Weitere Bücher, die Sie mögen werden

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  Roberta Flack

  Wink Martindale

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  Roberta Flack gained national recognition with her song “The First Time Ever I Saw Your Face” from the movie Play Misty for Me. The singer, songwriter and musician performed a wide variety of music including jazz, classical, folk, soul, pop and R&B. She was the first to win the Grammy Award for Record of the Year in two consecutive years.Flack takes pride in being an accomplished artist and a shrewd business woman. Wink Martindale speaks with Flack and provides a comprehensive overview of Flack’s numerous accomplishments and successful career.

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  My First Summer in the Sierra

  John Muir

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  The journal of nature-lover John Muir who spent the summer of 1869 walking California’s Sierra Nevada range. From French Bar to Mono Lake and the Yosemite Valley, Muir was awestruck by everything he saw. The antics of the smallest “insect people” amazed him as much as stunted thousand-year old Juniper trees growing with inconceivable tenacity from tiny cracks in the stone. Muir spent the rest of his life working to preserve the high Sierra, believing that “the clearest way into the Universe is through a forest wilderness.” John Muir (1838-1914) was born in Dunbar, Scotland and grew up in Wisconsin, USA. This recording commemorates the 140th anniversary of that first summer. (Summary by Adrian Praetzellis)

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  Don't Believe It! - How Lies...

  Alexandra Kitty

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  How to weed out factual from fake news by the author of Outfoxed: Rupert Murdoch’s War on Journalism.   In the last few years, the journalism industry has cut costs by eliminating important safeguards: companies have reduced the number of fact-checkers, editors, and journalists. What this means is that editors and reporters cannot spend time verifying information. Moreover, journalists are not required to have professional experience or training to cover their beats. Fierce competition to get a scoop may lead to journalists making careless errors or not double-checking information.   To maintain audiences and readership, journalists, editors and producers will choose sensational stories that “shock.” Combined with time and budget constraints, journalists may unwittingly or deliberately disseminate false or misleading information to the public. It is important to get a story, interview a subject or nab a scoop first—the accuracy of these elements is secondary. Competition from other media outlets also means the goal of a journalist is to get the scoop first—how it makes it on the air (flawed, inaccurate, questionably obtained) is unimportant.   In Don’t Believe It!, Alexandra Kitty demonstrates with example upon example how manufactured news is endemic in our media and shows the reader how to spot suspicious stories and evaluate sources, eyewitnesses and data. This is a comprehensive bible to information verification from a logical standpoint, showing how to be skeptical without being jaded, step by step, with case studies and a classification manual.

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  Martin Eden

  Jack London

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  Smitten with a beautiful and cultivated young woman, a bright but uncultured sailor determines to better himself intellectually and socially. Martin Eden turns his attention and energy from drinking and brawling to an aggressive pursuit of self-education through reading. Martin's determined striving leads to a resolve to become a writer himself, but his success comes at the price of disillusionment, leaving him stranded between his proletariat origins and the bourgeois world. Originally published in 1909, Jack London's semi-autobiographical novel reflects the painful struggles with learning that led to his eventual achievement of literary fame. Martin Eden addresses the author's internal conflict between his dream of a cooperative socialist utopia and his survival-of-the-fittest evolutionary views. Widely considered London's most mature work, the book abounds in memorable characters and settings as well as thought-provoking explorations of the nature of love, the importance of remaining true to personal aspirations rather than others' expectations, and the injustice of class divisions.

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  The Subaltern - The Diaries of...

  George Greig

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  Lieutenants, or "subalterns" as they were called, were very young in the British Army of the Napoleonic Wars, so George Gleig was not unique when he joined the 85th Light Infantry at the age of 17.   Thrown into action in Spain against invading French forces in the summer of 1813, Gleig fought continuously for 18 months. The unique quality of Gleig's personal account was recognized immediately, and his narrative was praised by the Duke of Wellington himself. Although not always readily available to the general public. Gleig's account has been extensively drawn on by later historians and historical novelists.  Gleig left behind a unique account of Wellington's victories, the primitive conditions endured by both soldiers and civilians, and the mood of the times.George Robert Gleig had a distinguished career with the British Army. His classic narrative has now been edited with an introduction and chapter notes by Ian Robertson. Robertson has been writing on the Peninsular War for 40 years. His most recent work was Wellington at War in the Peninsula.

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  We Crossed a Bridge and It...

  Wendy Pearlman

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  Reminiscent of the work of Nobel Prize winner Svetlana Alexievich, an astonishing collection of intimate wartime testimonies and poetic fragments from a cross-section of Syrians whose lives have been transformed by revolution, war, and flight. 
  Against the backdrop of the wave of demonstrations known as the Arab Spring, in 2011 hundreds of thousands of Syrians took to the streets demanding freedom, democracy and human rights. The government’s ferocious response, and the refusal of the demonstrators to back down, sparked a brutal civil war that over the past five years has escalated into the worst humanitarian catastrophe of our times.  
  Yet despite all the reporting, the video, and the wrenching photography, the stories of ordinary Syrians remain unheard, while the stories told about them have been distorted by broad brush dread and political expediency. This fierce and poignant collection changes that. Based on interviews with hundreds of displaced Syrians conducted over four years across the Middle East and Europe, We Crossed a Bridge and It Trembled is a breathtaking mosaic of first-hand testimonials from the frontlines. Some of the testimonies are several pages long, eloquent narratives that could stand alone as short stories; others are only a few sentences, poetic and aphoristic. Together, they cohere into an unforgettable chronicle that is not only a testament to the power of storytelling but to the strength of those who face darkness with hope, courage, and moral conviction.

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