Weitere Bücher, die Sie mögen werden

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  Dragnet: Big Meet

  Jack Webb

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  A gang of veteran dope peddlers moves into LA. They offer a hundred thousand dollars worth of heroin for sale. Sergeant Friday tries to trap Howard Scully, a careful narcotics wholesaler, who leads the gang. Friday goes undercover and poses as a buyer; he meets the leaders contacts and they're ready to do business.

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  Child-life in Art

  Estelle M. Hurll

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  The poetry of childhood is full of attractiveness to the artist, and many and varied are the forms in which he interprets it. The Christ-child has been his highest ideal. All that human imagination could conceive of innocence and purity and divine loveliness has been shown forth in the delineation of the Babe of Bethlehem. The influence of such art has made itself felt upon all child pictures. It matters not whether the subject be a prince or a street-waif; the true artist sees in him something which is lovable and winning, and transfers it to his canvas for our lasting pleasure. (Summary from the Preface of Child-life in Art)

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  NPR Sound Treks: Adventures -...

  NPR

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  Experience a refreshing adrenaline rush on this NPR guided tour of the ultimate in outdoor fun: Whether whitewater rafting on the Hudson River, mountain climbing in the Himalayas, kayaking in Alaska, airboarding in Oregon’s Cascade mountains, or bungee jumping in Australia, each story is an amazing sound adventure—and a great escape.The NPR Sound Treks series features outstanding audio documentaries, stories, and commentary from the NPR archives. Each volume features sounds from nature, insights from experts and others who love the outdoor experience (naturalists, zoologists, biologists, adventurers, even a cowgirl), and vivid storytelling that captures the excitement of the wildernessContents:Introduction by Jon HamiltonRacing for Adventure in BorneoThe Unger Report: Indoor SkydivingLeaping Down UnderSliders: Racing Down Berkeley’s Steep HillsBraving the Badwater UltramarathonAir Boarding: Surfing the Slopes, Belly-FirstWhitewater Rafting on New York’s Hudson RiverRock Climber Chris Sharma Chases Next “King Line”Kayaking in AlaskaClimbing Blind in the Himalayas

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  Writing Worship - How to Craft...

  Krissy Nordhoff

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  In Writing Worship: How to Craft Heartfelt Songs for the Church, the Christian songwriter will explore the depths of the heart, immersing in relationship with God before learning practical worship songwriting skills. Award-winning songwriter Krissy Nordhoff helps lyricists and musicians sharpen their skills in starting songs, adding dimension, removing distractions, maintaining momentum, and co-writing.   Songwriters and worship leaders are challenged to trust the Lord with their gifts as they put their new skills into practice. They also have access to:   Links to video with examplesA songwriter personality assessmentPodcast episodes for every songwriter personalityAccess to special downloads, including a leader’s guide for group learning and an audiobook with extra content from Krissy

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  Constable

  Barry Venning

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  John Constable was the first English landscape painter to take no lessons from the Dutch. He is rather indebted to the landscapes of Rubens, but his real model was Gainsborough, whose landscapes, with great trees planted in well-balanced masses on land sloping upwards towards the frame, have a rhythm often found in Rubens. Constable’s originality does not lie in his choice of subjects, which frequently repeated themes beloved by Gainsborough. Nevertheless, Constable seems to belong to a new century; he ushered in a new era. The difference in his approach results both from technique and feeling. Excepting the French, Constable was the first landscape painter to consider as a primary and essential task the sketch made direct from nature at a single sitting; an idea which contains in essence the destinies of modern landscape, and perhaps of most modern painting. It is this momentary impression of all things which will be the soul of the future work. Working at leisure upon the large canvas, an artist’s aim is to enrich and complete the sketch while retaining its pristine freshness. These are the two processes to which Constable devoted himself, while discovering the exuberant abundance of life in the simplest of country places. He had the palette of a creative colourist and a technique of vivid hatchings heralding that of the French impressionists. He audaciously and frankly introduced green into painting, the green of lush meadows, the green of summer foliage, all the greens which, until then, painters had refused to see except through bluish, yellow, or more often brown spectacles. Of the great landscape painters who occupied so important a place in nineteenth-century art, Corot was probably the only one to escape the influence of Constable. All the others are more or less direct descendants of the master of East Bergholt.

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  The Skin Game

  John Galsworthy

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  A small play in three acts. A kind of comic tragedy. The plot tells the story of the interaction between two very different families in rural England just after the end of the First World War. Squire Hillcrist lives in the manor house where his family has lived for generations. He has a daughter, Jill, who is in her late teens; and a wife, Amy, as well as servants and retainers. He is "old money", although his finances are at a bit of low ebb. The other family is the "nouveau riche" Hornblowers, headed by the single-minded and rich industrialist Hornblower, who throws old retainers the Jackmans out of their home (much to the Squire's disgust), and who plans to surround the Hillcrist's rural estate with factories. (Summary by catrose and Wikipedia)  
   
  Cast:Hillcrist: AnthonyAmy, or Mrs H.: Amanda FridayJill: April GonzalesDawker: Charlotte DuckettHornblower: Delmar H. DolbierCharles: Chuck WilliamsonChloe: CaprishaPageRolf: Chris MarcellusFellows: Aidan BrackAnna; Auctioneer: MJ FranckMr. Jackman: TriciaGMrs. Jackman: Jeannie TiradoFirst Stranger: KristingjSecond Stranger: Elizabeth KlettNarrator: SallyMcEditors: Charlotte Duckett & CaprishaPage

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