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  Landscape photographer races to...

  PBS NewsHour

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  Oregon photographer Christopher Burkett is best known for producing large-format film prints of American landscapes, some of the highest resolution color photographs ever created without computer technology. But he only has a limited supply of the materials, which have been discontinued, making his current work a race against the clock. NewsHour Weekend Special Correspondent Joanne Elgart Jennings reports.

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  Clarinet Lessons for Beginners

  Howard Mack

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  "Clarinet Lessons for Beginners" is an audiobook that lets you learn to play the clarinet the right way from the beginning. It includes easy to listen to tips on how to play the clarinet, whether you are a student in a band or learning from the first time at any age.

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  Tancredi

  Thomson Smillie

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  Rossini’s comic operas, like The Barber of Seville, are better known than his tragedies though he wrote in fact many more tragedies than comedies. One of them, his last, William Tell, is actually credited with launching the whole age of Grand Opéra. Tancredi is an early work – indeed his first smash hit – and it established his international fame. It has all the youthful verve of the comedies allied to a sure dramatic sense, and several of the arias, including the famous ‘Di tanti palpiti’, are magnificent examples of the sort of virtuoso vocal writing that earns the title ‘bel canto’: ‘beautiful singing’, first and last.

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  Classical New York - Discovering...

  Matthew McGowan, Elizabeth...

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  Essays on the historical Greco-Roman influence on the evolving architectural landscape of New York City. 
   
  During its rise from capital of an upstart nation to global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of New York’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of the city’s most iconic buildings, public monuments, and civic spaces. 
   
  Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity and to structure their public and private spaces. 
   
  Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. This examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.

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  Unlocking Your Creativity

  Julia Cameron

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  Here we explore some simple ways to find your inner voice and tap into your creativity. Cameron advises us to “make a date with the artist within you.” She talks about the negativity of “creative snipers” as well as the importance of “morning papers.” She believes, “each of us has a song ... and the note we are straining to hear is our own true note.”

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  Adventures of Sam Spade The: The...

  Jason James, Robert Tallman

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  Sam was in his office when Miss Maimie Gaygan, a beautiful woman unfortunately with a heart of stone, demanded that he accompany her to Johnny McCall's illegal gambling hall. There he met Johnny who wanted Sam to take the Tears of Night necklace back to its owner, Miss Daphne Arlington, who had put the necklace down as collateral until she could raise the cash after losing on the gambling tables. He had received a call that afternoon from her saying that if her necklace wasn't returned by that same afternoon, she was going to call the police and he would be closed down. Sam agreed, but when he got to her house to give her the necklace, she was already wearing the exact same one…

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