Weitere Bücher, die Sie mögen werden

• 

  How Surge In Family Border...

  PBS NewsHour

  • 0
  • 0
  • 0

  In the Yuma sector of the southwestern Arizona border, Border Patrol officials are observing dramatic shifts in the migrant populations they apprehend. In the past, a majority of migrants caught crossing illegally were single men. Now 90% of those apprehended are Central American families and unaccompanied children. Amna Nawaz reports on how changing demographics are taxing immigration resources.

  Zum Buch

• 

  Tales of the Texas Rangers: Room...

  Eric Freiwald, Robert Schaefer

  • 0
  • 0
  • 0

  Steve flies to Rotterdam to find ex-Nazi Rudolph Karpel...with the help of the Glutenschwitzen girls!

  Zum Buch

• 

  Our Miss Brooks: Photo Mix Up

  Al Lewis

  • 0
  • 0
  • 0

  For many people Friday the 13th brings a feeling of pending misfortune. But our Miss Brooks, who teaches English at Madison High School, doesn’t believe in such superstition.

  Zum Buch

• 

  Sampling Shakespeare

  Carl Amari

  • 0
  • 0
  • 0

  Helen Hayes provides a sampler of pieces drawn from Shakespeare on a 1956 episode of The CBS Radio Workshop. William Bendix and company supply the laughs on The Life of Riley. We’ll also hear Yours Truly Johnny Dollar and The Weird Circle. Plus, trivia, movie news and Sarah Adamson’s Movie Reviews.
  A Falcon Picture Group audio production.

  Zum Buch

• 

  Ostermeier -

  Gerhard Jörder, Thomas Ostermeier

  • 0
  • 0
  • 0

  Thomas Ostermeier is one of the best-known European theatre makers and is regarded by many as "the face of modern German theatre" (DIE ZEIT). His major Ibsen productions and his "Hamlet", starring Lars Eidinger tour the globe; Berlin's Schaubühne, where he has been the artistic head since 1999, is celebrated worldwide.
  
  In conversation with Gerhard Jörder, Thomas Ostermeier describes the path that led him to the theatre, which became "a kind of life saver" after early years riddled by conflict. Self-confident and self-critical, both declarative and ruminative, he recapitulates the early triumphs of the Deutsches Theater's Baracke offshoot, his difficult start at the Schaubühne and the growing success of his politically engaged realistic theatre, particularly among young audiences. He emerges as an outspoken critic of his generation's apolitical attitude, the postmodern mainstream and the narrow aesthetic discourse of German theatre, and a passionate supporter of the permanent institutions of culture, the ensemble concept and creative work with actors – the core of an understanding of contemporary theatre that focuses on people rather than forms.

  Zum Buch

• 

  Abbott and Costello: Night in a...

  Bud Abbott, Lou Costello

  • 0
  • 0
  • 0

  Abbott and Costello say next Sunday is Mother's day and talk about what present to get. Lou needs money for a present and Bud asks him to live in a haunted house. Abbott and Costello go to the house. The ghost turns out to be Mrs Wetwash. She is looking for a treasure map and Lou finds it.

  Zum Buch