Weitere Bücher, die Sie mögen werden

• 

  Flesh and Bone (NHB Modern Plays)

  Eliot Warren

  • 0
  • 0
  • 0

  A vivid and fast-paced ride through a working-class London estate, fusing Shakespeare-inspired lyricism with Cockney accents.
  First seen at the Etcetera Theatre, London, in December 2016, Elliot Warren's play Flesh and Bone moved to the Pleasance Dome at the 2017 Edinburgh Festival Fringe (where it won a Fringe First, amongst other awards), and subsequently to the Adelaide Fringe (where it was overall winner of the Best Theatre Award) and Soho Theatre, London, in 2018.
  'Blistering... explodes on to the stage as if Shakespeare was alive and well and living in a tower block in east London... the play's elevated language spliced with realism allows the characters to talk about who they are underneath: vital, interesting, multi-dimensional souls who want to live fruitful lives' - Scotsman
  'Barges its way onto the stage and stays there, shouty, gobby and full of heart until the last, painting a portrait of an east London council estate as rollickingly funny as it is punchily poignant... a bunker-busting hotchpotch of monologues and short skits, smashing together an archaic lyricism and a contemporary, expletive-filled vernacular' - The Stage
  'Visceral, high-octane... leaves you with much to think about' - British Theatre Guide
  'Has a glorious, rolling swagger... this lyrical ode to the community of a London council estate is blunt, filthy and ingenious... [the] spittle-flecked gobbets of blank verse shove Shakespeare in between sinewy streams of modern patter. It works beautifully, turning the air blue with its sweary rhythm and pitch. The poetry of it hits like two fingers flicked with a smile' - Fest Mag

  Zum Buch

• 

  You are Old Father William

  Lewis Carroll

  • 0
  • 0
  • 0

  LibriVox volunteers bring you 18 different recordings of You are Old, Father William by Lewis Carroll. This was the weekly poetry project for the week of July 20th, 2008.

  Zum Buch

• 

  Sonnet 18

  William Shakespeare

  • 0
  • 0
  • 0

  A LibriVox Weekly Poetry tribute to William Shakespeare marking  the 400th anniversary of the Bard's death in April 2016.                                       Two of Shakespeare's most famous sonnets, Sonnet 18 and Sonnet 130, have completely contradict each-other and offer differing views on love and love poetry. Whereas Sonnet 18 is the nice cute cliched one, Sonnet 130 provides a more realistic, almost rhetorical view of love and both would be incredibly popular. This project features Sonnet 18. - Summary by catrose

  Zum Buch

• 

  The Poetry of the Moon & Stars -...

  A.E. Housman, Christina Georgina...

  • 0
  • 0
  • 0

  The sun has descended below the far horizon.  The inky blackness of night begins to envelop the land.  Day has gone and the nocturnal times reveal themselves.  But above the dark blanket the moon, whether waxing or waning, stands sentry and around it vast clouds and swirls of stars regiment themselves.  We look up in awe and wonder, frail beneath their vista. 
  Our gloried poets are on hand though to capture word and deed, emotion and feeling, friend and foe.  Among our ranks of astounding talents are Keats, Byron, Wordsworth, Hardy, Poe, Shelley, Longfellow and many more beside.  Their descriptions capture what they see and feel and describe as perhaps only a poet can. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

  Zum Buch

• 

  Why I Was Late

  Charlie Petch

  • 0
  • 0
  • 0

  With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places.   
  Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits.  
  A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.

  Zum Buch

• 

  Plastic (NHB Modern Plays)

  Kenny Emson

  • 0
  • 0
  • 0

  Kev used to be captain of the school football team. Scored the winner in the All-Essex Schools Cup Final. He used to have a girlfriend called Lisa; she wore a fitted blazer, and lit up the playground.
  Ben used to get beaten up most days. He stole money from his mum's purse to pay off Wicksy.
  Then there was Ben's mate Jack. Loyal, unbreakable Jack.
  An unflinchingly honest new drama about the kids who survived school, and those who didn't, Plastic premiered at the Old Red Lion Theatre, London, before transferring to the Mercury Theatre, Colchester, produced by Poleroid Theatre and directed by Josh Roche.
  Kenny Emson is a BAFTA Award-nominated screenwriter and playwright. His other plays include Terrorism (Bush Theatre) and This Must Be the Place with Brad Birch (Winner of Show of the Year at VAULT Festival 2017).
  'Emson writes with wit and fine emotional precision… holds you gripped throughout' -Financial Times on Terrorism

  Zum Buch