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  Rhyme A Dozen A - 12 Poets 12...

  Emma Lazarus, Ann Plato,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - America - An Introduction 
  2 - The New Colossus by Emma Lazarus 
  3 - The Natives of America by Ann Plato 
  4 - America the Beautiful by Katharine Lee Bates 
  5 - Bury Me In a Free Land by Frances E W Harper 
  6 - A Nation's Strength by Ralph Waldo Emerson 
  7 - To America by James Weldon Johnson 
  8 - The Crowd at the Ball Game by William Carlos Williams 
  9 - Harlem by Langston Hughes 
  10 - Wild Peaches by Elinor Wylie 
  11 - The Railway Train by Emily Dickinson 
  12 - The Ballad of the Harp-Weaver by Edna St Vincent Millay 
  13 - I Hear America Singing by Walt Whitman

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  Innocent When You Dream

  Ken Narasaki

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  80-something Dan Yamada has been rendered speechless after a stroke, and as he lies in bed, he vividly recalls his life, from his days in the World War 2-era internment camps, to serving in the US Army, to his one true love. At his bedside in the present, his adult children fight over his care and legacy, all while Dan tries to communicate his poignant final wish.  
   
  Includes an interview with playwright Ken Narasaki. 
   
  This play is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library. 
   
  Recorded at The Invisible Studios, West Hollywood in January 2024. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full cast recording, starring: 
   
  Kurt Kanazawa as Frank Fujiyama  
  John Miyasaki as Young Dan Yamada  
  Suzy Nakamura as Joy Yamada-Hanke  
  Ken Narasaki as Dr. Park  
  Rosie Narasaki as Young Grace Hamamoto Sharon Omi as Adult Grace Hamamoto  
  Sab Shimono as Dan Yamada  
  Greg Watanabe as Merv Yamada 
   
  Senior Producer: Anna Lyse Erikson 
  Prepared for audio by Mark Holden 
  Recorded and edited by Neil Wogenson 
  Designed and mixed by Charles Carroll for The Invisible Studios, West Hollywood. 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Stacey Martinez 
   
  “Blue Skies” performed by Kurt Kanazawa

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  The Misanthrope

  Molière Molière

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  Razor-sharp wit inflames a competitive game of survival in the salons of 17th century France where, in this world of “finest appearances,” one man’s blunt honesty shatters his society’s delicate web of manners. Often considered to be Molière’s Hamlet, The Misanthrope is a wickedly scathing satire. Translated by Richard Wilbur. A Court Theatre co-production.
  
  An L.A. Theatre Works full cast performance featuring:
  
  Harry Althaus as Acaste
  Amy Farrington as Éliante
  Bradford Farwell as Philinte
  Sean Fortunado as Guard of the Marshalsea
  David Frutkoff as Basque
  Kevin Gudahl as Alceste
  Ora Jones as Arsinoé
  Chad Kelderman as Dubois
  John Reeger as Oronte
  Hollis Resnik as Célimène
  Larry Yando as Clitandre
  
  Directed by Charles Newell. Recorded before a live audience at the DoubleTree Guest Suites, Chicago in April of 1996.

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  Pearl

  Jane Draycott

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  In a dream landscape radiant with jewels, a father sees his lost daughter on the far bank of a river: ‘my pearl, my girl’. One of the great treasures of the British Library, the fourteenth-century poem Pearl is a work of poetic brilliance; its account of loss and consolation has retained its force across six centuries. Jane Draycott in her new translation remakes the imaginative intensity of the original. This is, Bernard O’Donoghue says in his introduction, ‘an event of great significance and excitement’, an encounter between medieval tradition and an acclaimed modern poet.

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  Granny's Wonderful Chair

  Frances Browne

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  Her most famous work, Granny's Wonderful Chair, was published in 1856 and it is still in print to this day. It is a richly imaginative book of fairy stories and has been translated into many languages. This work, read as a child by Frances Hodgson Burnett, inspired the writings of Little Saint Elizabeth and Other Stories (Summary by Wikipedia and Linette Geisel)Cast:Narrator: Linette GieselStorytelling Chair: Phil ChenevertFemale 1: Beth ThomasFemale 2: Amy GramourFemale 3: rashadaFemale 4: ChyAnne DonnellFemale 5: Joyce CouchFemale 6: KalyndaMale 1: Glenn PreviteraMale 2: Algy PugMale 3: bishMale 4: Matthew ReeceMale 5: David LawrenceMale 6: Ernst PattynamaMale 7: Steve BelleguelleMale 8: Ken FeltMale 9: Ken FeltProject Editor: Phil Chenevert

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  Damon Runyon Theater - Romance...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.

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