Ulysses is a modernist novel by Irish writer James Joyce. It was first serialised in parts in the American journal The Little Review from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday.
James Joyce was born on February 2, 1882 in Dublin, Ireland. He published "Portrait of the Artist" in 1916 and caught the attention of Ezra Pound. With "Ulysses," Joyce perfected his stream-of-consciousness style and became a literary celebrity. The explicit content of his prose brought about landmark legal decisions on obscenity. Joyce battled eye ailments for most of his life. He died in 1941.
Born James Augustine Aloysius Joyce on February 2, 1882 in Dublin, Ireland, Joyce was one of the most revered writers of the 20th century, whose landmark book, Ulysses, is often hailed as one of the finest novels ever written. His exploration of language and new literary forms showed not only his genius as a writer but spawned a fresh approach for novelists, one that drew heavily on Joyce's love of the stream-of-consciousness technique and the examination of big events through small happenings in everyday lives.
Joyce came from a big family. He was the eldest of ten children born to John Stanislaus Joyce and his wife Marry Murray Joyce. His father, while a talented singer (he reportedly had one of the finest tenor voices in all of Ireland), didn't provide a stable a household. He liked to drink and his lack of attention to the family finances meant the Joyces never had much money.
From an early age, James Joyce showed not only exceeding intelligence but also a gift for writing and a passion for literature. He taught himself Norwegian so he could read Henrik Ibsen's plays in the language they'd been written, and spent his free time devouring Dante, Aristotle, and Thomas Aquinas.
Because of his intelligence Joyce's family pushed him to get an education. Largely educated by Jesuits, Joyce attended the Irish schools of Clongowes Wood College and later Belvedere College before finally landing at University College Dublin, where he earned a Bachelor of Arts degree with a focus on modern languages.
Joyce's relationship with his native country was a complex one and after graduating he left Ireland for a new life in Paris where he hoped to study medicine. He returned, however, not long after upon learning that his mother had become sick. She died in 1903.
Joyce stayed in Ireland for a short time, long enough to meet Nora Barnacle, a hotel chambermaid who hailed from Galway and later became his wife. Around this time, Joyce also had his first short story published in the Irish Homestead magazine. The publication picked up two more Joyce works, but this start of a literary career was not enough to keep him in Ireland and in late 1904 he and Barnacle moved first to what is now the Croatian city of Pula before settling in the Italian seaport city of Trieste.
There, Joyce taught English and learned Italian, one of 17 languages he could speak, a list that included Arabic, Sanskrit, and Greek. Other moves followed, as the Joyce and Barnacle (the two weren't formally married until some three decades after they met) made their home in cities like Rome and Paris. To keep his family above water (the couple went on to have two children, Georgio and Lucia) Joyce continued to find work as a teacher.
A true crime story of a gruesome double homicide in the Jim Crow South, and the manhunt and trial that followed.
In Oxford, Mississippi, the dawn of the twentieth century seemed to present a sweeping landscape of progress and possibility. But under this veneer of technological advancement, cultural achievement, and prosperity lurked a stubborn core of racial discrimination, rampant criminal brutality, and violence.
On a Sunday morning in 1901, the mutilated corpses of two federal marshals were discovered in the smoldering remains of the home of a notorious local malefactor. The murders, committed by moonshiner and counterfeiter Will Mathis and his father-in-law’s servant Orlando Lester, captivated the nation. The crimes ignited a manhunt, a trial marked by desperate lies and legerdemain, and a media frenzy around the hanging of a white man and a black man side by side.
This enthralling account centers on two men—judged unequal in life but equal in death. The story draws on primary sources to craft a spellbinding narrative of singular immediacy and vitality. With the consummate skill of a master raconteur, author T. J. Ray powerfully evokes an era, a community, and its people.
Why marriage? How do you know when you've met the right person? What should you do to prepare for marriage? Are there steps you can take as an older single to find a suitable life-partner? These are questions June addresses as she candidly shares her own struggles and triumphs as an older single and then her adjustment to married life.
This week, to celebrate Columbus Day, LibriVox volunteers bring you six recordings of Columbus by Joaquin Miller. This was the weekly poetry project for the week of October 8th, 2006.
Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate. Informed by her own navigation of several autoimmune diagnoses, Moore examines what it takes to seek care and community in the increasingly complicated, problematic, and disinterested US healthcare system.
A Lambda Literary Award finalist and a Chicago Review of Books Nonfiction Award shortlist title, Body Horror is “sharp, shocking, and darkly funny. . . . Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us” (Publishers Weekly, starred review). Featuring an updated introduction and new essays, as well as illustrations by Xander Marro, this new edition of Body Horror is a fascinating, insightful portrait of the gore that encapsulates contemporary American politics.
Ten years ago, Liyana Dhamirah was in a precarious situation: at 22, she was heavily pregnant and had no place to call home.For Liyana, home was often unstable. Once a bright teenager full of optimism, she faced uncertainty and found no support from family, government agencies and welfare groups. She had nowhere to go, no one to turn to. When she started living on a beach in Sembawang, she discovered a community of people — families — who were homeless just like her. They stuck together and watched out for each other, even when there were raids. She learned that in prosperous Singapore, the homeless are not always identifiable by appearance alone.Months later, journalists eventually uncovered Liyana’s story and how she navigated a bureaucracy of obstacles. Today she is a successful entrepreneur and this is her memoir.
Hilarious and heartbreaking, profane and profound, It Takes a Worried Man is the true story of a young husband and father whose life is changed forever by his wife’s breast cancer diagnosis. Following Brendan Halpin’s cranky, irreverent and lustful thoughts through the diagnosis and treatment of his wife, Kirsten, It Takes a Worried Man is an unflinching and raw look at how cancer transforms a family. It’s also the funniest book about cancer you’ll ever read.
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