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  Play All Night! - Duane Allman...

  Bob Beatty

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  The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. Bob Beatty dives deep into the motivations of band founder Duane Allman to tell the story of what made this album one of the most important live rock albums in history.Beatty chronicles how Allman rejected the traditional route of music business success and built a band that was at its best jamming live on stage, feeding off the crowd's energy, and pushing each other to new heights of virtuosic improvisation. Every challenge, from recruiting a group of relatively unknown but established musicians, touring the American South as an interracial band, and the failure of their first two studio albums, sharpened Allman's determination to pursue the band's unique sound. He made a bold choice—to record their next album live at Bill Graham's famous concert hall in New York's Lower East Side, a gamble that launched a new strand of American music to the top of the charts.Four days after the album went gold, Duane Allman was killed in a motorcycle accident. He was twenty-four. This book explores how At Fillmore East cemented Allman's legacy as a strong-willed, self-taught visionary, giving fans of Southern rock and all listeners interested in the role of rock music in American popular culture a new appreciation for this pathbreaking album.

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  McReele

  Stephen Belber

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  When death row prisoner Darius McReele transforms into a charismatic front-runner in the Delaware senate race, the spin starts spinning out of control. Is he doing the right thing for the wrong reasons, or the wrong thing for the right reasons? Does it ultimately matter?  
   
  
  
  
  Directed by Jenny Sullivan
  Producing Director: Susan Albert Loewenberg
  An L.A. Theatre Works full-cast recording starring:
  Chris Butler as Darius McReele
  Deidrie Henry as Opal
  Charles Janasz as Jim Cragen/Donald Smathers/Gerry Phillips
  Eric Stoltz as Rick Dayne
  Lauren Tom as Katya
  
  Associate Producer: Brendon Fox
  Recording Engineer, Sound Designer and Mixer: Mark Holden
  Stage Manager and Live Sound Effects: John Lovick

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  Jelly Roll Bix and Hoagy -...

  Rick Kennedy

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  “A lively and anecdotal history” of the tiny family-run studio where jazz greats from Jelly Roll Morton to Louis Armstrong made their first recordings (Jazz Times).   From 1917 to 1932, in a primitive studio next to the railroad tracks, the Gennett family of Richmond, Indiana, recorded some of the earliest performances of jazz, blues, and country greats—including Jelly Roll Morton, Big Bill Broonzy, King Oliver, Louis Armstrong, Gene Autry, Bix Beiderbecke, and native Hoosier Hoagy Carmichael (whose “Stardust” debuted on Gennett as a dance stomp).  Jelly Roll, Bix, and Hoagy is the first thoroughly researched account of the people and events behind this unique company and its outsized impact on American music. Alive with personal details and anecdotes from musicians, employees, and family members, it traces the colorful history of a pioneer recording company.

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  JMW Turner: Standing in the Sun

  Anthony Bailey

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  Joseph Mallord William Turner is arguably Britain's greatest and most mysterious painter, whose range of work encompasses seascape and landscape, immensely powerful oil paintings and intimate watercolours. His friend and colleague C.R. Leslie remembered him thus: 'Turner was short and stout, and had a sturdy, sailor-like walk. He might be taken for the captain of a river steamboat at first glance; but a second would find more in his face than belongs in any ordinary mind. There was that peculiar keenness of expression in his eye that is only seen in men of constant habits of observation'. The son of a Covent garden barber and a woman who died in Bethlehem Hospital, Turner achieved fame and fortune during his lifetime. Although he possessed a wide-ranging imagination, he was an often incoherent speaker and writer, and his muddled will produced much discord - it is a wonder that, despite avaricious relatives and incompetent lawyers, so many of his works are now in the hands of the nation, and publicly proclaim his genius. In this previously unavailable biography, Anthony Bailey has drawn upon archival material, scholarly literature and research, as well as studying many of Turner's sketchbooks, paintings and watercolours. Uncovering fresh material, as well as pulling together previously known facts, Bailey sheds new light on this complicated and secretive artistic figure.

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  Georgia O’Keeffe and artworks

  Janet Souter

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  In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.

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  Mae Murray - The Girl with the...

  Michael G. Ankerich

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  This story of a silent-film star’s rise and fall offers “a lesson about those heady days of early Hollywood and the transience of fame” (Library Journal).   Renowned for her classic beauty and charismatic presence, Mae Murray rocketed to stardom as a dancer in the Ziegfeld Follies, moving across the country to star in her first film, To Have and to Hold, in 1916. An instant hit with audiences, Murray soon became one of the most famous names in Tinseltown.   But Murray’s moment in the spotlight was fleeting. The introduction of talkies, a string of failed marriages, a serious career blunder, and a number of bitter legal battles left the former star in a state of poverty and mental instability that she would never overcome.   In this intriguing biography, Michael G. Ankerich traces Murray’s career from the footlights of Broadway to the klieg lights of Hollywood, recounting her impressive body of work on the stage and screen and charting her rapid ascent to fame and decline into obscurity. Featuring exclusive interviews with Murray’s only son, Daniel, and with actor George Hamilton, whom the actress closely befriended at the end of her life, Ankerich restores this important figure in early film to the limelight.   “If Billy Wilder hasn’t made the definitive movie about the delusions of stardom in Sunset Boulevard, Murray’s story, a blend of absurdity and pathos, would make a terrific one.” —TheWashington Post  Includes photos

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