Weitere Bücher, die Sie mögen werden

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  Feldenkrais for Actors - How to...

  Victoria Worsley

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  'The Feldenkrais Method is unique... I haven't found any other movement study that opens up such a rich and continuing area of enquiry' John Wright, from his Foreword
  Spontaneity, sensitivity, simplicity and flexibility in any situation are just some of the qualities that the Feldenkrais Method has inspired in performers around the world. It uses movement to enable you to feel, adapt and respond in new ways – not just in limited, habitual patterns – thereby increasing your physical, emotional and mental potential.
  Written by an experienced actor, theatre-maker and Feldenkrais practitioner, Feldenkrais for Actors leads you through a range of topics where using the Method can help, such as:
  
  
  - Presence and Posture
  - The Role of Tension
  - Emotion, Character and Creativity
  - Voice and Breath
  - Injury and Anxiety
  Also included are dozens of exercises and lessons so that you can experience how the Method will help you in practice.
  Feldenkrais for Actors is the result of thirty years of study and experience of the Method, and the benefits it can bring. It is invaluable for actors at any stage of their career, as well as for singers, dancers, musicians, martial artists, athletes and more.
  'A very readable, very practical book... makes a very passionate, detailed and accessible argument for how and why the Feldenkrais Method can be useful to an actor's continuing creative development' - Theatre, Dance and Performance Training

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  Brian Cox on Titus Andronicus...

  Brian Cox

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  In each volume of the Shakespeare on Stage series, a leading actor takes us behind the scenes, recreating in detail a memorable performance in one of Shakespeare's major roles. They discuss their character, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing the role, invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the play.
  In this volume, Brian Cox discusses playing the title role in Titus Andronicus in Deborah Warner's visceral production for the Royal Shakespeare Company in 1987.
  This interview, together with the others in the series (with actors such as Judi Dench, Ian McKellen and Jude Law), is also available in the collection Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles by Julian Curry, with a foreword by Trevor Nunn.
  'absorbing and original... Curry's actors are often thinking and talking as that other professional performer, Shakespeare himself, might have done' TLS

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  Spomenik

  Marc Nair

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  Spomenik is a collection of poems and photographs from the Balkans. These impressions of people and places bookmark a glimpse of life across a multitude of cities, crossing terrains of history, war, culture and faith.

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  Lofty - My Life in Short: A...

  Lofty Fulton

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  A memoir of standing tall against the odds 
   Australian voice-over artist Lofty Fulton knows what it's like to have the odds stacked against him: Born with achondroplasia, which is a form of dwarfism, his grandmother thought he should be locked away from the world. At school, he suffered years of relentless bullying, believing the lie he would never be loved or good enough. 
    
  At 15, Lofty's voice broke, giving him a unique gift that paved the way for his future. 
    
  LOFTY: MY LIFE IN SHORT is a deeply personal memoir - of vulnerability and courage and humour as Lofty unpacks the events of his traumatic childhood, public bigotry; a failed marriage, the highs and lows of a successful radio career and his struggles with crippling general anxiety disorder, clinical depression and a serious gambling addiction.  
    
  Lofty's story is a collusion of light and shade; a reflection on what it means to be human, to search for meaning and purpose. From brokenness to breakthrough, Lofty has slayed many of his inner demons, rising to become one of Australia's most sought after and recognisable voices.

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  Abbott and Costello: Driving...

  Bud Abbott, Lou Costello

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  Lou wants to be a badman in a western movie. He tells the story of Annie Oakley. Bud and Lou do the U-Drive routine. Costello tries to buy a new car. Before giving Marilyn Maxwell a driving lesson, Costello needs a car...and a driver's license.

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  Mastering The Cockney Accent -...

  Stephanie Lam

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  This is the ideal way to quickly master the Cockney (British) accent using a combination of approaches from pronunciation and oral posture techniques to dialect development (Cockney rhyming slang) and practice exercises. The course also contains guidance on developing a basic British accent to underpin a Cockney accent if desired dependent on your native accent. This course can help you prepare for a Cockney role or audition on stage or screen. The exercises deconstruct the elements of a Cockney accent making in a simple step-by-step process to develop an effective and authentic Cockney accent, the discussion of Cockney dialog also makes it possible to use Cockney in an unscripted setting. This course combines expert linguistic instruction with a range of exercises and Cockney accents to help you perfect and refine the perfect accent.

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