Weitere Bücher, die Sie mögen werden

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  How To Be A Professional Dancer

  HowExpert, Elly Sarfert

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  This book is a general How-to about becoming a professional dancer. The term “Professional Dancer” is an all-encompassing term, used to describe individuals who are currently using dance training and dance performance to make a living. Professional dancers perform in Musical theater, on television shows, on cruise ships, in ballet companies, and many other venues of performing arts! The dance industry is a small and challenging segment of the entertainment industry, and it can be hard to navigate at times. It is our hope that this e-book gives you a glimpse into the necessary steps dancers take to perfect their art and acquire jobs! 
  We walk through the steps of acquiring training, reaching outside of your comfort zone, preparing for an audition, and booking a job. When reading this book, remember that there are no sure paths to success. It will take hard work, and many trials and errors. Everyone’s journey to achievement is unique, but these general guidelines will give you a rough outline or how to reach your dreams. 
  About the Expert 
  Elly Sarfert is a professional dancer from Winston-Salem, North Carolina. After many years of dance training at In Motion Dance Center, under the direction of Michelle Nicholson, she went on to study contemporary at The University of the North Carolina School of the Arts, and later graduated with a Bachelor of Arts in Dance Performance from Point Park University’s Conservatory of Performing Arts. 
  At Point Park Elly majored in jazz dance and minored in Psychology. Currently she is pursuing a dance career all over the country, while also teaching at many dance studios throughout the North-East area. 
  HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.

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  Genesis: A New View

  Bill Myers

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  Moyers discusses his original approach to broadcast journalism and his series "Genesis: A Living Conversation," He describes why these are among the most powerful stories in Western Civilization, and uncovering their deeper, often controversial meanings. Moyers says, "Stories are the way we organize our response to the world…Listening to others, and having them listen to you, is a way to grow your own faith."

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  Seeing Is Believing - The...

  Richard Vance Goodwin

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  How might film reveal God?
  In its most basic form, film is a series of images displayed over time. Of course, film has developed greatly since the Lumière brothers by adding components such as sound, special effects, digital recording, and more to create an increasingly complex artistic medium. Historically, film studies has often focused on the narrative aspect of film as it seeks to tell a story. More recent studies, however, have turned attention to other elements of film, such as the musical score. Yet, film remains, in a sense, a series of images.
  In this Studies in Theology and the Arts (STA) volume, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Carl Theodor Dreyer, Stanley Kubrick, Paul Thomas Anderson, Robert Bresson, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation.
  Blessed are those who have seen God... through film.
  The Studies in Theology and the Arts  series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

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  Greatest Comedy Shows Volume 9 -...

  Various Various

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  OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES   Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all.   Greatest Comedy Shows   Roll on the floor with laughter with comedy legends such as Abbott & Costello, George Burns & Gracie Allen, Ozzie and Harriet, Jack Benny, Bob & Ray and so many more. 100 great Comedy classics in ten volumes. Volume 9 My Favorite Husband 11-20-48 George Attends a Teenage Dance with Lucille Ball & Richard DenningsMy Favorite Husband 12-09-50 Trying to Cash the Prize Check with Lucille Ball & Richard DenningMy Favorite Husband 1950-12-30 Liz Has the Flimjabs with Lucille Ball & Richard DenningMy Friend Irma 2-9-48 Billy Boy the Boxer with Marie WilsonMy Friend Irma 3-29-48 The Big Secret with Marie WilsonOur Miss Brooks 3-19-50 Auction Mix-Up with Eve ArdenOur Miss Brooks 3-26-50 No Uniforms for Opening Day with Eve ArdenOur Miss Brooks 4-2-50 April Fools TV Set with Eve ArdenOur Miss Brooks 4-9-50 Tint Tomorrow Dye with Eve ArdenOur Miss Brooks 5-7-50 Cold Barbeque with Eve Arden

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  The French Way with Design

  Betty Lou Phillips

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  A new look is emerging in France’s apartments as well as its imposing chateaux and country manors. Along with signature pieces of national identity—such as finely crafted wood pieces, splendid mirrors, and grandmère’s well cared for linens—European mid-century modern furnishings also adorn settings in this age of merging sensibilities.Homes photographed in France and the U.S. show abstract works of art mingling easily with painted furniture, budget-friendly finds from assorted cultures—such as wool rugs and handembroidered linens from India—and pottery, artisan-made pillows, throws and vintage textiles from remote markets in Morocco.

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  Brutus and Other Heroines -...

  Harriet Walter

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  'A part we have played is like a person we once met, grew to know, became intimately enmeshed with and finally moved away from. Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.'
  In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare's heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra's magnificent death? Why didn't Shakespeare write more – and more powerful – roles for mature women?
  For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played?
  In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles.
  The book is an exploration of the Shakespearean canon through the eyes of a self-identified 'feminist actor' – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: 'I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.'

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