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  BU21 (NHB Modern Plays)

  Stuart Slade

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  'So you know how on the news these days there's just this endless stream of horrendous shit going down, like every single night? Suicide bombs, mass shootings, genocides, drone strikes, school massacres – it's like the end of the world or something... And you're kind of like – "Could I even cope if that stuff happened to me?"'
  Six young people are caught in the aftermath of a terrorist attack in the heart of London. By turns terrifying, inspiring, brutal, heartbreaking and hilarious, BU21 is verbatim theatre from the very near future.
  Stuart Slade's play comprises six interlinking monologues. It premiered at Theatre503, London, in 2016, in a co-production with Kuleshov, before transferring to the Trafalgar Studios, London, in January 2017.
  'The real star of this show is Stuart Slade's script. It's not just the pace that runs relentlessly across the 90 minutes all-through, but his ear for how people speak, their lexicons and their rhythms. An Alan Bennett for the Millennial Generation is a big label to put on a young playwright, but Slade is building a corpus of work to justify it... superb work' - BroadwayWorld.com
  'Intelligent, questioning and very funny' - The Stage
  'What a daring feat of writing this is… hauntingly credible, shudderingly so… captures the internal conflict of global terror: the sense that it was somehow deserved, the pull to be part of something, the impulse to laugh and to cry' - WhatsOnStage
  'Strikingly real, shocking and even heartbreaking at times… the dialogue is snappy and at some points surprisingly funny despite the tragic subject matter… a haunting piece that in the light of current events, will stay with the audience' - The Upcoming
  'Around two-thirds of the way through I realised I'd become so caught up that I'd forgotten BU21 has not actually happened… Slade's fresh, intelligent writing is full of life and action'- West End Wilma

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  One-Act Play Collection 002

  Various Various

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  This collection of eight one-act dramas features plays by Eugene O'Neill, George Bernard Shaw, John Galsworthy, Susan Glaspell, William Dean Howells and John Millington Synge.  It also includes a dramatic reading of a short story by Frank Richard Stockton.  (Summary by Elizabeth Klett) Before Breakfast read by: Elizabeth Klett, Pat Redstone The Buller-Podington Compact read by: Algy Pug, Lars Rolander, David Lawrence, mb, Elizabeth Klett, Levi Throckmorton The Dark Lady of the Sonnets read by: Max Korlinge, Bob Gonzalez, Elizabeth Klett, Arielle Lipshaw, mb The First and the Last read by: Algy Pug, mb, Diana Majlinger, Elizabeth Klett How He Lied to Her Husband read by: Diana Majlinger, Bob Gonzalez, mb, Arielle Lipshaw The Outside read by: John Steigerwald, mb, Bart de Leeuw, Elizabeth Klett, Arielle Lipshaw, David Lawrence The Parlor-Car read by: Barry Eads, Betsie Bush Riders to the Sea read by: Poilin Hynes, Algy Pug, Arielle Lipshaw, Elizabeth Klett, Barty Begley, Diana Majlinger, David Lawrence, Kalynda

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  The Flower of Youth - Pier Paolo...

  Mary di Michele

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  Written as a kind of historical narrative in verse, the poems in this collection depict the coming of age and sexual awareness of the great Italian writer and film director, Pier Paolo Pasolini. The time of this story is World War II; the place is German-occupied northern Italy. Unlike his younger brother, Guido, who took up arms to fight in the resistance, Pasolini chose to help his mother set up a school for the boys too young to fight or be conscripted. The situation ignited an internal war for the young Pasolini that nearly eclipsed the historical moment: a battle within between his desire for boys and his Catholic faith and culture. In addition to the poems that juxtapose Pasolini's struggle against the backdrop of political and cultural fascism, the book also includes a prologue and an epilogue that details the author's pilgrimage to the site and her research into the time that shaped Pasolini as a man and as an artist.

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  Gifts

  James Thomson

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  LibriVox volunteers bring you 17 recordings of Gifts by James Thomson. This was the weekly poetry project for August 9th, 2009.

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  Macbeth

  William Shakespeare

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  Macbeth, Shakespeare’s last great tragedy, has remained one of the most popular plays since it’s first performance in 1606 – probably in front of King James. This exciting new audiobook production is directed with fresh imagination by Fiona Shaw who breaks the conventional strait jacket that has hampered the development of Shakespeare on audio. We are as much in the twenty-first century as in medieval Scotland – the tensions, the politics, the struggle for power and dark ambition is part of our lives… This is also reflected in the sound world, with modern machinery and tanks. Macbeth is part of Naxos AudioBooks’ exciting new series of complete dramatisations of the works of Shakespeare, in conjunction with Cambridge University Press. It uses the New Cambridge Shakespeare text, as used by the Royal Shakespeare Company and educational institutions across the world.

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  Washed Over - Or Things Dedicated

  Reinfred Dziedzorm Addo

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  When examining his own poetry Reinfred Dziedzorm Addo often finds he is merely a conduit for the words, the inspiration source itself being a force or another being. In acknowledging a poem’s inspiration source, he calls the resulting work a ‘dedicada’, meaning something written in dedication or in recognition of another. 
  A debut full poetry collection, Washed Over expands upon Addo’s chapbook The Dedicadas and is a journey through a space filled with a breadth of forces and beings active in one’s existence. Identity, chaos, autumn colors, exile, people learning from the universe itself...these and other dedicadas make this collection an exploration of the experiences of someone washed over by life’s many inspirations.

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