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  The Unrest Cure

  Saki Saki

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  When the prematurely middle-aged J.P. Huddle is recommended to take an “unrest-cure” by a friend, he little realizes that the other passenger in the railway compartment, the prank-loving Clovis, will take this as a personal challenge. The havoc which Clovis’s macabre and at times shocking practical joke causes is beyond anything that the sleepy hamlet of Tilfield has seen before. Hector Hugh Munro at his most macabre.

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  Conan the Barbarian: The Devil...

  Robert E. Howard

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  Conan's lustful desires again get him into a whole pile of trouble. This time the beautiful, golden haired, noble born Octavia, lures him into a fiendish trap set by his most powerful enemies and from which there seems to be no escape. But on the long deserted island of Xapur where he goes to capture this crafty beauty, it is not just mortal enemies that await him; Khosatral Khel a demon that crawled up from the abyss many eons ago and is of a substance as hard as iron has been awakened and is intent on crushing Conan and the woman like bugs for it's amusement. Conan is up against a being immensely stronger than he is and which he cannot kill with normal weapons. Will his mighty thews and muscles finally be crushed beneath the iron fists of this devil? Will Conan finally meet his match in this fierce but scantily clad woman or will she finally yield to his powerful kisses? Listen and discover the answer to these questions.

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  Mr Finchley Takes the Road

  Victor Canning

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  " 
  Book 3 of the classic trilogy of humorous rural adventures through pre-war England 
  Mr Finchley takes a fancy to a horse-drawn caravan that he sees for sale, but his new wife does not relish the prospect of a caravan journey so she goes to visit her brother, while he sets out to explore the countryside and go house-hunting. 
  While learning to handle the horse and the caravan, he encounters a variety of eccentrics and country characters, and several unsuitable houses. It gradually emerges that the caravan contains a secret, and Mr Finchley finds himself in real trouble – until his wife comes to the rescue. 
  This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated.What people are saying about the Mr Finchley series: 
  ‘Wonderful character from a kinder slower England between the wars.’ 
  ‘An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.’ 
  ‘An antidote to the rush of the early 21st century.’ 
  ‘A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.’ 
  ‘Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.’ 
  ‘So gentle, it hurts.’ 
  ‘There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.’ 
  ‘A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.’ 
  ‘Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.’ 
  ‘Highly recommended for anyone seeking an entertaining amusing read.’ 
  ‘A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.’Editorial reviews: 
  ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm … The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph

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  Shakespeare For Beginners

  Brandon Toropov

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  Despite the reshifting of values that has affected every aspect of life in the 21st century, William Shakespeare still stands as the greatest writer the English language has ever produced. Even so, many people have never read him. If you have never read “the Bard”—or if you’ve tried and given up in frustration—you need Shakespeare For Beginners.Author Brandon Toropov opens with the observation that Shakespeare’s genius is not in his (or England’s) history, it’s in his words, most notably, his plays—in his brilliant stories, unforgettable characters, and the impossible beauty of his language. So, Shakespeare For Beginners skips the historical foreplay and goes straight to Shakespeare’s plays. The book offers clear, concise descriptions and plot summaries of each play; it lists key phrases and important themes, explains the main ideas behind each work and features excerpt of important passages (with explanatory notes on tough words.) And it is the only ‘entry level’ book available outside Great Britain that covers all of Shakespeare’s plays. 

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  Gutta Percha Willie

  George MacDonald

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  The story of an industrious young boy who seeks to bring goodness to the world—from the nineteenth-century Scottish author of Ranald Bannerman’s Boyhood. While still editing the magazine Good Words for the Young, MacDonald wrote this second “boy’s novel,” unconnected with but written for a similar audience as Ranald Bannerman’s story. Inventive young Willie Macmichael turns everything about him to creative uses, hungrily learning from the grown-ups around him, prompting MacDonald’s subtitle, “The Working Genius.” Though one of MacDonald’s lesser-known titles, editor Michael Phillips comments, “MacDonald’s strongest and most eternal contribution to the world lies in the realm of spiritual practicality. Willie epitomizes the practicality of growing into one’s place in God’s general business. This story therefore deserves to be considered one of MacDonald’s memorable portrayals of that eternal imperative. I love this book!” Gutta Percha Willie was MacDonald’s only book published in 1873, released while he was on a lecture tour in America.

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  British Short Story The - Volume...

  Anthony Trollope, George Eliot,...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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