Begleiten Sie uns auf eine literarische Weltreise!
Buch zum Bücherregal hinzufügen
Grey
Einen neuen Kommentar schreiben Default profile 50px
Grey
Jetzt das ganze Buch im Abo oder die ersten Seiten gratis lesen!
All characters reduced
Gitanjali - cover

Wir entschuldigen uns! Der Herausgeber (oder Autor) hat uns beauftragt, dieses Buch aus unserem Katalog zu entfernen. Aber kein Grund zur Sorge, Sie haben noch mehr als 500.000 andere Bücher zur Auswahl!

Gitanjali

Rabindranath Tagore

Verlag: Samaira Book Publishers

  • 0
  • 5
  • 0

Beschreibung

A collection of over one hundred inspirational poems, Gitanjali covers the breadth of life's experiences, from the quite pleasure of observing children at play to man's struggle with his god.
An integration of two words, 'Git' and 'Anjali,' meaning song and offering respectively, the literal meaning of the word is 'offering of songs.' and because of the strong devotional tone and subliminal spiritual incitation, the book can be said to have devotion to god as its theme. It highlights the poet's intense response to the magnificence of the universe or rather an affirmation of life with all its abundance, mystery and diversity. 
ABOUT THE AUTHOR:
Rabindranath Tagore (1861-1941) was the youngest son of Debendranath Tagore, a leader of the Brahmo Samaj. He was educated at home and although at seventeen he was sent to England for formal schooling, he did not finish his studies there. In his mature years, in addition to his many-sided literary activities, he managed the family estates, a project which brought him into close touch with common humanity and increased his interest in social reforms. He also started an experimental school at Shantiniketan where he tried his Upanishadic ideals of education. From time to time he participated in the Indian nationalist movement, though in his own non-sentimental and visionary way; and Gandhi, the political father of modern India, was his devoted friend. Tagore was knighted by the ruling British Government in 1915, but within a few years he resigned the honour as a protest against British policies in India.
Tagore had early success as a writer in his native Bengal. With his translations of some of his poems he became rapidly known in the West. In fact, his fame attained a luminous height, taking him across continents on lecture tours and tours of friendship. For the world he became the voice of India's spiritual heritage; and for India, especially for Bengal, he became a great living institution.
Although, Tagore wrote successfully in all literary genres, he was first of all a poet. Among his fifty and odd volumes of poetry are Manasi (1890) {The Ideal One}, Sonar Tari (1894) {The Golden Boat}, Gitanjali (1910) {Song Offerings}, Gitimalya (1914) {Wreath of Songs}, and Balaka (1916) {The Flight of Cranes}. The English renderings of his poetry, which include The Gardener (1913), Fruit-Gathering (1916), and The Fugitive (1921), do not generally correspond to particular volumes in the original Bengali; and in spite of its title, Gitanjali: Song Offerings (1912), the most acclaimed of them, contains poems from other works besides its namesake. Tagore’s major plays are Raja (1910) {The King of the Dark Chamber}, Dakghar (1912) {The Post Office}, Achalayatan (1912) {The Immovable}, Muktadhara (1922) {The Waterfall}, and Raktakaravi (1926) {Red Oleanders}. He is the author of several volumes of short stories and a number of novels, among them Gora (1910), Ghare-Baire (1916) {The Home and the World}, and Yogayog (1929) {Crosscurrents}. Besides these, he wrote musical dramas, dance dramas, essays of all types, travel diaries, and two autobiographies, one in his middle years and the other shortly before his death in 1941. Tagore also left numerous drawings and paintings, and songs for which he wrote the music himself.
Verfügbar seit: 13.10.2017.

Weitere Bücher, die Sie mögen werden

  • Machinations of A Feminist - cover

    Machinations of A Feminist

    Margaret D. (Kawamuinyo) Gill

    • 0
    • 0
    • 0
    A semi autobiographical collection of poetry by an award winning poet, Machinations of A Feminist is a conversation between a Barbadian woman poet and each listener. It is an offering of communion between poet, reader and listener 
    "These poems share the romance the author has with words and her habit of uplifting the local (Barbadian, Caribbean), the extra-ordinary. In so doing it offers a validation of the poem as personal history, and therefore history. The words themselves are offered as the objective correlative, since what stands behind them may ultimately be un-shareable - an aim to delight God and fellowship with the reader in what may well be simply groans. Nonetheless, let all that seek thee rejoice and be glad in thee: and let such as seek thy salvation say continually, Let God be magnified... " 
    Margaret D. Gill taught, variously, literature, written English, Caribbean civilization studies and critical writing for over two decades as adjunct staff at the Cave Hill Campus of the University of the West Indies. She has been published in several anthologies, including the original BIM Magazine and The Oxford Book of Caribbean Verse (2005). She was First Prize winner of the Inaugural Frank Collymore Literary Endowment Award (1998), and in 2008 was one of nine international writers of the IWW (International Writers Workshop) in Hong Kong and China. 
    Zum Buch
  • Macbeth - cover

    Macbeth

    William Shakespeare, Charles Lamb

    • 0
    • 0
    • 0
    Taken from Charles Lamb's children's book 'Tales From Shakespeare', this adaptation tells the story of Macbeth.
    Zum Buch
  • Sonnets from the Portuguese (version 2) - cover

    Sonnets from the Portuguese...

    Elizabeth Barrett Browning

    • 0
    • 0
    • 0
    Sonnets from the Portuguese chronicles one of the most famous romances in history. The renowned Victorian poet Elizabeth Barrett wrote the sonnet sequence during her courtship by Robert Browning, and later presented them to him as a wedding gift. Robert was astounded by the quality of the poetry, and encouraged her to publish, but Elizabeth objected on the grounds that the content was too personal. At last, Robert prevailed, and Elizabeth published her sonnets. The title of the book comes from a joke between Robert and Elizabeth Browning. Elizabeth was too embarrassed to publish the sonnets as a personal chronicle, so she decided to pretend they were a translation from a foreign language. Robert’s nickname for her was “My Little Portuguese” due to her dark hair and olive complexion, and so the sequence was forever known as “Sonnets from the Portugese.”  
    (Summary by Kirsten Ferreri)
    Zum Buch
  • Transit Authority - Poems - cover

    Transit Authority - Poems

    Tony Sanders

    • 0
    • 0
    • 0
    The prize-winning poet and author of Partial Eclipse continues his investigation of urban metaphysical pathos in this collection. 
     
    Transit Authority is made up of three sequences that mark the early and late junctures of the twentieth century: the first, a series of poems that investigate the early part of the century; the second, meditations based on the 1930s photographs by Berenice Abbott; and the third, “Reckoning,” in which, with spare lyricism, Sanders meditates on where this century has brought us. 
     
    Sanders looks with rueful intrigue at a landscape inundated with near misses and has-beens. While it is tempting to turn away from the common predicament, his poems quietly urge us to keep looking. As the poet concludes, though “things aren’t what they should be according to the map . . . we have to press on in search of our bearings.”
    Zum Buch
  • Poetry Book Society Spring 2018 Bulletin - cover

    Poetry Book Society Spring 2018...

    Alice Kate Mullen

    • 0
    • 0
    • 0
    The Poetry Book Society was founded by T.S. Eliot in 1953 to "propagate the art of poetry". The Poetry Book Society Spring 2018 Bulletin features a wide range of exciting new poetry publications, reviewed by expert poet selectors Sandeep Parmar, Tim Liardet, George Szirtes, AB Jackson, Denise Saul and Kayo Chingonyi.
    SPRING SELECTIONS January, February, March 2018 Choice: Sophie Collins, Who is Mary Sue? (Faber) Recommendations: Hannah Sullivan - Three Poems (Faber) Robin Robertson - The Long Take (Picador) Phoebe Power - Shrines of Upper Austria (Carcanet) Kaveh Akbar - Calling a Wolf a Wolf (Penguin) Commendation: Laurie Duggan - Selected Poems (Shearsman) Guest Selection: Meryl Pugh – Natural Phenomena (Penned in the Margins) Translation: Luljeta Lleshanaku - Negative Space (Bloodaxe Books)
    Zum Buch
  • Theatre Royal - The Purse & La Grande Breteche - Episode 4 - cover

    Theatre Royal - The Purse & La...

    Honoré de Balzac

    • 0
    • 0
    • 0
    Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the worlds’ leading authors, among them Charles Dickens, Henry James, Oscar Wilde, and Anton Chekhov.  These are but a few of whose company we shall be keeping as we raise the curtain on our first installment of theatrical history.
    Zum Buch