Verlag: Nick Hern Books
A dark and lyrical tale about friendship, loss and loneliness. Twins Polo and Twitch were born with only one heart between them: where Polo is not looking to be loved, Twitch can do nothing but. 'She writes with great assurance using charmingly poetic language... Miss Hickson proves to be an inspired director.' - British Theatre Guide
LibriVox volunteers bring you 16 readings of Romance by Andrew Lang, probably best known as Edward Elgar's song My Love Dwelt in a Northern Land. Interestingly, Lang initially refused permission for his words to be used as lyrics, and Elgar's wife Alice wrote alternative words Afar, amidst the Sunny Isles for the song. However, Lang later relented and gave permission for his poem to be used. The poem was initially published in The Century Magazine, May 1882, and this is the version recorded here. Later collections of Lang's poetry omit the third verse. (Summary by Ruth Golding)Zum Buch
This is an open collection of poems for the months of November and December 2009.Zum Buch
Two plays from the acclaimed playwright debbie tucker green. trade is a short play dealing with the controversial topic of female sex tourism. Three black women on a Caribbean island: a hip young thing from London, an older tourist and a resident native. One subject. Two worlds. Three points of view. trade was first performed by the Royal Shakespeare Company as part of the 2005 New Work Festival in the Swan Theatre, Stratford-upon-Avon, in October 2005. (An earlier version of the play was performed by the Royal Shakespeare Company as part of the 2004 New Work Festival at The Other Place, Stratford-upon-Avon, in October 2004, and Soho Theatre, London, in March 2005). generations is a 30-minute drama about three generations of a black South African family who contest their relative culinary skills. But food isn't the only topic and the family numbers are declining... generations was first seen as a Platform performance at the National Theatre, London, on 30 June 2005. The play was revived at the Young Vic, London, in March 2007, in a production directed by Sacha Wares. 'Poetry laced with shards of broken glass... short, sharp and pungent theatre' - Guardian on trade 'Packs more into its single intense act than most plays twice its duration manage... shocking emotional violence... a riveting examination of the queasy relationship between two parts of our economically divided world. A small wonder' - The Times on trade 'An entire continent made personal in debbie tucker green's devastating play... runs for fewer than 30 minutes, but will last you a lifetime' - Guardian on generationsZum Buch
I'm ill-equipped   for this. I sit     by a fake fireplace that frames a real flame.   I've been crossed     by two crows today. 'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: “O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter.�* Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar “Dear Reader�* or Dickinson's “Dear Master�* ... Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean — the mem of memory — and the fabric we make of the uncertain in-between.’ — Hoa Nguyen, The Boston Review ‘How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart underassault, bleeding but unbroken. Part Orpheus, part pop-heroine who can “paint the daytime black,�* all, an original act of aesthetic violence and pure, dauntless, love.’ — Lynn Crosbie ’In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that’s the magic: this is a poetry that refuses to be staged or to succumb to cliché or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. “Say you’re a poet,�* Rogers advises us, tongue-in-cheek, “Maybe you mean / Hi, I have a lot of feelings.�* Striking that balance between one-liners and mourning is no small feat.‘ —Trillium Award Jury Citation Praise for Paper Radio: ‘Paper Radio jumped out at me and I can’t say why, but that’s what you want poetry to do, and I never want to say why. Because it’s real and talking to me. Because it’s bloody and horrifying beauty. It’s the Clash and Buckminster Fuller, Auden and Bowie.’ — Bob HolmanZum Buch
An urgent political play from the writer behind Let The Right One In and This is England '86. Hope is a funny and scathing fable attacking the squeeze on local government. How do you save twenty-two million pounds? Mark and Hilary, the leaders of the Council, are about to find out. Jack Thorne's Hope premiered at the Royal Court Theatre, London, in November 2014. 'valuable and timely... a sunburst of optimism' - Daily Telegraph 'a surprisingly entertaining state-of-the-nation drama'- The Stage 'mischievous without being strident, combining pensiveness and wry humour' - Evening Standard 'sharp yet generous-spirited... [Hope] earns its final glow of optimism by being a critical, hard-edged play that is not a cynical one... it's rather beautiful' - The Times 'Jack Thorne's play about local authority cuts could not be more timely: what is equally important is that it entertains even as it offers a call to arms... [Hope] is part of a valuable tradition in combining the residual optimism of David Hare with the preoccupation with process of David Edgar. But it exists on its own terms and is particularly good on edgy personal relationships... it resonantly lives up to its title' - GuardianZum Buch
2015 World Poetry Slam Champion and Woman of the World co-Champion Emtithal "Emi" Mahmoud presents her hauntingly beautiful debut poetry collection. Brimming with rage, sorrow, and resilience, this collection traverses an expansive terrain: genocide; diaspora; the guilt of surviving; racism and Islamophobia; the burdens of girlhood; the solace of sisterhood; the innocence of a first kiss. Heart-wrenching and raw, defiant and empowering, Sisters' Entrance explores how to speak the unspeakable. Includes an audio-exclusive preface by the author.Zum Buch
