Weitere Bücher, die Sie mögen werden

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  Desire Under the Elms

  Eugene O'Neill

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  Eugene O’ Neill’s tale of Ephraim Cabot, greedy and hard like the stone walls that surround his farm, the family patriarch brings home his new young bride, Abbie. His grown sons disapprove; one leaves but the other stays to fight for the family fortune. What follows is a tragedy of epic proportions.An L.A. Theatre Works full-cast performance featuring Paul Adelstein, Orson Bean, Amy Brenneman, Dwier Brown, Maurice Chasse and Charlie Kimball.

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  Listening

  Jean-Luc Nancy

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  “A book of philosophy very much captivated with music . . . an acoustemological elaboration of [Nancy’s] theorization of difference.” —Journal of the American Musicological Society 
   
  In this lyrical meditation on listening, Jean-Luc Nancy examines sound in relation to the human body. How is listening different from hearing? What does listening entail? How does what is heard differ from what is seen? Can philosophy even address listening, écouter, as opposed to entendre, which means both hearing and understanding? 
   
  Unlike the visual arts, sound produces effects that persist long after it has stopped. The body, Nancy says, is itself like an echo chamber, responding to music by inner vibrations as well as outer attentiveness. Since “the ear has no eyelid” (Pascal Quignard), sound cannot be blocked out or ignored: our whole being is involved in listening, just as it is involved in interpreting what it hears. 
   
  The mystery of music and of its effects on the listener is subtly examined. Nancy’s skill as a philosopher is to bring the reader companionably along with him as he examines these fresh and vital questions; by the end of the book the reader feels as if listening very carefully to a person talking quietly, close to the ear. 
   
  “Listening adds a much needed poetic register to the philosophy of music and sonic culture.” —Parallax 
   
  “In Charlotte Mandell’s splendid translation of Jean-Luc Nancy’s brief but passionate À L’Écoute, the French philosopher gives us a glimpse of this completely different philosophy of music.” —Current Musicology

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  King Solomon's Mines - Hollywood...

  Hollywood Stage Productions

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  Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades.  When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  Classic films now become audiobooks with many featuring the original stars from way back when. Here's King Solomon's Mines starring Deborah Kerr & Stewart Granger.

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  Leonard Bernstein - American...

  Burton Bernstein, Barbara Haws

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  One of the most gifted, celebrated, scrutinized, and criticized musicians in the second half of the twentieth century, Leonard Bernstein made his legendary conducting debut at the New York Philharmonic in 1943, at age 25. A year later, he became a sensation on Broadway with the premiere of On the Town. Throughout the 1950s, his Broadway fame only grew with Wonderful Town, Candide, and West Side Story. And in 1958, the Philharmonic appointed him the first American Music Director of a major symphony orchestra—a signal historical event. He was adored as a quintessential celebrity but one who could do it all—embracing both popular and classical music, a natural with the new medium of television, a born teacher, writer, and speaker, as well as a political and social activist. In 1976, having conducted the Philharmonic for more than one thousand concerts, he took his orchestra on tour to Europe for the last time.All of this played out against the backdrop of post-Second World War New York City as it rose to become the cultural capital of the world—the center of wealth, entertainment, communications, and art—and continued through the chaotic and galvanizing movements of the 1960s that led to its precipitous decline by the mid 1970s. The essays within this book do not simply retell the Bernstein story; instead, Leonard Bernstein's brother, Burton Bernstein, and current New York Philharmonic archivist and historian, Barbara B. Haws, have brought together a distinguished group of contributors to examine Leonard Bernstein's historic relationship with New York City and its celebrated orchestra. Composer John Adams, American historians Paul Boyer and Jonathan Rosenberg, music historians James Keller and Joseph Horowitz, conductor and radio commentator Bill McGlaughlin, musicologist Carol Oja, and music critics Tim Page and Alan Rich have written incisive essays, which are enhanced by personal reminiscences from Burton Bernstein. The result is a telling portrait of Leonard Bernstein, the musician and the man.

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  Laughing with Lucy

  Carl Amari, Various Authors

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  Lucille Ball stars in the radio precursor to I Love Lucy. It's called My Favorite Husband. We also have sci-fi adventure courtesy of X Minus One and mystery on The Weird Circle.

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  Starring Madame Modjeska - On...

  Beth Holmgren

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  The “important . . . meticulously researched” prize-winning biography of the pre-eminent Polish star of the nineteenth century global stage (CosmopolinReview.com).   In reintroducing “a little-remembered actress to a new American audience” biographer Beth Holgram delivers a revelatory portrait of Helena Modjeska—from unparalleled European success to her reign as the most acclaimed, and most recognized female celebrity in the late nineteenth-century United States.   In 1876, Poland’s leading actress, Helena Modrzejewska, accompanied by her husband, the self-stylized Count Bozente, emigrated to southern California to give up her career and establish a utopian commune. In light of its failings, it hardly fulfilled the real dreams of Madame Helena. Within a year, she changed her surname to Modjeska, and made her American debut at San Francisco’s California Theatre. Godmother to Ethel Barrymore, and sharing the Shakespearian stage with such luminaries as Otis Skinner, Edwin Booth, and Maurice Barrymore, Helena Modjeska became the leading star in the United States, where she reigned for the next thirty years.   In this “Impressive . . . achievement,” Holmgren traces Modjeska’s fabulous life and career from her illegitimate birth in Krakow, to her successive reinventions of herself as a trans-continental diva, and finally to her enduring legacy (Women’s Review of Books). All in all, Starring Madame Modjeska “makes for great drama” (NewPages.com).

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