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  The Age of Innocence

  Edith Wharton

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  The Age of Innocenceis author Edith Wharton's 12th novel. It won the1921 Pulitzer Prize for Fiction, making it the first novel written by a woman to win the Pulitzer Prize for Fiction, and thus Wharton the first woman to win the prize. The story is set in upper-class New York City in the 1870s. The Age of Innocencecenters on an upper-class couple's impending marriage, and the introduction of a woman plagued by scandal whose presence threatens their happiness. Though the novel questions the assumptions and morals of 1870s New York society, it never devolves into an outright condemnation of the institution. In fact, Wharton considered this novel an "apology" for her earlier novel, The House of Mirth, which was more brutal and critical. The novel is noted for Wharton's attention to detail and its accurate portrayal of how the 19th-century East CoastAmerican upper classlived,and the social tragedy of its plot. Wharton was 58 years old at publication; she had lived in that world and had seen it change dramatically by the end ofWorld War I.An Author's Republic audio production.

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  The Glimpses of the Moon

  Edith Wharton

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  "The Glimpses of the Moon" is a novel written by Edith Wharton, first published in 1922. The story revolves around the lives of Nick Lansing and Susy Branch, a young and attractive couple who marry with the intention of maintaining their independence and enjoying a luxurious lifestyle by relying on the generosity of their wealthy friends. The novel explores themes of love, marriage, and societal expectations

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  Hypnos (Unabridged)

  H. P. Lovecraft

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  "Hypnos" is a first-person narrative, written from the perspective of an unnamed character living in Kent and later London, England. The narrator writes that he fears sleep, and is resolved to write his story down lest it drive him further mad, regardless of what people think after reading it. The narrator, a sculptor, recounts meeting a mysterious man in a railway station. The moment the man opened his "immense, sunken, and widely luminous eyes", the narrator knew that the stranger would become his friend--"the only friend of one who had never possessed a friend before." In the eyes of the stranger, he witnessed important knowledge of the mysteries he always sought to learn. From this point on, he would touch his friend and sculpt him daily. At night they would commence their adventures, exploring worlds beyond human comprehension. Over time, the narrator's companion begins to speak of using their ability to transcend into the unknown as a way to rule the universe (via a set of drugs). The narrator is frightened by the prospect and disavows such hubris to the reader. Soon the narrator is off on a foray with his friend, travelling through a void that he explains is beyond human sensation. Passing through several barriers, eventually the narrator comes to one he cannot cross, though his friend does. Opening his "physical eyes", the narrator wakes up and awaits the return of his friend, who awakes severely shaken and reticent, warning only that they must avoid sleep at all cost. From then on, with the aid of drugs, the two avoid sleep, as each time they succumb, they both seem to rapidly age and are plagued by nightmares that the narrator refuses to explain. The story ends with the narrator explaining that one night, his friend fell into a "deep-breathing sleep" and was impossible to arouse. The narrator shrieks, faints, and awakes surrounded by police and neighbors, who inform him that his friend was not real. There is only a bust of his friend in his room, engraved with the Greek word: _____ (Hypnos).

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  Ann Veronica A Modern Love Story

  H. G. Wells

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  "Ann Veronica: A Modern Love Story" is a novel written by H.G. Wells, first published in 1909. The story revolves around the character Ann Veronica Stanley, a young and independent woman who rebels against the societal norms and expectations of her time. The novel explores themes of feminism, women's rights, and the challenges faced by individuals striving for personal and intellectual freedom.

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  Green Tea

  Joseph Sheridan Le Fanu

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  Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era.Green Tea is an iconic Gothic horror story which tells the story of a tea-drinking clergyman, haunted by a terrifying black monkey, which follows him wherever he goes, urging him to dreadful deeds and blighting his life in every way.The case is related by the erudite Dr. Martin Hesselius, a German doctor whom the clergyman had consulted.

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  The Gospel of Content

  Frederick Greenwood

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  Frederick Greenwood was born on the 25th March 1830 in Kensington, London, the eldest of eleven. 
   
  His working career began at a printing house and his literary career with small pieces in periodicals of the day. In 1853 he contributed a sketch of Napoleon III to ‘The Napoleon Dynasty’ volume.  
   
  His work ‘An Essay Without End’ was published by Cornhill Magazine and with it an introduction to its editor, William Makepeace Thackeray.  In 1862 Greenwood became its joint editor and later sole editor. 
   
  In 1864 the magazine serialised his ‘sensation’ novel ‘Margaret Denzil's History’ and, following the death of Elizabeth Gaskell, he completed her unfinished novel ‘Wives and Daughters’. 
   
  Greenwood was highly regarded both for his politics and journalistic abilities and was able several times during his career to attract both funds and resources for new magazines and newspapers.  The first, in 1865, was his conception of an evening newspaper containing news, original articles, public affairs and culture and was launched as the Pall Mall Gazette. 
   
  Within a few years he was also an influential and admired Tory. It was on his suggestion that the British Government purchased, in 1875, the Suez Canal shares of the Khedive Ismail. 
   
  His continued work in various new publications also saw him keep an influential voice in the politics of the day.  His ideas and works as editor included hiring new and brave writers who would later have writing careers that would in many cases eclipse his but not the wide spectrum of his interests and abilities. 
   
  His career as a writer was marked by several novels, ‘The Loves of an Apothecary’ (1854), ‘The Path of Roses (1859)’, short stories and other works.  The short story, ‘The Gospel of Content’, is a little gem of philosophy that is still, even today, remarkably modern. 
   
  Frederick Greenwood died at Sydenham on the 14th December 1909.

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