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  The Life of Riley Collection 1

  Black Eye Entertainment

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  Created by Irving Brecher, The Life of Riley  starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as an airplane riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, cheerfully disrupting life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate "what a revoltin' development this is!" became a popular catch phrase. Paula Winslowe was Riley's wife, Peg; John Brown doubled as undertaker "Digger" O'Dell and as Riley's co-worker, Jim Gillis; Tommy Cook, Bobby Ellis and Scotty Beckett each played the role of Riley's son, Junior; and Sharon Douglas played the Riley's daughter, Babs. Alan Reed (the voice of Fred Flintstone) played multiple characters, including Riley's boss, Mr. Stevenson and Peg's father. Whereas Gillis gave Riley bad advice that got him into trouble, Digger gave him good advice that "helped him out of a hole." The Life of Riley aired on radio from 1944 until 1951 making a successful transition to television in 1949. Due to a contract dispute, Bendix couldn't initially play Riley on television so the role went to Jackie Gleason. In 1953, William Bendix was free to star as Riley on the small screen and continued with it until 1958.  
   
  10/5/46 "Good Neighbor Week"12/28/46 "New Year's Eve"3/29/47 "The New Chair"4/5/47 "Accused of being a Child Beater"4/12/47 "Is Peg Cheating?"4/19/47 "Riley think Junior is a Coward"5/3/47 "Launching Babs into Society"5/10/47 "Mother's Day Show"6/7/47 "Courting Peg at Camp"6/14/47 "Soap Box Derby"6/28/47 "Vacation without the Wives"7/5/47 "Riley Thinks Peg is Leaving Him"

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  The Confidential Clerk

  T.S. Eliot

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  A comedy of mistaken identities erupts in the household of a wealthy London entrepreneur in this play by the Nobel Prize–winning author. 
   
  A motley play of family mysteries, The Confidential Clerk follows Sir Claude and Lady Elizabeth as they reconnect with their long-lost illegitimate children—even though they aren’t quite certain whose child is whose. “Extraordinarily good fun,” this is one of Eliot’s greatest comedies, full of wit, crisp dialogue, and parental hijinks laced with some of Eliot’s finest poetry and existential reveries (The Atlantic). 
   
  Praise for The Confidential Clerk 
   
  “The dialogue . . . has a precision and a lightly felt rhythm unmatched in the writing of any contemporary dramatist.” —Times Literary Supplement (UK) 
   
  “A triumph of dramatic skill: the handling of the two levels of the play is masterly and Eliot’s verse registers its greatest achievement on the stage—passages of great lyrical beauty are incorporated into the dialogue.” —Spectator (UK)

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  Forty-Two Stories

  Douglas Post

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  Forty-Two Stories is a comedy about life in a high-rise condominium. A professional student from the University of Chicago is moonlighting as janitor. A stressed-out apartment manager is at odds with the residents and on the edge of a nervous breakdown. And a motley assortment of other staff members struggles with survival in the face of urban pandemonium and with the fact that one of them may be breaking into the units and stealing women’s underwear.An L.A. Theatre Works full-cast performance featuring Fran Adams, Ed Begley Jr., Samantha Bennett, Dan Butler, Arye Gross, Michael Luckerman, Charlie Robinson, Tom Virtue and Fred Willard.
  Directed by Susan Booth. Recorded before a live audience at the North Shore Center for the Performing Arts, Skokie in June of 1998.
  
  (P)1997 L.A. Theatre Works, All Rights Reserved

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  good dog (NHB Modern Plays)

  Arinzé Kene

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  It's in the window of Sam's, behind the rusty display. Two wheels, shiny body, handlebars ready to be gripped. Mum's promised him that bike, so even when school or homelife bites, he knows to keep his chin up, his head down and his shirt clean. No harsh word, no sudden push to the ground, will distract him from growing up to be a good man.
  Set during the early noughties, good dog is a theatrical monologue that chronicles growing up in a multicultural community, and the everyday injustices that drive people to take back control. Because even the most patient among us can't wait forever.
  Delicately observed and fearlessly told, good dog was first produced by tiata fahodzi in association with Watford Palace Theatre in spring 2017.
  'One of Britain's most exciting young playwrights' Guardian

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  Ladies Unleashed (NHB Modern Plays)

  Amanda Whittington

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  Pearl, Jan and Linda are enjoying a long-awaited break on the Holy Island of Lindisfarne, when a surprise visitor turns up. They haven't seen Shelley for years, and their retreat becomes a reunion – and pretty soon, a riot.
  But a lot has changed since they were last together and, cut off from the mainland, tensions rise with the tide. As the sky darkens, the island grows restless with echoes of the past. Will the four still be friends when dawn breaks?
  Following the smash hits Ladies' Day and Ladies Down Under, Amanda Whittington's Ladies Unleashed is the third play in her Ladies Trilogy. A moving comedy about friendship, growing older and living for today, it was first performed at Hull Truck Theatre in September 2022, directed by Mark Babych.
  The Ladies are back, and amateur theatre companies – as well as their audiences – are sure to delight in their riotous exploits.
  'A joyous comedy... a story that serves every character with humanity... Whittington has created people who are rich with history and bursting with humour and passion. They're complex, multi-layered, and recognisable... glorious' - The Stage

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  The Lonesome Road - Collected...

  Gabriel Fitzmaurice

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  Whittled down by 'time and the road', this fantastic collection celebrates both the local and the universal. Gabriel Fitzmaurice gives thoughtful consideration to every facet of life as he has known it; from religion to sport, music to politics, love to community and family - all are here. His career as a primary school teacher and principal is at the forefront to many of his observations as he reflects on the world of education and childhood, and indeed a child's youthful perspective. Deeper personal reflections are conveyed as Gabriel expounds on the town he grew up in. Local characters, events and traditions are documented and his admiration for his native town is evident in his words. The poet clearly holds the role of the family in high regard and writes on becoming a father and, in turn, a grandfather for the first time. Sincere, honest reflections are immortalised in many of his poems, juxtaposed by lighter, more humorous works. Gabriel's voice is notable in its sustained clarity and emotional depth, offering up a celebration of experience that make up one's life.

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