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  Stolen Smuggled Sold - On the...

  Nancy Moses

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   “A riveting look at the backstory of what’s in the display cases at your local museum. The author profiles seven historic objects with checkered pasts.” —Library Journal   There are many books about museum heists, Holocaust artwork, insider theft, trafficking in antiquities, and stolen Native American objects. Now, there’s finally a book for the general public that covers the entire terrain.   Stolen, Smuggled, Sold features seven vivid and true stories in which the reader joins the author as she uncovers a cultural treasure and follows its often-convoluted trail. Along the way author and reader encounter a cast of fascinating characters from the underbelly of the cultural world: unscrupulous grave robbers, sinister middlemen, ruthless art dealers, venal Nazis, canny lawyers, valiant academics, unstoppable investigative reporters, unwitting curators, and dedicated government officials. Stories include Gustav Klimt’s Portrait of Adele Bloch Bauer 1, the typset manuscript for Pearl Buck’s The Good Earth, a ceremonial Ghost Dance shirt from the massacre at Wounded Knee, the theft of 4,800 historical audio discs by a top official at the National Archives, a missing original copy of The Bill of Rights, the mummy of Ramses I, and an ancient treasure from Iraq.   While each story is fascinating in and of itself, together they address one of the hottest issues in the museum world: how to deal with the millions of items that have breaks in the chain of ownership, suspicious ownership records, or no provenance at all. The issue of ownership touches on professional practices, international protocols, and national laws. It’s a financial issue since the illicit trade in antiquities and cultural items generates as much as $4 billion to $8 billion a year.  

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  Houston We Have a Narrative -...

  Randy Olson

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  Ask a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: Moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require.That's a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story — and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic.Drawing on his unique background, which saw him leave his job as a working scientist to launch a career as a filmmaker, Olson first diagnoses the problem: When scientists tell us about their work, they pile one moment and one detail atop another moment and another detail — a stultifying procession of "and, and, and". What we need instead is an understanding of the basic elements of story, the narrative structures that our brains are all but hardwired to look for — which Olson boils down, brilliantly, to "And, But, Therefore", or ABT. At a stroke, the ABT approach introduces momentum ("And"), conflict ("But"), and resolution ("Therefore") — the fundamental building blocks of story.As Olson has demonstrated by leading countless workshops worldwide, when scientists' eyes are opened to ABT, the effect is staggering: Suddenly, they're not just talking about their work — they're telling stories about it. And audiences are captivated.Written with an uncommon verve and enthusiasm, and built on principles that are applicable to fields far beyond science, Houston, We Have a Narrative has the power to transform the way science is understood and appreciated, and ultimately how it's done.

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  Ludwig van Beethoven - A Very...

  Mark Evan Bonds

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  Despite the ups and downs of his personal life and professional career—even in the face of deafness—Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.

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  Conversations with Legendary...

  Ron Miller, James Bawden

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  “Insightful, often humorous, and always fascinating remembrances by some of the greatest names in entertainment history . . . a vibrant portrait of a bygone era.” —Brent Phillips, author of Charles Walters: The Director Who Made Hollywood Dance 
   
  During television's first fifty years—long before Hulu, Netflix, and the like—families would gather around their sets nightly to watch such shows as I Love Lucy, Gunsmoke, M*A*S*H, The Beverly Hillbillies, Fantasy Island, and The Rockford Files. 
   
  Seasoned journalists James Bawden and Ron Miller have captured provocative and entertaining interviews with beloved stars of shows like these, important figures from TV’s first half century. These thirty-nine interviews, selected from conversations conducted from 1971-1998, present a fascinating glimpse of some of television’s most influential performers. Featured are exclusive interviews with major stars (including Donna Reed, James Garner, and Ricardo Montalban), icons of comedy (including Lucille Ball, George Burns, and Milton Berle), TV hosts (including Dick Clark and Ed Sullivan), and notable musical entertainers (such as Glen Campbell, Mary Martin, and Lawrence Welk). Each chapter explores the subject’s television work—with detailed behind-the-scenes disclosures—and includes additional information about the subject’s performances in film and on stage.

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  An Army of Phantoms - American...

  J. Hoberman

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  The film critic’s sweeping analysis of American cinema in the Cold War era is both “utterly compulsive reading [and] majestic” in its “breadth and rigor” (Film Comment).  An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman. Tracing the dynamic interplay between politics and popular culture, Hoberman offers “the most detailed year-by-year look at Hollywood during the first decade of the Cold War ever published, one that takes film analysis beyond the screen and sets it in its larger political context” (Los Angeles Review of Books).   By “tell[ing] the story not just of what’s on the screen but of what played out behind it,” Hoberman demonstrates how the nation’s deep-seated fears and wishes were projected onto the big screen. In this far-reaching work of historical synthesis, Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe (The American Scholar).   From cavalry Westerns to apocalyptic sci-fi flicks, and biblical spectaculars; from movies to media events, congressional hearings and political campaigns, An Army of Phantoms “remind[s] you what criticism is supposed to be: revelatory, reflective and as rapturous as the artwork itself” (Time Out New York).   “An epic . . . alternately fevered and measured account of what might be called the primal scene of American cinema.” —Cineaste   “There’s something majestic about the reach of Hoberman’s ambitions, the breadth and rigor of his research, and especially the curatorial vision brought to historical data.” —Film Comment

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  Wild Babies - Photographs of...

  Traer Scott

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  “Baby animals in all their glory,” an award winning photographer “strives to educate her readers while winning their hearts with her photography” (The Boston Globe). Bestselling author and photographer Traer Scott captures the magic and wonder of a young animal's first weeks of life in this heartwarming collection of photographs. Featuring portraits of more than thirty baby animals, Wild Babies provides a glimpse into the rarely seen world of newborn creatures. From rambunctious little kangaroos and fluffy fox cubs to a wide-eyed elephant seal pup and a tiny painted turtle, these playful images are paired with engaging text that highlights the remarkable moments in wild infants' first days as they learn to eat, walk, swim, and fly. Animal lovers will delight in these close-up shots and fun trivia celebrating the unique personalities of irresistibly cute creatures navigating their way out into the world for the very first time.   “We dare you not to smile while looking at these baby balls of fluff and feathers.” —Readers Digest   “Is there anything sweeter than an infant opossum with soft gray fur, translucent pink nose and shining onyx eyes? If so, it’s probably in Traer Scott’s portrait-photographs for Wild Babies, a book that softens the heart so swiftly that it’s hard to get through two pages without murmuring ‘aww!’” —The Wall Street Journal   “Animal lovers, prepare yourselves to be absolutely smitten with these close-up photos of baby animals as they navigate the wondrous first weeks of their lives. . . . [A]n encyclopedic breadth of the baby animal kingdom.” —My Modern Met

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