In 1989 Susan Johann was hired to photograph Christopher Durang for a magazine article about his play Naomi in Her Living Room. The playwright was known for his outrageous comedy, so Johann anticipated a session with a rather wild, young eccentric. To her surprise, the man who came to her studio was mild mannered and buttoned down. Johann found this twist captivating, and it was then that this project was born. Over the ensuing twenty-year period, she photographed more than ninety playwrights, including many winners of the Pulitzer Prize and other prestigious awards. Johann photographed Wendy Wasserstein, Anna Deavere Smith, August Wilson, and Nilo Cruz in the weeks after they won the Pulitzer. Tony Kushner sat for his portrait between the productions of part 1 and part 2 of Angels in America. Eve Ensler came to Johann's studio during the week she was previewing her famous one-woman show, The Vagina Monologues, and George C. Wolfe sat for her the morning after his play Spunk opened at the Public Theater. Each playwright was photographed in Johann's studio using the same film, a single light, and a plain backdrop, creating a portrait that captures and distills something essential—an intimate view. Her interviews explore the writers' personal and creative journeys including their inspirations, roadblocks, and obsessions, which influenced their work on paper and on the stage. Even those who know Edward Albee's plays intimately, for example, may be surprised by his incisive wit and inimitable voice as revealed in his interview with Johann.Beyond the book, Focus on Playwrights is also a live, multimedia presentation in which Johann narrates an inside look at creativity—the theater and photography. It has been given at such venues as the New Dramatists in New York, the Eugene O'Neill Theater, the Tryon Fine Arts Center and at the Photo Expo in New York.
In 1992, the Screaming Trees were expected to become the next big band to come out of the Seattle music scene during the heyday of grunge. Except it never happened. It wasn't because the band didn't have great songs-indeed, the Trees were revered for their ability to write a great song that was both artistically original and commercially viable, which is no easy task. Other Seattle bands like Nirvana, Pearl Jam, and Soundgarden were fans of the Screaming Trees, playing shows with them and collaborating on albums, long before their own bands broke through into the mainstream. That kind of success eluded the Screaming Trees, and it seemed as if there were more demons than angels in the band's corner when it came time for the Trees to make their mark. Their songwriting skills, however, remain as their greatest legacy.Written by Screaming Trees long-serving drummer, Barrett Martin, The Greatest Band That Ever Wasn't reads like a Greek comedy or tragedy, depending on your viewpoint. Each of the three acts contained in this book features 11 short stories, for a combined total of 33 stories. These tales will make you laugh and perhaps even cry, which is why the saga of the Screaming Trees reads more like a great myth-one that is incredible, at times unbelievable, yet still contains volumes of humor and wisdom.
Create charming birth certificates and house blessings by mastering the decorative writing of the Pennsylvania Dutch—a folk art that lives on. The Pennsylvania Dutch are noted for the beautifully designed and hand-lettered documents known as fraktur. These include birth and marriage certificates, family trees, bookplates, awards, and house blessings. Leading fraktur artist Ruthanne Hartung adapts the craft to modern tastes and needs in this practical how-to book, with information on tools, step-by-step instructions, ideas for design, lettering and coloring techniques, and a variety of projects. An assortment of traditional patterns to apply to personal frakturs are included.
An entertaining trivia compendium flush with fun facts about all things music. From boogie-woogie to Beethoven, from Prince to Pavarotti, from the bards of Broadway to the rebels of rock ’n’ roll—it’s all here. Uncle John has created this harmonious collection of tuneful tales for music lovers everywhere. Uncle John has proven once again that he is in tune with our legion of loyal readers. This 516-page musical masterpiece dedicated to all things noteworthy ranges from silly one-hit wonders to culture-changing musical milestones. You’ll get a glimpse into the future of music and go back to the days when prehistoric man first started communicating in song. So, plug in your amp, turn the dial up to eleven, and have a blast reading about: · The origins of nearly every genre and style of music—including rock, country, jazz, the blues, rhythm-and-blues, hip hop, punk, folk, polka, opera, Muzak, disco, and even marching bands · Musical legends, from “outsiders” like the Shaggs and the Carter family, to giants like the Beatles, Elvis, and Weird Al Yankovic · The stories of legendary music venues like the Grand Ole Opry, the Apollo, and the Fillmore · How a computer glitch led to Right Said Fred’s 1991 hit “I’m Too Sexy” · Why waltzing was considered as scandalous in its early days as rock was in its early days · The birth of the banjo, the electric guitar, karaoke, and the Stradivarius violin · How John Williams struck a universal chord with his score for Star Wars · Go underground to play the world’s largest natural musical instrument · What happened at Woodstock and other weird concert mishaps And much, much more
Whether it’s the high-stakes pressure of solving a last-minute problem on set, or the joy of pulling off a perfect shot by the skin of your teeth, Attias brings you right into the director’s chair, sharing his knowledge and taking you through the process one challenging episode at a time. Offering a fundamental focus on story, and eschewing industry language for plain talk, Attias offers in-depth guidance how best to work with actors, how to “speak” through the camera, how to work with a showrunner, and how to be ready for the many ways a director will be challenged, large and small. Directing Great Television is a fascinating window into television’s best shows, compelling to directors and non-directors alike. Attias’s book transcends other filmmaking guides by detailing his journey to a surprising place of self-discovery, one with applications beyond entertainment.
The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition.In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan's lyrical postures might suggest a post-Romantic, "avant-garde" consciousness, No One to Meet shows that Dylan's creative process borrows from and expands the methods used by classical and Renaissance authors.Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer.
H360 Movie Critic Sarah Adamson reviews the Clint Eastwood/Bradley Cooper movie that has been making headlines. We’ll also have classic radio feature The Burns and Allen Show, Casey Crime Photographer, The Whistler and CBS Radio Workshop.
A Falcon Picture Group audio production.
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