Thorndyke stories involve genuine, but often quite obscure, points of scientific knowledge, from disciplines such as tropical medicine, metallurgy, and toxicology. The Magic Casket describes a classic case for Dr. Thorndyke. It tells the story of an ordinary and apparently quite worthless metal casket, which conceals a mysterious secret which nearly costs a young woman her life.Zum Buch
The Master Mind of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the sixth of his Barsoom series. Burroughs' working titles for the novel were A Weird Adventure on Mars and Vad Varo of Barsoom. It was first published in the magazine Amazing Stories Annual vol. 1, on July 15, 1927. The first book edition was published by A. C. McClurg in March, 1928.Zum Buch
Categories is the first of Aristotle's six texts on logic which are collectively known as the Organon. In Categories Aristotle enumerates all the possible kinds of things that can be the subject or the predicate of a proposition. Aristotle places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition. The ten categories, or classes, are: Substance, Quantity, Quality, Relation, Place, Time, Position, State, Action and Affection. (Wikipedia)The Categories places every object of human apprehension under one of ten categories (known to medieval writers as the praedicamenta). Aristotle intended them to enumerate everything that can be expressed without composition or structure, thus anything that can be either the subject or the predicate of a proposition.Zum Buch
"Imagine a person tall, lean and feline, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long magnetic eyes of the true cat green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect. Imagine that awful being and you have a mental picture of Dr. Fu-Manchu." Dr. Fu-Manchu, the terrorizing and macabre master of a secretive Oriental organization, is dedicated to conquering the world. Fu-Manchu's greatest nemesis, British investigator Nayland Smith, is one of the few people who can meet Fu-Manchu's gaze without falling under his hypnotic power. It is up to Smith and his faithful companion, Dr. Petrie, to foil Dr. Fu-Manchu's diabolical plot. In The Insidious Dr. Fu-Manchu, the lethal "Zayat Kiss," a red mark resembling the imprint of painted lips, is found among cocaine needle tracks on the dead body of Sir Crichton Davey. The power of Fu-Manchu is far-reaching as he employs a giant poisonous centipede, deadly toadstools, and lethal green mists to murder and kidnap the great minds of the West. Is the beautiful Karamaneh the key to uncovering the evil doctor's lair, or is she a pawn leading Smith and Petrie to their deaths?Zum Buch
Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. In this volume the decade reveals some who are doing very well and the many who are not; underfoot, underpaid and under-represented. Our writers of many hues and telling talents bring both their stories and their characters to bear on the decade between the two world wars with searing clarity. 01 - The Top 10 - The 1920's - The English - An Introduction 02 - The String Quartet by Virginia Woolf 03 - The Horse Dealer's Daughter by D H Lawrence 04 - Rats by M R James 05 - The Resurrection of Father Brown by G K Chesterton 06 - Miss Ogilivy Finds Herself by Radclyffe Hall 07 - Running Wolf by Algernon Blackwood 08 - Mrs Amworth by E F Benson 09 - Smee by A M Burrage 10 - Young Magic by Helen Simpson 11 - Decay by Marjorie BowenZum Buch
Simon Foster’s short & sweet edition cuts out the fluff from Frankenstein by Mary Shelley and gets straight to the good part. Savor the best literature of all time without spending years of your life treading through endless pages of traditional books. Simon Foster books are suitable for the human attention span, helping you to remember the key details of every book and maximize enjoyment. By the end, you’ll be able to impress your friends, family, or even a professor with your knowledge of Frankenstein without spending hours reading the original edition. Stop wasting hours trying to dissect complex english from old classic books. English has changed over time, and books from hundreds of years ago feel like a different language than modern English. There is no shame in enjoying classics the modern way. Once you discover the joy of listening to classics with Simon Foster, you will never want to go back to old stuffy paperback classics. Welcome to the future of literature!Zum Buch
