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  Beyond An Assistant - Romance GL

  MagicWave, Night Sheng

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  I always thought that nothing would a problem as long as I tried my best. Back then, I always made others wait. Now I'm the one waiting. Thanks to you, I finally understand my courage to sacrifice for love.  
  This time, I'm really letting you go, When we meet again, I'll tell you about the scenery and stories you didn't get the chance to see and experience. Your beautiful dreams are a reality in another universe. Surely, the person you love will find their happiness. 
  Written by: Night Sheng 
  Executive Producer: Loya 
  Voice Actors: Helena, Susan, Nickygriffiths, Fouchevo, Simeon 
  Producer/director: Steven 
  Director: Winnie 
  Editor: Sophia 
  Sound Design: Macy

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  Ghostly Findings

  E.M. Leya

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  As a medical examiner, seeing ghosts has its advantages. After being informed by a ghost that there is a mass grave in the area, Lance and Detective Angus Young feel the fallout. As one investigates the murders, the other investigates the bodies, both trying to piece together what happened. Luckily, the dead aren't all silent. As ghosts of the victims appear, clues to what happened start to come together. The only problem now is figuring out who the killer is and catching him before he strikes again.

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  All at Sea

  Cheyenne Blue

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  Stevie Sterling is having a day from hell. Snubbed—yet again—by her unsupportive parents, she runs out on their posh party and takes refuge on a deserted yacht. Waking the next day with the world's worst hangover, Stevie finds herself far from shore.As if being trapped on the yacht in only her party dress isn't bad enough, Stevie's frantic that she'll miss the first day of her new job as a nurse. She has so much to prove in her career—to herself and her parents.The yacht's cute but unimpressed captain, Kaz Malone—an eco-warrior who hits the seas with Sinbad the cat—is on a mission: There's a nuclear-waste-dumping tanker to harass.Kaz is as single-minded as she is stubborn and she's not about to turn around for some stowaway with a new job. Hell, no. Saving the planet comes first.But perhaps there's more than one way to a destination?

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  Scissor Link

  Georgette Kaplan

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  An age-gap, workplace, lesbian romantic comedy about chasing that impossible, dream crush.Savin Aerospace employee Wendy Cedar has a massive crush on her hot older boss, Janet Lace, who's just gone through a divorce.Her secret love is all harmless enough until Janet finds an email listing every naughty thing Wendy wants to do to her, inspired by a sex dream Wendy has shared with her friend.Now Wendy's been called into the boss's office. It might be a fantasy come true . . . if she doesn’t get fired first.What starts off as a no-strings-attached, office fling could become something more. The women have to decide if a romance is for them or if they're better off as boss and employee.Contains mature themes.

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  At the Water's Edge

  Harper Bliss

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  Sometimes you need to go back to where you came from…
   
  After a traumatic event that has left her in deep need of healing, Ella Goodman returns to her hometown in Oregon. While staying at her family’s cabin at the West Waters lake resort, she finds an unexpected friend in level-headed owner Kay Brody. But Ella’s sole objective is to restore the broken ties with her family, and she has no time for distractions like falling in love. The healing process is confrontational and difficult though, and she is soon forced to realize that people like Kay only come along once in a lifetime.

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  [squelch procedures]

  MLA Chernoff

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  In [SQUELCH PROCEDURES], MLA Chernoff contemplates the ways that trauma, poverty, and strict gender norms rupture the concept of childhood. The tension of multiple meanings in the word “squelch” acts as a guide to Chernoff’s unique voice, which uses language to swaddle intrusive thoughts and mimic defense mechanisms such as avoidance, depersonalization, and derealization. [SQUELCH PROCEDURES] is an ambitious attempt to show how healing and regression are often indistinguishable, while the past is always predisposed to happen more than once: first as tragedy, then as farce.

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