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  Discovering Classical Music:...

  Ian Christians

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  "I recommend this book wholeheartedly to new music lovers"  Sir Charles Groves CBE      Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.

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  Emily Dickinson on Death

  Emily Dickinson

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  Emily Dickinson is one of the most intriguing of American poets. Since she grew increasingly reclusive, very few of her poems were published until after her death. This collection includes two letters Dickinson wrote to her friends on the occasion of the deaths of her friend, Mr. Humphrey, and her brother, Austin. The rest of collection consists of her poetry on the subject of death. (Summary by Libby Gohn)

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  Wild Minds - The Artists and...

  Reid Mitenbuler

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  “A thoroughly captivating behind-the-scenes history of classic American animation . . . A must-read for all fans of the medium.” —Matt Groening 
   
  In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip “Little Nemo in Slumberland,” itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations—from Felix the Cat to Bugs Bunny to feature films such as Fantasia—which became an integral part and reflection of American culture over the next five decades. 
   
  Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often “little hand grenades of social and political satire.” Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. During WWII, animation also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals. 
   
  Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman. 
   
  “A quintessentially American story of daring ambition, personal reinvention and the eternal tug-of-war of between art and business . . . a gem for anyone wanting to understand animation’s origin story.” —NPR

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  Bobby Vinton

  Wink Martindale

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  Bobby Vinton, “The Most Successful Unknown,” says he never wanted to be a musician; he wanted to be a football player instead. In fact, his parents would bribe him 25 cents an hour just to get him to practice his clarinet.  Vinton sat down with Wink Martindale in 1973 to discuss his success with “Blue on Blue” and the story behind “Roses are Red.” He says writing songs is difficult and he isn’t sure who is buying his albums. Vinton also discusses putting together a pop music band in high school and how he began his acting career.

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  Razzle Dazzle - The Battle for...

  Michael Riedel

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  “A vivid page-turner” (NPR) detailing the rise, fall, and redemption of Broadway—its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes.“A rich, lovely, debut history of New York theater in the 1970s and eighties” (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York’s gritty back alleys and sex-shops into the glitzy, dazzling Great White Way.In the mid-1970s Times Square was the seedy symbol of New York’s economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots and losing money. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup and staved off corporate intrigue, personal betrayals and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, spearheading the revitalization of Broadway and the renewal of Times Square.“For those interested in the business behind the greasepaint, at a riveting time in Broadway’s and New York’s history, this is the ticket” (USA TODAY). Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style—including Cats, A Chorus Line, and Mamma Mia!—revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and inside gossip. “The trouble with Razzle Dazzle is…you can’t put the damn thing down” (Huffington Post).

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  The Art of Feminism - Images...

  Lucinda Gosling, Hilary...

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  A survey of feminist art from suffrage posters to The Dinner Party and beyond: “Lavishly produced images . . . indispensable to scholars, critics and artists.” —Art Monthly 
   
  Once again, women are on the march. And since its inception in the nineteenth century, the women’s movement has harnessed the power of images to transmit messages of social change and equality to the world. 
   
  From highlighting the posters of the Suffrage Atelier, through the radical art of Judy Chicago and Carrie Mae Weems, to the cutting-edge work of Sethembile Msezane and Andrea Bowers, this comprehensive international survey traces the way feminists have shaped visual arts and media throughout history. 
   
  Featuring more than 350 works of art, illustration, photography, performance, and graphic design—along with essays examining the legacy of the radical canon—this rich volume showcases the vibrancy of the feminist aesthetic over the past century and a half.

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