Verlag: Greenbooks Editore
This poem tells of Whitman's experience working as a war nurse to care for wounded soldiers. The speaker of the poem is an old man asked to tell about his experiences in war. He tells of being excited about war but then shifts to disillusionment when he sees its terrible impact on soldiers.
In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results. First published in 1904, The Napoleon of Notting Hill was Chesterton's first novel. It has been called the best first novel by any author in the twentieth century. Newly designed and typeset by Waking Lion Press.THE NAPOLEON OF NOTTING HILL BOOK 3: A little while after the King's accession a small book of poems appeared, called "Hymns on the Hill." They were not good poems, nor was the book successful.Zum Buch
A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’. This is a perfect place to start our anthology of female short stories. Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex. Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience. Men often placed women on a pedestal from where their talented words would not threaten their own. In these stories we begin with the original disrupter and renegade author Aphra Behn. A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that. In those less modern days to be a woman, even ennobled, was to be seen as second class. You literally were chattel and had almost no rights in marriage. As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’. From such a despicable place these authors have used their talents and ideas and helped redress that situation. Slowly at first. Privately printed, often anonymously or under the cloak of a male pseudonym their words spread. Their stories admired and, usually, their role still obscured from rightful acknowledgement. Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone. Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works. In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society. These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut. They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of. It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times. Within these stories you will also find very occasional examples of historical prejudice. A few words here and there which in today’s world some may find inappropriate or even offensive. It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight. Context is everything, both to understand and to illuminate the path forward. The author’s words are set, our reaction to them encourages our change. 01 - The Female Short Story. A Chronological History - An Introduction - Volume 6 02 -A Rich Woman by Katharine Tynan 03 - An Expiation by Arabella Kenealy 04 - Her Murderer by Mary Cholmonderly 05 - The Moving Finger by Rose Champion de Crespigny 06 - Lucy Wren by Ada Radford 07 - A Lost Masterpiece by Mary Chavelita Dunne Bright writing as George Egerton 08 - Talma Gordon by Pauline E Hopkins 09 - The Yellow Wall Paper by Charlotte Perkins Gilman 10 - In the Séance Room by Lettice Galbraith 11 - The Perfect Tribute by Mary Raymond Shipman Andrews 12 - The Christ of Toro by Gabriela Cunninghame Graham 13 - Aunt Lindy. A StoZum Buch
"Dagon" is the second story of the writer H.P.Lovecraft, written in 1917 and published ,for the first time, in 1919. The work takes its title from the mythological God Dagon, and tells a disturbing story, happened years before to a man with the obsession of suicide. Before throwing himself from the window of his attic, this man writes some notes related to his mental state. Then, he began to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island. Immediately he notices that in the mud, a lot of rotting fish are stranded...Zum Buch
A groundbreaking science fiction novelette from the early days of Galaxy magazine—plus a new foreword by Paul Di Filippo. Appearing in the second issue of Galaxy dated November 1950, Honeymoon in Hell showcased the magazine’s distinctive identity as opposed to other publications of its time—darker, more socially aware, sometimes sexually frank in ways that were shocking for the era. Dealing with copulation and its desired consequences, Honeymoon in Hell avoided euphemisms—and used a satirical attack that parodied magazine taboos. The covers of pulp magazines depicted monsters putting near-naked females in peril, but the narratives under the cover offered no equivalent. Brown’s hastily married couple, sent to the moon to see if they can breed a male child—all births on Earth over recent months having been female—encounter problems emotional as well as practical. This book includes both the landmark novelette and a new foreword by Paul Di Filippo. About the series: Debuting in 1950, Galaxy was science fiction’s most admired, widely circulated, and influential magazine, known for publication of full-length novels, novellas, and novelettes by giants in the field. The Galaxy Project is a selection of the best of Galaxy, with new forewords by some of today’s top writers. Initial selections include work by Ray Bradbury, Fredric Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Sheckley, Robert Silverberg, William Tenn (Philip Klass), and Kurt Vonnegut. Foreword contributors include Paul Di Filippo, David Drake, John Lutz, Barry N. Malzberg, and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit of Galaxy magazine and its founding editor, H. L. GoldZum Buch
"The Man Who Would Be King" (1888) is a story by Rudyard Kipling about two British adventurers in British India who become kings of Kafiristan, a remote part of Afghanistan. The story was first published in The Phantom Rickshaw and other Eerie Tales (1888). It also appeared in Wee Willie Winkie and Other Child Stories (1895), and numerous later editions of that collection. It has been adapted for other media a number of times.The narrator of the story is an Indian journalist in 19th century India - Kipling himself, in all but name. Whilst on a tour of some Indian native states he meets two scruffy adventurers, Daniel Dravot and Peachey Carnehan. Softened by their stories, he agrees to help them in a minor errand, but later he regrets this and informs the authorities about them - preventing them from blackmailing a minor rajah. A few months later the pair appear at his newspaper office in Lahore.Zum Buch
