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  Hawk - Occupation: Skateboarder

  Tony Hawk, Sean Mortimer

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  For Tony Hawk, it wasn't enough to skate for two decades, to invent more than eighty tricks, and to win more than twice as many professional contests as any other skater.It wasn't enough to knock himself unconscious more than ten times, fracture several ribs, break his elbow, knock out his teeth twice, compress the vertebrae in his back, pop his bursa sack, get more than fifty stitches laced into his shins, rip apart the cartilage in his knee, bruise his tailbone, sprain his ankles, and tear his ligaments too many times to count.No.He had to land the 900. And after thirteen years of failed attempts, he nailed it.  It had never been done before. Growing up in Sierra Mesa, California, Tony was a hyperactive demon child with an I44 IQ.  He threw tantrums, terrorized the nanny until she quit, exploded with rage whenever he lost a game; this was a kid who was expelled from preschool. When his brother, Steve, gave him a blue plastic hand-me-down skateboard and his father built a skate ramp in the driveway, Tony finally found his outlet--while skating, he could be as hard on himself as he was on everyone around him.  But it wasn't an easy ride to the top of the skating game.  Fellow skaters mocked his skating style and dubbed him a circus skater. He was so skinny he had to wear elbow pads on his knees, and so light he had to ollie just to catch air off a ramp.  He was so desperate to be accepted by young skating legends like Steve Caballero, Mike McGill, and Christian Hosoi that he ate gum from between Steve's toes. But a few years of determination and hard work paid off in multiple professional wins, and the skaters who once had mocked him were now trying to learn his tricks.  Tony had created a new style of skating. In Hawk Tony goes behind the scenes of competitions, demos, and movies and shares the less glamorous demands of being a skateboarder--from skating on Italian TV wearing see-through plastic shorts to doing a demo in Brazil after throwing up for five days straight from food poisoning.  He's dealt with teammates who lit themselves and other subjects on fire, driving down a freeway as the dashboard of their van burned.  He's gone through the unpredictable ride of the skateboard industry during which, in the span of a few years, his annual income shrank to what he had made in a single month and then rebounded into seven figures. But Tony's greatest difficulty was dealing with the loss of his number one fan and supporter--his dad, Frank Hawk.  With brutal honesty, Tony recalls the stories of love, loss, bad hairdos, embarrassing '80s clothes, and his determination that had shaped his life.  As he takes a look back at his experiences with the skateboarding legends of the '70s, '80s, and '90s, including Stacy Peralta, Eddie Elguera, Lance Mountain, Mark Gonzalez, Bob Burnquist, and Colin Mckay, he tells the real history of skateboarding--and also what the future has in store for the sport and for him.   

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  Human Punk For Real - An...

  Marco Thiede

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  If you used to be a punk, you never where!
  I wasn't even twelve years old in 1976 when I heard about this "New Thing" from England called: PUNK ROCK! Something completely new, snotty and revolutionary. A musical and verbal revolution against the Establishment! A punch right in the face of the whining love song era! I was immediately affected…or better said: infected!
  It started with The Sex Pistols and The Damned - but when I heard Jean Jacques Burnel's bass guitar in "Goodbye Toulouse" by The Stranglers I was totally stoked!
  Then as now, the music has never lost its power and energy, and I love all these songs like the first day I heard them!
  In this book I'm attempting to describe the beginning of the Punk movement in Bremen - a very unpopular and rough German city - especially in the 80s. About the ongoing battles with right-wing Skinheads, and how we had to scrape together every penny just so we could go to as many cool shows as possible. First in Bremen, then other German cities, then in England (the Promised Land of Punk Rock!), and later in California. To me, it's an ongoing, never-ending adventure. Finally, In 2012, I "landed" in the Bay Area.
  In December 2014 I became 50 years old and Punk Rock is still, to this day, the only kind of music that always gives me goose bumps! And this will never change - as with many of the other "infected" - to my last breath!

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  Pierre-Auguste Renoir and artworks

  Nathalia Brodskaya

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  Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was his meeting, in Gleyre’s studio, with those who were to become his best friends for the rest of his days and who shared his ideas about art. Much later, when he was already a mature artist, Renoir had the opportunity to see works by Rembrandt in Holland, Velázquez, Goya and El Greco in Spain, and Raphael in Italy. However, Renoir lived and breathed ideas of a new kind of art. He always found his inspirations in the Louvre. “For me, in the Gleyre era, the Louvre was Delacroix,” he confessed to Jean. For Renoir, the First Impressionist Exhibition was the moment his vision of art and the artist was affirmed. This period in Renoir’s life was marked by one further significant event. In 1873 he moved to Montmartre, to the house at 35 Rue Saint-Georges, where he lived until 1884. Renoir remained loyal to Montmartre for the rest of his life. Here he found his “plein-air” subjects, his models and even his family. It was in the 1870s that Renoir acquired the friends who would stay with him for the remainder of his days. One of them was the art-dealer Paul Durand-Ruel, who began to buy his paintings in 1872. In summer, Renoir continued to paint a great deal outdoors together with Monet. He would travel out to Argenteuil, where Monet rented a house for his family. Edouard Manet sometimes worked with them too. In 1877, at the Third Impressionist Exhibition, Renoir presented a panorama of over twenty paintings. They included landscapes created in Paris, on the Seine, outside the city and in Claude Monet’s garden; studies of women’s heads and bouquets of flowers; portraits of Sisley, the actress Jeanne Samary, the writer Alphonse Daudet and the politician Spuller; and also The Swing and The Ball at the Moulin de la Galette. Finally, in the 1880s Renoir hit a “winning streak”. He was commissioned by rich financiers, the owner of the Grands Magasins du Louvre and Senator Goujon. His paintings were exhibited in London and Brussels, as well as at the Seventh International Exhibition held at Georges Petit’s in Paris in 1886. In a letter to Durand-Ruel, then in New York, Renoir wrote: “The Petit exhibition has opened and is not doing badly, so they say. After all, it’s so hard to judge about yourself. I think I have managed to take a step forward towards public respect. A small step, but even that is something.”

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  Alonzo Bodden: Historically...

  Alonzo Bodden

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  Alonzo Bodden returns with a hilarious look at the historical inaccuracies of the present and past from his unique comedic perspective in Historically Incorrect.

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  They Can't Kill Us Until They...

  Hanif Abdurraqib

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  *2018 "12 best books to give this holiday season" TODAY Show 
  *Best Books of 2018* Rolling Stone 
  "A Best Book of 2017" NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily 
  *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' 
  *Midwest Indie Bestseller 
   
  In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. 
   
  In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. 
   
  In essays that have been published by the New York Times, MTV, and Pitchfork, among others along with original, previously unreleased essays Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. 
   
  "Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." Greil Marcus,

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  Importance of Being Earnest The...

  Oscar Wilde

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  Oscar Wilde's The Importance of Being Earnest is subtitled "A Trivial Comedy for Serious People," and has proved immensely popular since its first performance in 1895. The play certainly has its farcical and comic elements, such as the witty banter exchanged by the characters and the flippant attitude towards love and marriage that characterizes the action. However, the play also explores more serious themes through the central story of Jack Worthing's search for his identity. (Summary by Elizabeth Klett) 
   
  CastJohn Worthing: Dublin GothicAlgernon Moncrieff: John FrickerRev. Chasuble: Martin GeesonMerriman: mbLane: Algy PugLady Bracknell: Ruth GoldingGwendolyn Fairfax: Elizabeth KlettCecily Cardew: Arielle LipshawMiss Prism: Carol BoxNarrator: Tiffany Halla ColonnaAudio edited by Elizabeth Klett

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