Verlag: Charles River Editors
Wilkie Collins was a British author best known for his mystery novels. Some of Collins’ classics include The Moonstone, Armadale, and No Name. This edition of No Name includes a table of contents.
Sartor Resartus is one of the most unusual, even quirky, British novels to emerge from the first half of the 19th century. Published in 1836, its varied heritage reflects the earlier eccentricities of Sterne and Swift, curiously mixed with influences from Goethe.Its subject matter is strange: it concerns a book called Clothes: Their Origin and Influence by one Diogenes Teufelsdröckh, a German philosopher. And though Thomas Carlyle (1795-1881) became a household name in his lifetime, especially for his essays, and his work as an historian and philosopher, his comic novel Sartor Resartus would prove to have a lasting effect on contemporary writers. American figures in particular - Emerson, Dickinson, Melville and Twain among them - acknowledged its influence.In addition, Jorge Luis Borges was among the 20th-century writers to salute the work, which he encountered aged 17. Borges reflects: 'I read Sartor Resartus, and I can recall many of its pages; I know them by heart.' Sartor Resartus (which means 'The Tailor Re-tailored') chronicles the struggles of an unnamed editor attempting to produce an English-language edition of a publication, which, according to the man who has sent it to him, is 'a work of philosophy which has taken all Europe by storm'.This is the book on clothes by Teufelsdröckh, with whom the editor was briefly acquainted on his travels. However, the more vigorously the editor sets himself to his task, the more thankless and perhaps impossible it proves. In frustration, he shares fragments of the translated work with his readers, in the search for some collective insight. When a biography of the author arrives, promising to bring some context to the work, the editor finds himself even further at a loss. His trust in Teufelsdröckh begins to unravel, and he becomes suspicious that nothing about this book, not even its author, is as it appears to be. Is it a work of genius? A palimpsest with a secret hidden in its depths? Or is the editor in receipt of something completely different and wholly unexpected? Sartor Resartus may now largely exist in the shadows of On Heroes, Hero-Worship, and the Heroic in History, and his account of the French Revolution, but this early novel represents an interesting phase in Carlyle's literary output.Zum Buch
The Path of the King offers a tapestry of historical episodes, from the Vikings through centuries of Norman and French, Flemish, English, Scottish, and American social, economic, and political life. Famous events such as the massacre of St. Bartholomew's Eve, the adventures of Daniel Boone, and much else provide the background for the men and women who successively have the blood of kingliness in them, however diluted. The subtly linked individual stories are used to suggest that kingliness may be dormant or fitful over several generations but will eventually reappear in someone, like Abraham Lincoln. All the leading characters are presented as descended from a young Viking prince whose death among the Franks as a defeated Northman is implied in the first episode. That princeling's golden torque is the symbol of his royal status, but it is remodeled as a ring, ultimately resurfacing in America only to be lost by young Abe Lincoln when he uses it to catch a fish in a "crick." But its loss is of no account, for when kingliness in fact reappears in Lincoln the man, there is no need for it.Zum Buch
Laws is Plato's last and longest dialogue. It is generally agreed that Plato wrote this dialogue as an older man, having failed in his effort in Syracuse on the island of Sicily to guide a tyrant's rule, instead having been thrown in prison. (Summary by Wikipedia)Zum Buch
In the mystical land of Arabia, there is secreted a magical door that opens with the command, “Open, Sesame!” Inside lays the plunder of a century of robbers and mercenaries. When Ali Baba witnesses 40 thieves open this door with the enchanted words, endless possibilities begin to unwind before him.Zum Buch
This is a detailed original summary of Mary Shelley's masterpiece. Frankenstein is a novel that is considered both one of the first science fiction novels and a timeless classic of the horror genre. It has terrified and entertained readers for decades. It is more than just a story about the creation of a monster. Mary Shelley gave readers not only a novel that has inspired great minds to create monsters of their own, but also opened up an endless debate regarding who the real monster is. Inspiring many different television series, films, adaptations, books, Halloween costumes, and tales told in the dark, Frankenstein has become synonymous with the word ‘monster’ for most people. Contrary to depictions in popular culture, there is no assistant named Igor, there is no mad cry of “It’s alive!” and the monster is more than just a bumbling brute. To understand how we got to where we are today in terms of monster and science fiction content, it is helpful to go back to one of the classics. Discover who Frankestein’s monster was, why Victor Frankenstein pursued the reanimation of the dead, and how a group aboard a ship on an Arctic expedition cross paths with Frankenstein and uncover the mysteries surrounding the power to create life and why the blind pursuit of such things is more dangerous than we could ever imagine. This novel that offers readers a cautionary tale, brings to life a creature that otherwise would never have existed, and presents themes that remain as relevant today as they were in 1818. Frankenstein is a novel that makes us explore what we define as true evil, what makes a being human, and provides a reminder that our actions have consequences, whether we are able and willing to face them or not. Discover everything you need to know about Frankenstein, the modern Prometheus, in about an hour, so you can get on your way to becoming a true master of horror.Zum Buch
