Verlag: Good Press
On the Account by J. Allan Dunn is about Captain Bane and his motley crew of renegade pirates. Excerpt: "Captain Bane, gentleman of fortune, commander of the swift return, pushed the black bottle across the table to the little wizened man who faced him. The cabin overflowed with swaggering figures, their tarnished sea togs enlivened with gaudy sashes and head-kerchiefs."
At the exhibition "Speechless: Different by Design," touching pieces of art is actually encouraged. As Jeffrey Brown reports, the Dallas Museum of Art show -- created as a collaboration between designers and brain researchers -- explores how people interact with their surroundings and how they communicate with each other.Zum Buch
Where are we going? The future, Doc! Great Scott! Not forgetting the wibbly-wobbly, timey-wimey past. That's right, ticket holders, Destination Time Travel is your journey into the many worlds of the time travel tale – exploring its tropes, its rules, its devices, its science, its values, its plots, its characters and, most importantly, its enduring – and timeless – appeal. Alongside their upcoming film seminar at the British Film Institution in October, join Steve Nallon and Dick Fiddy as they explore the world's obsession with time travel in film and television. From the classics of Doctor Who and Back To The Future to the Netflix hit Dark, Nallon and Fiddy explore just what it is about time travel that makes us tick. This book will be a guaranteed hit with fans of time travel and the different film and television series that Nallon and Fiddy explore. It will also be key to film buffs and those interested in the medium.Zum Buch
There’s something Constance Middleton’s friends are dying to tell her: her husband is having an affair – with her best friend! Despite their hints, Constance remains ever cool, and seemingly oblivious. Or is she? In this biting comedy of manners, marriages and mistresses, Constance – a not-so-desperate housewife - has some ideas of her own about extra-marital activity that surprise everyone in the end!An L.A. Theatre Works full-cast performance featuring:Kate Burton as Constance MiddletonRosalind Ayres as Barbara FawcettMark Capri as Bentley and Mortimer DurhamStephen Collins as Bernard KersalJohn De Lancie as John Middleton, F.R.C.S.Jen Dede as Marie-Louise DurhamChristina Pickles as Mrs. CulverKirsten Potter as Martha CulverDirected by Jeanie Hackett. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.Zum Buch
Millions know Emily Maynard Johnson from her appearances on both The Bachelor and The Bachelorette. At the end of a long, fruitless search for a husband, Emily found that waiting right in front of her all along was the truest love of all: the unconditional love of the Lord. Overcome with embarrassment following her nationally televised heartbreaks, Emily finally committed herself to the only one she knew would never leave her empty and alone. Abandoning her need to be chosen by men and finding peace in the fact that she was already chosen by God, Emily found the joy she had been looking for in serving God. I Said Yes chronicles Emily's experiences on both The Bachelor and The Bachelorette and the way that God turned her life upside down through the knowledge and acceptance of His true love. As Emily sheds light on her life as a believer in the spotlight, she teaches us:How to embrace the gift of true redemptionWhat it means to fully surrender your heart to GodHow to say yes to God's ways, God's love, and God's timing In I Said Yes, Emily tells the story of her life before and after reality TV fame, describing the profound new reality she discovered when she traded fame in favor of the Lord--and to that unconditional love, Emily said yes.Zum Buch
Issue #112 looks at violence and its relation to the history of slavery, featuring pieces on the films Django Unchained and Lincoln. Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 112, the editors of Transition look at violence, particularly as it relates to the history of slavery, which raises the question of representation. Textbooks and television both grapple with the same fundamental questions: to whom do the stories of slaves belong? How should these stories be told? In this issue, Daniel Itzkovitz talks with Tony Kushner about the controversy that surrounded the making of Lincoln, a serious and sober film about the passage of the 13th Amendment. Django Unchained covers the same time period but uses a wildly different lens. The film is terrifying and topsy-turvy, and has ignited controversy that became a white-hot conflagration. Henry Louis Gates, Jr. speaks with Quentin Tarantino about the making of his film, and a host of scholars and critics, including Walter Johnson, Glenda Carpio, and Terri Francis, set the issue ablaze with provocative and searing commentary that speaks to the controversial film and its potent afterlife.Zum Buch
For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far beyond the borders of the Empire. Today, Italy, North Africa, and the Near East preserve the vestiges of this sophisticated artistic tradition, with all of its mystical and luminous beauty. The magnificence of the palaces, churches, paintings, enamels, ceramics, and mosaics from this civilisation guarantees Byzantine art's powerful influence and timelessness.Zum Buch
