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  The Poetry of Harold Munro

  Harold Munro

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  Harold Edward Munro was born on the 14th of March 1879 at 137 chaussée de Charleroi, Saint-Gilles, Brussels. 
   
  He was educated at Radley College and Gonville and Caius College, Cambridge. On 2nd December 1903 in Ireland Munro married Dorothy Elizabeth Browne. Unfortunately the marriage was not to last and they separated in 1908.   
   
  In 1906 his first collection of poetry, Poems, was published.  Many volumes followed but Munro was never regarded as highly as his contemporaries.  Perhaps his forays into magazines, editing and publishing and his bookshop has unfairly diminished his poetic contribution. 
   
  In 1912 he became the editor of the influential magazine, The Poetry Review, but was ousted after a year. In 1913 he founded the Poetry Bookshop in Bloomsbury.  From here he would also publish new volumes of poetry by himself and other writers.  With Edward Marsh he published annual volumes of Georgian Poetry in the process establishing it as a very fine poetry movement.   
   
  Munro was often tortured by his sexuality and although he married twice some of his poems reveal his truer feelings.  As the Great War smothered Europe with its monstrous destruction of a generation, the War Poets spoke. 
   
  Munro himself wrote only a few war poems but his ‘Youth in Arms’ quartet, written in the first months of the carnage, was an early attempt to explore the human psychology of soldiering and to understand how ungrudgingly youth dies. 
   
  After the war Munro continued his efforts with the Poetry Bookshop and expanded into several new projects.  He was searching both as a writer, and as a publisher, for the middle ground that was both culturally exciting and commercially worthwhile. 
   
  In his later years his mood darkened, his drinking escalated and became a real problem.  Sadly amongst the stresses and the strains he contracted tuberculosis.  
   
  Harold Edward Munro died on the 16th March 1932 aged 53.  He was cremated at Golders Green crematorium. 
   
  It was later remarked of him ‘Perhaps no one did more for the advancement of twentieth-century poetry’.

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  Transit Authority - Poems

  Tony Sanders

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  The prize-winning poet and author of Partial Eclipse continues his investigation of urban metaphysical pathos in this collection. 
   
  Transit Authority is made up of three sequences that mark the early and late junctures of the twentieth century: the first, a series of poems that investigate the early part of the century; the second, meditations based on the 1930s photographs by Berenice Abbott; and the third, “Reckoning,” in which, with spare lyricism, Sanders meditates on where this century has brought us. 
   
  Sanders looks with rueful intrigue at a landscape inundated with near misses and has-beens. While it is tempting to turn away from the common predicament, his poems quietly urge us to keep looking. As the poet concludes, though “things aren’t what they should be according to the map . . . we have to press on in search of our bearings.”

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  Ordinary Beast - Poems

  Nicole Sealey

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  ONE OF PUBLISHERS WEEKLY'S TOP 10 POETRY BOOKS OF FALL 2017 
  NPR'S MOST ANTICIPATED POETRY BOOKS OF 2017 
   
  A striking, full-length debut collection from Virgin Islands-born poet Nicole Sealey 
  The existential magnitude, deep intellect, and playful subversion of St. Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human. 
  The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.  
  Supplemental enhancement PDF accompanies the audiobook.

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  Breaking the Code

  Hugh Whitemore

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  Simon Templeman stars as brilliant mathematician Alan Turing, the man who cracked the German Enigma code and enabled the Allies to win World War II. Shortly after, Turing was to find that the country he saved cared less about his genius and more about his sexual orientation.Based on the book Alan Turing: The Enigma by Andrew Hodges.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in July, 2003.Breaking the Code is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.Directed by Rosalind AyresProducing Director Susan Albert LoewenbergSheelagh Cullen as Sara TuringKenneth Danziger as Detective Mick RossPeter Dennis as John SmithSamantha Robson as Pat GreenOrlando Seale as Ron MillerW. Morgan Sheppard as Dillwyn KnoxAndré Sogliuzzo as Christopher Morcom and NikosSimon Templeman as Alan TuringAssociate Producer: Susan RaabRecording Engineer: David Kelly for Voicebox StudiosAssistant Recording Engineer/Editor: Mark HoldenLive Sound Effects: GiGi Garcia

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  Rhyme and Reason

  Helen Clarke

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  A collection of searingly honest poems carrying you through emotional turmoil to reach hope and wholeness. These poems were written through a difficult year in my life - move through the seasons with me as hope is born and ganis it's strength.Take each step with me as I battle anxiety, exhaustion, perfection and physical burn out to reach a place of  new hope and health.

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  The Invisible World Is in...

  Bruce Whiteman

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  The stunning conclusion to a 40-year poetic project
  		 
  In the tradition of earlier modernist long poems like Ezra Pound’s Cantos and bp Nichol’s The Martyrology, The Invisible World Is in Decline: Book IX is full of startling poetic music and imagery while addressing concerns to which every reader will respond: the life of the heart as well as life during COVID-19, love as well as death, philosophy as well as emotion. The poems are deeply responsive to what an epigraph from Virgil calls “vows and prayers,” i.e., those things that we desire and promise. Like previous books of Whiteman’s long poem, Book IX is largely in the form of the prose poem. But the book also contains a moving series of translations in traditional form of texts taken from songs by composers like Schubert and Beethoven, songs that are by turns tragic, meditative, lyrical, and touching. The concluding section focuses on an obsession that poets have had for 2,500 years: inspiration, in the form of the nine Muses. At the heart of this book is what Whiteman calls “the bright articulate world,” something visionary but accessible to every thoughtful reader.

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